Veteran radio journalist and master storyteller Alex Chadwick (who's also a personal friend—he's taught me so much about journalism over the years) hosts a must-listen radio documentary premiering this weekend on public radio stations throughout the US.
BURN: An Energy Journal is a four-hour, four-part broadcast and digital documentary series exploring "the most pressing energy issues of our times."
Part One of the series, titled "Particles: Nuclear Power After Fukushima," coincides with March 11, the first anniversary of the Fukushima nuclear disaster in Japan. I've listened in entirety, and followed along as the BURN team researched and produced over the past few months, and I can tell you this is truly powerful work. The show also includes PBS Newshour reporter Miles O'Brien, reporting from inside the Fukushima exclusion zone on his recent trip there.
Included in the riveting premiere episode is an exclusive, first-time-ever interview with an American who was on-site at the Daiichi nuclear plant when the earthquake and tsunami struck. Carl Pillitteri, a maintenance supervisor and one of 40 Americans in Fukushima on that fateful day, describes his terrifying ordeal as he desperately attempted to lead his men to safety through the enormous, shuddering turbine buildings in total darkness.
Japanese photographer Satoru Niwa, whose work I blogged in a previous Boing Boing post, has a new series from Fukushima marking the one-year anniversary of the March 11 disaster: Invisible You. Again, beautiful, evocative work. Above: a shot from the town of Namie, which is some 40 miles from the Fukushima Daiichi nuclear plant. View the full gallery here (warning: Flash).
Among the recent projects of London/Tokyo-based photojournalist Satoru Niwa is this stunning series of images captured near the Fukushima Daiichi nuclear plant in Japan, just days after the March 11, 2011 quake, tsunami, and ensuing nuclear disaster.
Above: a policeman wearing protective gear to guard against radiation, 15 miles from the plant, on March 25, 2011. Below, a family's photograph found in the tsunami mud, 5km from the plant in the now-abandoned town of Futaba.
I traveled to Japan with PBS NewsHour science correspondent Miles O’Brien to help shoot and produce a series of NewsHour stories about the aftermath of the March 11 earthquake, tsunami, and nuclear disasters.
On PBS NewsHour tonight, a report I helped the program's science correspondent Miles O'Brien produce about the challenge people in Japan face of finding and sharing reliable data about radiation contamination, after the disaster at the Fukushima Daiichi nuclear plant.
While in Tokyo, Miles spoke to Hari Sreenivasan about his trip with Safecast workers into the voluntary exclusion zone around the Fukushima Daiichi nuclear plant, where they detected levels reaching the equivalent of six X-rays per day.
He also filled us in on his conversations with Japanese officials working in evacuated areas and Japanese residents eager for more information about the consequences of the nuclear accident.
I'll post the video for the full feature when it's available online.
I traveled to Japan recently with PBS NewsHour science correspondent Miles O'Brien, and helped shoot and produce a series of stories related to the March 11 disasters: earthquake, tsunami, and nuclear crisis. The first of those stories from Miles aired last night: on "the elusive science of earthquake prediction -- whether seismologists will ever be able to predict an earthquake with any certainty -- and how far they've come in Japan come toward making that a reality."
Coincidentally, this piece aired on the same day hundreds of cities on the U.S. West Coast took part in the 2011 Great California ShakeOut earthquake drill —and the same day as first one, then another moderate but jarring quake hit the San Francisco Bay Area. Twitter was all aflutter.
Scientists have long speculated that large tsunamis could be linked to the calving of icebergs—where chunks of ice break off of the side of a glacier or ice shelf and float away. The Tohoku earthquake and tsunami that happened in March off the coast of Japan finally gave them much more direct evidence of this phenomenon. Fascinating stuff, and a great reminder of how interconnected the world really is.
Reddit's Smsilton took this incredible 60mm macro shot of an iconic MC Escher painting being refracted through a drop of falling water, and documented the process:
Yeah I used the Canon 60mm macro f/2.8. I shot at ISO 640 and 1/250. It took about 150ish shots to get that one, ~2 hours. The hardest part was focusing, in the set up picture I posted in the first comment you can see a piece of string above the eye dropper. I would let that hang down off the eye dropper and focus on that, then move it and squeeze the dropper and the shutter at almost the same time. I have like 30ish more pictures with the drop clearly in the shot but the sketch behind it isn't in focus, this was the clearest one I got.
The tsunami and earthquake have faded from the headlines, but the need for aid is still real. Incubot, in conjunction with partners World Events Productions and CustomUSB, have created a line of Japan Relief customs 2G USB drives: limited edition, fully licensed, and in colors honoring the japanese flag. Packaged in "Ganbari Japan!" custom boxes.
100% of profits go to Japanese Red Cross Society and to Safecast radiation monitoring efforts.
The video above documents what I am told is a meeting between Fukushima residents and government officials from Tokyo, said to have taken place on 19 July 2011. The citizens are demanding their government evacuate people from a broader area around the Fukushima nuclear plant, because of ever-increasing fears about the still-spreading radiation. They are demanding that their government provide financial and logistical support to get out. In the video above, you can see that some participants actually brought samples of their children's urine to the meeting, and they demanded that the government test it for radioactivity.
When asked by one person at the meeting about citizens' right to live a healthy and radioactive-free life, Local Nuclear Emergency Response Team Director Akira Satoh replies "I don't know if they have that right."
Boing Boing reader Rob Pongi spotted this online and sent this in to us. I asked him for more info.
The current evacuation zone in Fukushima is only 20-30 kilometers. The Japanese government has compensated the evacuees from inside that zone and has financially supported them in moving out of it. However, as more and more high levels of radiation are being discovered outside of the evacuation zone, many more Fukushima residents (and many others located nearby Fukushima) want the government to also help them logistically and financially so that they can move out further away from the nuclear plants. Especially since many children are now being exposed. But the government does not want to do this at all and many people are getting very upset.
This video was filmed in Fukushima at the Corasse Fukushima Building on July 19, 2011. The meeting was entitled "Japanese Government Discussion - Demands for Evacuation Authority". This meeting was attended by residents of Fukushima and some Representatives for the Nuclear Safety Commission Of Japan. It was filmed by some anonymous members of the "Save Child" website. This site includes Japanese news about the Fukushima Nuclear disaster, advice on how to avoid contamination, and many, many related videos. This site is much like enenews.com on steroids! I checked domaintools.com and the name of the registration is private. You can see the original Japanese videos of this meeting on the Save Child website here (English), and on Youtube here. This video was translated by pejorativeglut. And, for sure, the English subtitles are correct. I was not involved in the production of this video.
2:46: Aftershocks: Stories from the Japan Earthquake is a fundraising anthology of essays about the Japan quake and tsunami. It was organized on Twitter and published in a very short time (it's a Kindle book). Contributors include Yoko Ono and William Gibson, who explains his motives to the Globe and Mail:
His contribution begins with a description of a weird scene he once witnessed in Tokyo while riding in a taxi along an elevated highway and seeing into a lit room where a naked man sat at a long marble table. That unsettling vision leads him into "this strange meditation on the profound restlessness I was feeling after the quake and the tsunami, which made me feel I should go there, I should do something. I don't even know if it was an urge to help. It was an urge to make sure one of my favourite places was there..."
"These are what the Victorians would have called occasional pieces: 'on the occasion of the great earthquake.' The form is an ancient one, but the platform is up to date. ... In the past, it was gathered after the fact. Now, we have this facility to respond in real time."