Avi Solomon snapped this pic of the window display at NYC bookstore The Strand lauding the virtues of their "Real books priced lower than ebooks," including the fact that you can read them during take-off and landing.
Dutch ebook sellers promise to spy on everyone's reading habits, share them with "anti-piracy" group
Earlier this summer, the German Booksellers Association announced a daft "watermarking" process for ebooks that would introduce random variations in the text as a means of uniquely identifying them. At the time, I pointed out that this was just silly: firstly, it's not hard to detect and vary the watermarks (just compare two different copies of the text using a 40-year-old program called "diff") and secondly, because the fact that a pirate site has a copy of a book with "your" watermark in it doesn't mean that you've done anything wrong. It's not illegal to lose your computer, be hacked, or give your hard-drive away.
What I totally failed to anticipate was that booksellers and publishers would use watermarking as a rubric for tracking and sharing information about everything that everyone is reading. In the Netherlands, ebook sellers have announced that they will retain full reading records on their customers for at least two years, and will share that information with an "anti-piracy" group called BREIN (a group that already has the power to order Dutch ISPs to censor the Internet, without due process or judicial oversight; and who, ironically, were caught ripping off musicians for their anti-piracy ads).
I am not often shocked by the insanity of anti-piracy efforts, but this one has me agog. As a former bookseller, I can't believe that people in the business of putting books into readers' hands would casually spy on their customers' reading habits, and, worse still, turn them over to a sleazy third party with a track-record of bullying, corruption, and censorship.
It's hard to imagine a less ethical business practice. Piracy (that is, "reading books the wrong way") pales by comparison alongside of it. If the Dutch booksellers had set out to build the case for piracy as the safest, most virtuous reading practice, they could have done no better.
Read the rest
Read the rest
Earlier this summer, I worked with the American Library Association on their Authors for Library Ebooks project -- which is asking authors to call on their publishers to offer ebooks to libraries at a fair price. Right now, libraries pay several times more for ebooks than people off the street -- up to six times more! I recorded this video explaining why libraries and authors are natural allies.
Read the rest
Read the rest
[Ed: An anonymous reader from the publishing industry wrote in with the following. I have every reason to believe it's true -Cory]
Update: An agent writes in to say: "Penguin ALSO doesn't want to give agents the hi-res final jacket image without charging. We can often beg/loophole/cajole -- but the official party line is they are supposed to charge $300. (???!) Mind you, this could pretty much ONLY be used to promote the book. We like to put the book jacket on our agency website, in our agency catalogues for foreign book fairs, make postcards, etc... but obviously we can't authorize any other territory to use this image. So essentially they are saying they don't want us to create promo material on the book's behalf, even on our own dime."
There's something going on at Penguin (interesting to see if it changes now that it's Penguin Random House, though all signs point no) that's so stupid and old school and against all authors that I thought I'd share.
In every contract in publishing, there's language (as you know) that gives an author a certain number of copies of the book, on publication. When ebooks came to play, agents began trying to negotiate for an electronic version of the book too, oftentimes successful. What they /can't/ get from Penguin (and a few other publishers, though notably Penguin) is a final PDF or even a final word doc of the book. Agents are told that Penguin puts work into the layout, edit and design and so agents can't just give that work away to foreign countries for them to use in their editions. That work must be paid for. I semi-buy that argument, though it makes me think two things: 1) Shame on them for getting in the way (as they do sometimes) of a foreign deal and 2) Penguin is contractually obligated to create the book anyway, with all of those pieces.
I must have read Space Viking over a hundred times. Since my youth, H. Beam Piper's Terro-Human histories, as well as his Paratime novels, have thrilled me.
Space Viking lays out Piper's Terro-Human universe several generations after the collapse of the Federation, a galaxy spanning human government. Civilization, across space, is slowly reverting to barbarism, except a few worlds that've held on.
The Sword Worlds struggle on but they are unwittingly watching their chances at a civilized future slip away. Pirating former colonized worlds for goods and treasure has left the Sword Worlds uncreative and culturally parasitical. Few realize the doom looming on the horizon but when a madman kills Lucas Trask's fiancé, Trask's quest for vengeance becomes instead a movement for hope.
I love H. Beam Piper and can't recommend Space Viking highly enough.
David Malki ! writes, "After poring over 2,000 story submissions, commissioning dozens of illustrations, and waiting ever-so-eagerly, we're so pleased that the sequel to Machine of Death is out now! It's called THIS IS HOW YOU DIE and it's published by Grand Central. We've put a 90-page free PDF preview on our site, and we also made a really cool short film to introduce people to the MOD concept."
Machine of Death is part of the current Humble Ebook Bundle, which closes in about a day -- that is, you've got a day to name your price for Machine of Death, along with books like Peter Beagle's The Last Unicorn, Cherie Priest's Boneshaker, Wil Wheaton's Just a Geek, Louis McMaster Bujold's Shards of Honor, XKCD Vol 0, Robert Charles Wilson's Spin, my novel Little Brother, Holly Black's Poison Eaters, and Neil Gaiman's Signal to Noise -- a seriously kick-ass deal.
Humble Ebook Bundle reveals second week bonus books: XKCD, Gaiman/McKean, Holly Black & Machine of Death!
The Humble Ebook Bundle -- a two-week, pay-what-you-like, DRM-free ebook sale -- has just revealed the four bonus books in week two: XKCD Volume 0 by Randall Munrow; Signal to Noise by Neil Gaiman and Dave McKean; Poison Eaters and Other Stories by Holly Black and the bestselling Machine of Death anthology. To get these bonus titles, you have to pay more than the present average for the books (if you bought already and paid more than the average at the time, these books are already yours to download, otherwise, you can top up your payment to get them). Remember, you can also buy the bundle as a gift-code to give to a friend!
(Reminder: the Bundle also includes Peter Beagle's The Last Unicorn; Wil Wheaton's Just a Geek; Lois McMaster Bujold's Shards of Honor; Robert Charles Wilson's Spin, Cherie Priest's Boneshaker and my Little Brother)
"Lost in Translation," my latest Publishers Weekly column, looks at SiDiM, a new DRM scheme developed by the German Booksellers Association and the Fraunhofer Institute (with funding from the German government). The idea is to produce random variations in the text of ebooks so that each customer's ebook can be uniquely identified.
As I point out, this is an old and long-discarded idea, trivial to break (just compare two copies of the book); but more importantly, it rests on the silly idea that finding "my" copy of an ebook being shared illegally will somehow be bad for me:
The idea that copyright owners might convince a judge, or, worse, a jury that because they found a copy of an e-book on the Pirate Bay originally sold to me they can then hold me responsible or civilly liable is almost certainly wrong, as a matter of law. At the very least, it’s a long shot and a stupid legal bet. After all, it’s not illegal to lose your computer. It’s not illegal to have it stolen or hacked. It’s not illegal to throw away your computer or your hard drive. In many places, it’s not illegal to give away your e-books, or to loan them. In some places, it’s not illegal to sell your e-books.
So at best, this new “breakthrough” DRM scheme will be ineffective. But worse, what makes anyone think this kind of implicit fear of reprisal embedded within one’s digital library is acceptable, or, for that matter, preferable to old-school DRM?
Humble Ebook Bundle II: name your price for Last Unicorn, Wil Wheaton, Lois McMaster Bujold, Little Brother and more
It's time for another Humble Ebook Bundle! Once again, I was honored to serve as volunteer curator of the Humble Ebook Bundle, a project from the Humble Indie Bundle people who've made Internet history by bundling together awesome, DRM-free media and letting you name your price for it. We did the first Humble Ebook Bundle last fall (with my novel Pirate Cinema) and made over $1.25 million in two weeks (!). The new Ebook Bundle is even cooler. Here's the lineup:
* The Last Unicorn (deluxe edition), by Peter Beagle
* Just a Geek, by Wil Wheaton
* Little Brother, by Cory Doctorow
* Boneshaker, by Cherie Priest
* Spin, by Robert Charles Wilson
* Shards of Honor, by Lois McMaster Bujold
As with all the bundles, there is a secret stash of releases in the wings for week two; if your payment is higher than the average at the time you make it, you get them for free (and they are sweet!). Otherwise, you can always get them by topping up your payment. And as always, there's charities involved -- you can earmark some or all of your payment for the Electronic Frontier Foundation, Child's Play, and the Science Fiction Writers of America Emergency Medical Fund.
The Battle of $9.99: How Apple, Amazon, and the Big Six Publishers Changed the E-Book Business Overnight
Andrew Albanese, my editor at Publishers Weekly, has been tracking the antitrust action the DoJ brought against the big six publishers and Apple over price-fixing very carefully, and he's written a great-looking, DRM-free ebook about it called "The Battle of $9.99: How Apple, Amazon, and the Big Six Publishers Changed the E-Book Business Overnight." Here's what he had to say about it:
It is mostly about the backstory of the case, how publishers' antipathy to $9.99 led them to what turned out to be a pretty fateful decision. It is also available in all the major e-book stores, Sony, B&N, Apple, and Amazon. Amazingly, Amazon is featuring it on their Singles home page here in the U.S.
So one note that might be of interest to you, I was surprised to learn in writing this essay how little the publishers negotiated their initial e-book retail terms back when the e-book market was just beginning. And, more to the point, that the thought they did put into e-books was all related to the negative aspects of digital: how to stop piracy, DRM, controlling unauthorized use. This is kind of where this whole legal saga begins. When Amazon came to launch the Kindle in 2007, the publishers were so focused on the bad things that digital might bring that they never really considered, hey, what if this e-book thing really works? What if this Kindle thing takes off?
Remember, at the time Amazon launched the Kindle, the publishers were stumping for the Google Settlement, so their attention was focused more on stopping the digitization and indexing of long out-of-print books that were making money for no one. As a result, they barely negotiated their initial financial terms with Amazon. Amazon officials testified that, in some cases, they just accepted the financial terms publishers had already proposed for e-books, while publishers mostly sought to address DRM, and security concerns. No one apparently stopped to ask Amazon, “Oh, by the way, how much are you planning to charge consumers for our e-books?”
It is easy to say in hindsight, but the major publishers’ fear of digital piracy had kept them from considering the prospects of digital success. And, of course, all of this was exacerbated by the fact that the Kindle was a closed platform, so, the more successful the Kindle became, the more power the company had over the publishers' customer. As you once wrote, the DRM and security they'd insisted on became a whip to beat them with. Another interesting chapter in the way DRM has impacted the publishing industry.
A woman who placed a big computer order at Amazon had her account frozen while they tried to verify her credit-card, a process that went horribly awry (they demanded that she fax them her bank-statement, which she did, eight times, but they never got it, and who knows where those eight copies ended up). As a result, she is no longer able to access her Amazon account, including her Kindle ebooks. She can still presumably read them on her existing devices (assuming they don't remotely wipe them), but can't activate any new devices and until and unless she resolves this bizarre situation, her books will disappear forever when her Kindle breaks or its battery wears out.
That's right: if you order too many computers from Amazon, they might take away your books.