As soon as I heard Mark Ernest Pothier's What Will You Miss Most? was available, I had to read it. His stories grab my attention and his characters wrench my heart. Again, I was brought to tears.
What Will You Miss Most? is a story of coping with loss. Louise isn't dissatisfied with life, but things haven't been going her way for a while. When her father passes in a freak accident we are shown how sometimes a greater loss can put everything in perspective.
Mark's characters are so full and so excellently written I can not believe this is a short story. He is truly a gifted storyteller.
Previously on Boing Boing:
Jason Erik Lundberg writes, "The ebook edition for the second issue of the world's only biannual literary journal focusing on southeast Asian speculative fiction has just been released! LONTAR issue #2 (Spring 2014) is now out and available, DRM-free, at Weightless Books, and can be had for the mere paltry payment of $2.99 USD. This issue of LONTAR presents speculative writing from and about Korea, Singapore, Indonesia, Cambodia, Vietnam and Thailand."
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Children's author, essayist and hero of literature Daniel Pinkwater has revived his classic backlist as a line of DRM-free ebooks! Each one is only $3, and there are some astoundingly good titles in there.
Alan Mendelsohn, The Boy From Mars was my first Pinkwater, and it literally changed my life. It's your basic nerd-discovers-he-has-special-powers book, except it's not: it's got saucer cults, green death chili, mystic bikers, and a sweet and inclusive message about following your weird without looking down on others. It literally changed my life.
The Education of Robert Nifkin is another take on an Alan Mendelsohn-like story, but this time, it's all about taking charge of your own education and an alternative school where the inmates run the asylum. It's probably no coincidence that I ended up at a school much like Nifkin's after reading Mendelsohn (here's my full review).
Young Adults is a hilarious, bawdy romp through the conventions of young adult literature. When got my first paperback copy, I walked around for days, annoying my roommates by reading long passages from this at them until they forgave me because they were convulsed with laughter. Dadaism was never so funny.
Wingman is such a beautiful, compassionate book about race, comics, and a love affair with literature. I read my copy until it fell apart.
What can you say about the Snarkout Boys? They sneak out at night and go to an all-night B-movie palace where they have comic, X-Files-style adventures with the paranormal and diner food. The Snarkout Boys & The Avocado of Death and The Snarkout Boys & The Baconburg Horror comprise the canon.
Then there's Chicago Days and Hoboken Nights, a memoir as a series of comic essays that tell the story of Pinkwater's boyhood, his training as an artist, his late-night hot-dogs, and the forces that made him into the towering force of literature that he is today.
There's so much more!
Before he died, Aaron Swartz wrote a tremendous afterword for my novel Homeland -- Aaron also really helped with the core plot, devising an ingenious system for helping independent candidates get the vote out that he went on to work on. When I commissioned the indie audiobook of Homeland (now available in the Humble Ebook Bundle, I knew I wanted to have Aaron's brother, Noah, read Aaron's afterword, and Noah was kind enough to do so, going into a studio in Seattle to record a tremendous reading.
Here is Noah's reading (MP3), released as a CC0 file that you can share without any restrictions. I hope you'll give it a listen.
And a reminder that the complete Humble Ebook Bundle lineup is now available, including work from John Scalzi, Mercedes Lackey, and Ryan North, as well as the core bundle, which features Wil Wheaton, Holly Black, Steven Gould, and Scott Westerfeld!
Four more books have been added to the final week of the third Humble Ebook Bundle: John Scalzi's Hugo- and Nebula-nominated novella The God Engines; Dia Reeves's Bleeding Violet; Mercedes Lackey and Rosemary Edghill's Arcanum 101; and Ryan "Dinosaur Comics" North's To Be or Not To Be, a bestselling, choose-your-own adventure version of Hamlet.
These are added to seven other books, from authors including Holly Black, Justine Larbalestier, Steve Gould, Scott Westerfeld, Wil Wheaton, Yahtzee Chroshaw -- and me!
Six of the books are available on a name-your-price basis; if you give $15, you get the whole whack, including the DRM-free audio adaptation of Homeland, which I paid for out-of-pocket, read aloud by Wil Wheaton!
Hugh sends us An Illustrated Book of Bad Arguments: "This book is aimed at newcomers to the field of logical reasoning, particularly those who, to borrow a phrase from Pascal, are so made that they understand best through visuals. I have selected a small set of common errors in reasoning and visualized them using memorable illustrations that are supplemented with lots of examples. The hope is that the reader will learn from these pages some of the most common pitfalls in arguments and be able to identify and avoid them in practice."
Homeland audiobook: Wil Wheaton explains how Little Brother and Homeland make you technologically literate
The Humble Ebook Bundle continues to rock, raising hundreds of thousands of dollars for a bundle of great name-your-price ebooks, including Scott Westerfeld's Uglies, Steve Gould's Jumper, and Holly Black's Tithe. Also included in the bundle is an exclusive audiobook of my novel Homeland, read by Wil Wheaton.
I commissioned Wil to read the book -- it was pretty much the only way to get a DRM-free audio edition in the age of Audible -- and while he read, he had a series of conversations with the project's director Gabrielle di Cuir from LA's Skyboat Studios. In this clip (MP3), Wil explains how the discussions of crypto and technology in my novels serve as a spur to drive kids -- and grownups -- to research more about security and freedom.
You've got 11 more days to avail yourself of the Humble Ebook Bundle!
The Humble Ebook Bundle is going great guns, with a collection of recent and classic books from both indie and major publishers, all DRM-free, on a name-your-price basis. Included in the bundle is an exclusive audio adaptation of my novel Homeland, read by Wil Wheaton, who also appears as a character in the novel.
When Wil got to the part where the protagonist, Marcus, meets "him" in the story, he kind of lost it, cracking up as he read Marcus's breathless (and thoroughly deserved!) praise of Wil.
Here's audio (MP3) of Wil explaining the context of the scene to Gabrielle de Cuir, the director who worked with Wil on his reading.
Listening to the raw daily studio sessions in February was a great treat, and I hope these outtakes give you a sense of some of that behind-the-scene action.
You've got 12 more days to score the Humble Ebook Bundle, which includes Steven Gould's Jumper, Holly Black's Tithe, Scott Westerfeld's Uglies, Wil Wheaton's The Happiest Days of Our Lives, and the audio adaptation of Homeland, read by Wil!
Hugh Howey, author of the bestselling, indie-original science fiction series Wool, has published an eye-popping, and important data-rich report on independent author earnings from ebooks sold on Amazon. Howey makes a good case that the "average" author earns more from a self published book than she would through one of the Big Five publishers, and, what's more, that this holds true for all sorts of outliers (the richest indie authors outperform the richest Big Five authors; less-prolific indies do better than less-prolific traditionals, etc).
Howey's report includes a lot of raw data and makes a lot of very important points. It certainly is an aid to authors wondering whether to do business with major publishers or go it alone. I read it with great interest.
I think that there are a couple of important points that Howey skirts, if not eliding them altogether. The most important of these is that all the authors Howey studies live and die by the largesse of one company: Amazon. This is the same company whose audiobook division, Audible, requires authors to lock their products to its store with non-optional DRM, and which has no real competitors in its space. So it is neither an angel by nature, nor is it subject to strong competitive pressures that would cause it to treat authors well when its own self-interest would cause it to treat them badly. As bad as it is to have a publishing world with only five major publishers in it -- a monoposony in which a tiny handful of companies converge on terms and practices that are ultimately more to their benefit than those of authors, it's even worse to have a world in which a single company controls the entire market. That's not just bad, it's catastrophic.
The second point is the opportunity cost of being your own publisher: almost all successful authors have to do things that aren't writing in order to sell their books (all the hustling, touring, etc that comprises the writerly life in the early 21st century), but if you're your own publisher, there is an order of magnitude more non-writing stuff that becomes your job. Going the traditional route makes sense for writers who can earn more by writing another book than they can by spending that writing time being a publisher; it also makes sense for writers who just aren't any good at that stuff.
Now, this second point does not militate against self-publishing per se -- rather, it suggests a new kind of service-bureau/publisher that provides services to authors that sit somewhere between self-publishing and traditional publishing. Companies like Lulu, Bookbaby and Smashwords already do this, and many of the big literary agents are starting to do this for their authors, especially with their backlists.
But the first point is a significant concern. In the 1980s, when the midlist collapsed and the number of mass-market distributors in America fell from 400+ to three, and the trade retail channels for mass-market books were dominated by Barnes and Noble and Borders, authors discovered that their careers could be suddenly and totally ended, merely because the mass-market distributor stopped carrying them, or one of the retailers stopped selling them. Writers who'd published a new novel every year for decades suddenly found themselves with no one willing to publish, distribute or sell their next book, or carry their backlists.
That's what concentration begets. It's a major problem, and an existential risk to the market that Howey has identified. There are ways to improve the odds for indie authors -- a plurality of payment systems, lots of different search- and recommendation services, more companies providing services to authors. These, of course, are exactly the sort of thing that extremist copyright proposals like SOPA and the TPP work against: by making the companies that serve authors and their audiences bear the liability for infringement, we shrink the number of companies that supply authors and ensure that only big players like Amazon, Paypal, Apple and Google can occupy those niches.
Pro-competitive ground-rules won't solve the competition problem on their own, but without them, no solution is possible. As creators -- and as audiences -- we are all best served by a churning and chaotic retail and publishing channel, in which many companies compete to offer us all the best possible deal.
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Here's On the Road for 17,527 Miles, a 45 page ebook of driving directions for recreating the journey of Sal Paradise in Jack Kerouac's 1957 classic On the Road. Its author, German college student Gregor Weichbrodt, is selling it as a print-on-demand title via Lulu, in case you want a hardcopy to take with on your trip.
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The Pew Internet and American Life project has released a new report on reading, called E-Reading Rises as Device Ownership Jumps. It surveys American book-reading habits, looking at both print books and electronic books, as well as audiobooks. They report that ebook readership is increasing, and also produced a "snapshot" (above) showing readership breakdown by gender, race, and age. They show strong reading affinity among visible minorities and women, and a strong correlation between high incomes and readership. The most interesting number for me is that 76 percent of Americans read at least one book last year, which is much higher than I'd have guessed.
For ten years, I've been singing the praises of Out on Blue Six, Ian McDonald's 1989 science fiction novel that defies description and beggars the imagination. It's been out of print for decades, but it's back in ebook form, and I was honored to be asked by McDonald to write the introduction for the new edition. Ian's given me permission to reproduce that intro in full -- as you'll read, this book is one of those once-in-a-generation, brain-melting flashes of brilliance that makes you fall in love with a writer's work forever.
Welcome, lucky reader, to a glad moment in literary history: the republication of Ian McDonald's magnificent 1989 novel "Out on Blue Six," a book I've read dozens of times, and by which I am still awed and delighted.
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Rachel Willmer, who runs the excellent ebook price-comparison site Luzme, summarizes the price-preference data she's captured from her customers. By measuring the point at which readers are willing to buy ebooks (whose prices are variable) and the volumes generated at each price-point, her findings suggest the optimal price for ebooks in different territories. This is important work: because ebooks have almost no marginal cost (that is, all their costs are fixed through production, so each copy sold adds almost nothing to the publisher's cost), there's lots more flexibility pricing strategies. If you make more by pricing your book at $0.01 than you do at $10, the right thing to do is price it at a penny and rake it in -- a rational business wants to maximize its profits, not the amount that each customer spends (I wrote about this at length in 2010).
I've been posting here about The Borribles for more than a decade (proof!). Michael de Larrabeiti's young adult fantasy trilogy from the 1980s remains among my most favourite examples of both YA literature and literature about London. The books detail the lives of the Borribles, a race of elfin, pointy-eared changelings, whose number swells every time a naughty child simply walks away from home and begins a new life as an immortal, pointy-eared trickster. The Borribles live by a strict code: they never work, only thieve; they do not handle or covet money; they squat in derelict buildings, and they must earn their names by completing a daring adventure, such as taking up arms against the hateful Rumbles, a race of covetous, materialistic overgrown rodents who inhabit an underground world called Rumbledom.
Today, Tor UK is relaunching The Borribles for a new generation as three ebooks with lots of extra art and other supplementary material. They're also still publishing the UK omnibus edition a (the great Tor Teen US paperbacks are sadly out of print, though easy enough to get used). Only the ebook comes with China Mieville's wonderful introduction.
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