I will trade you 12 sheep for 1 barrel of non-renewable hydrocarbons —

What would Settlers of Catan be like if you added oil wells to the already potent resource mix of sheep, wood, ore, brick, and grain? The Proceedings of the National Academy of Sciences finds out when reporter Ann Griswold sits in on a game of Catan: Oil Springs. — Maggie •

Beijing air "like an airport smokers’ lounge" —

Beijing's air quality is so bad the EPA doesn't have a scale that goes up far enough to define it. [Edward Wong at the NYT] — Rob •

Take a survey to help scientists improve indoor air quality —

Researchers at the Lawrence Berkeley National Laboratory are studying how the seemingly innocuous things we do in our homes and offices can have big impacts on our health. One of those things is cooking, because the way we cook can affect the air we breathe. Scientists are trying to figure out how to make houses safer, but to do that, they need to understand how people use houses — what we cook in them and how we cook it. You can help by taking this quick, anonymous survey. — Maggie •

Canadian Conservative govt guts protections for 99+% of waterways, spare handful of lakes with high-cost cottages —

David says, "Canada used to have 2.5 million protected lakes and other bodies of water. After recent Conservative Omnibus bills, we're down to 97. 87 of which are located in Conservative ridings (rich cottage country). More info." — Cory •

Brian from Greenpeace sez, "They say you can tell what next season's hottest trend will be by looking at the colour of the rivers in China and Mexico due to the dyes and hazardous chemicals used by the fashion industry. An animated collaboration between Greenpeace and Free Range studios (creators of such activist classics as Meatrix and Story of Stuff) exposes the trail of hazardous chemicals from factories in the developing world to the clothes the developed world buys. Greenpeace claims some of the chemicals present in trace amounts in those clothes are banned in European and the US, making your washing machine a potential source of illegal hazardous waste."

TOXIC IS SO LAST SEASON (Thanks, Brian!)

A documentary about Occupy Sandy was screened at a secret location in NYC last night; it made the connection between Sandy and climate change. People wanting to see the movie were directed to a building whose wall was used as a screen for the premiere.

Now, in what may be the quickest turnaround for a movie in recent memory, the group, Occupy Sandy, will show a documentary Wednesday about its efforts and the contention that the storm was tied to climate change and the fossil fuel industry. In classic Occupy fashion, the screening will not be in a traditional theater, but rather on the side of a yet-to-be-disclosed building in the East Village.

The screening of the film, “Occupy Sandy: A Human Response to the New Realities of Climate Change” (see trailer above or click here), will be at 6:30 p.m.

‘Occupy’ Movement’s Next Guerrilla Effort: A Film Screening [NYT]

OCCUPY SANDY TRAILER IS UP! WORLD PREMIERE NEW SHORT FILM! NYC. NOV. 28th. [Vimeo]

#climatecrime [Twitter]

We talk a lot about chain stores and the way their proliferation takes away the individual character of American cities, replacing it with a homogenized urban landscape of Wal-Marts, malls, and Applebees*. But some scientists think businesses and buildings aren't the only thing making our cities look more alike.

The ecology of cities could be homogenizing, as well — everything from the plants that grow there, to the number and density of ponds and creeks, to the bacteria and fungi that live in the soils. My newest column for The New York Times Magazine explains why ecologists think cities are becoming more alike, and what it means if they're right. The really interesting bit: The effects aren't all uniformly bad.

“Americans just have some certain preferences for the way residential settlements ought to look,” Peter Groffman, a microbial ecologist with the Cary Institute of Ecosystem Studies in Millbrook, N.Y., recently told me. Over the course of the last century, we’ve developed those preferences and started applying them to a wide variety of natural landscapes, shifting all places — whether desert, forest or prairie — closer to the norm. Since the 1950s, for example, Phoenix has been remade into a much wetter place that more closely resembles the pond-dotted ecosystem of the Northeast. Sharon Hall, an associate professor in the School of Life Sciences at Arizona State University, said, “The Phoenix metro area contains on the order of 1,000 lakes today, when previously there were none.” Meanwhile, naturally moist Minneapolis is becoming drier as developers fill in wetlands.

Why does any of this matter to anyone who’s not an urban ecologist? “If 20 percent of urban areas are covered with impervious surfaces,” says Groffman, “then that also means that 80 percent is natural surface.” Whatever is going on in that 80 percent of the country’s urban space — as Groffman puts it, “the natural processes happening in neighborhoods” — has a large, cumulative ecological effect.

Read the rest of the story at The New York Times Magazine

*Or, possibly, Applebeeses.

Image: Taken by Ben Schumin, used via CC.

BURN: An Energy Journal, the radio documentary series hosted by former NPR journalist Alex Chadwick, has a 2-hour election special out. It's the most powerful piece of radio journalism I've listened to since—well, since the last episode they put out. You really must do yourself a favor and set aside some time this weekend to listen to “The Power of One.”

Energy policy, defining how we use energy to power our economy and our lives, is among the most pressing issues for the next four years. In this special two-hour edition of BURN, stories about the power of one: how, in this election season, a single person, place, policy or idea can — with a boost from science — affect the nation’s search for greater energy independence.

The documentary examines how "individuals, new scientific ideas, grassroots initiatives and potentially game-changing inventions are informing the energy debate in this Presidential Election year, and redefining America’s quest for greater energy independence." It was completed and hit the air before Hurricane Sandy, but the energy issues illuminated by that disaster (blackouts, gas shortage, grid failure, backup power failure at hospitals) further underscore the urgency.

Read the rest

Kim Stanley Robinson's 2312 is an insanely ambitious novel of life three hundreds years hence, set in a solar system where the Earth continues to limp along, half-drowned, terrified, precarious -- and only one of many inhabited places, parent to a handful of planetary and lunar societies; grandparent to thousands of hollow, hurtling, spinning asteroids that have been turned into terraria supporting endangered species, vital crops, bizarre cults, sex-crazed pleasure-cruisers, and everything in between.

The solar system -- set in the future of the Red Mars trilogy -- is fractured. Not only are there multiple, warring, irreconcilable political factions but humanity itself has become strangely varied. Swan, one of the novel's protagonists, has replaced part of her gut-flora with alien bacteria and budded off avian brain tissue in her own brain. Others are "smalls" -- miniature humans adapted for high-gravity worlds where the square-cube law works in their favor -- or "talls." Some of these people are still of the same recognizable species, others seem to belong to a new human race, perhaps one with little to say to humanity.

2312 is an epic story of political intrigue among the many worlds. To call it epic is to do it a disservice. It's the kind of book that makes you realize that the ambition of Red Mars was just a warm-up; that books like Years of Rice and Salt, which reimagined millennia of history, were just a kind of mental exercise for Kim Stanley Robinson. 2312 paints an absolutely credible and astonishingly beautiful picture of the centuries to come, of the sort of schism and war, the art and love, the industry and ethics that might emerge from humanity going to space without conquering it and without solving all its problems.

Robinson's future is a weird mix of the pastoral and the futuristic. His descriptions of the "natural" and geoengineered environments are worthy of Thoreau, filled with an environmental lyricism that is hard to come by. Some of these descriptions are worked right into the text, while others appear in fractured interstitial chapters of fragmentary dialogue, lists, and miscellania, these a kind of poesie that are just as moving as any of the main action.

2312 is, in one sense, a detective novel. It opens with the suspicious death of Swan's aunt on Mercury, and with Swan's growing realization that her aunt was at the center of a systemwide secret cabal that had devoted itself to rooting out rogue "qubes" -- quantum computers that have attained some kind of sentience -- who may be behind her aunt's death. Swan has a qube implanted in her brain, which makes her role in the cabal even more fraught, but it's the least of he complications. Swan, after all, is something of a basket-case. Semi-immortal, hybridized with other animals as well as AIs, a gifted artist and a furious misanthrope, she must somehow win the confidence of her aunt's friends.

But though the murder and the qube conspiracy animate the story, they're far from all of it. Robinson's sweeping panorama of his future is at once hopeful and miserable, saying "Look what we might have" and "Look what we might lose" at the same moment.

I took this book slowly, all 565 pages of it, savoring it over a month. It's not a fast read. But it's not one you'll forget, either.

2312

In the United Arab Emirates, a freshwater lake has appeared in the middle of the desert. The oasis is beautiful and full of life, and it's risen 35 feet since 2011. It's also probably accidentally man-made.

Hydrologists believe the lake formed from recycled drinking water (and toilet water). The nearby city of Al Ain pumps in desalinated sea water, uses it for drinking and flushing the toilet, cleans it in a sewage treatment plant, and then re-uses it to water plants. All of that water ends up in the soil and, at the lake site, it comes back up.

The water is clean, writes Ari Daniel Shapiro at NPR. Don't worry about that. Instead, the major side-effect of the lake is change, as scientists watch the desert ecosystem that used to exist on the site decline, and a new one rise to take its place. It's a great story that shows how complicated discussions about ecology can be. On the one hand, you're losing something valuable. At least in this one spot. On the other hand, you're definitely gaining something valuable, too.

"With every species that we lose, it's like rolling the dice. The whole ecosystem could crash down," Howarth says.

But Clark, with the U.S. Geological Survey, says he's not so worried about the desert ecosystem. He says the lake is tiny compared to the vast amount of desert in this part of the world. "If I look through the binoculars, there's, like, seven different kinds of herons. There's greater cormorants. There's ferruginous ducks, which are another very rare worldwide species," Clark says. "There's about 15 of them out here."

This year, three types of birds bred at this lake. They've never been able to breed before in the United Arab Emirates. But this lake, and the others like it, have changed all that. There are fish appearing in these lakes as well. Fish eggs cling to the feet and legs of the herons. So as the birds shuttle between old and new lakes, the eggs fall off and hatch. That's how you get fish in a desert.

Read the full story at NPR

Image: fish, a Creative Commons Attribution (2.0) image from wattsdave's photostream

This is a truly brilliant example of short-form advocacy filmmaking, created for Rainforest Alliance's "Follow the Frog" retail campaign. Written and directed by Max Joseph (whom my personal video-making idol Joe Sabia describes as his personal video making idol). Produced by Aaron Weber from Wander.

OP-1 synthesizer manufacturer Teenage Engineering doesn't want to ship you replacement knobs and buttons for your instrument. Instead, they've uploaded printable shapefiles to Shapeways and have asked their customers to simply download them and print them on a nearby 3D printer as needed. This appears to be the first time a manufacturer has taken such a step, according to a Shapeways blog-post. Here's the official statement from Teenage Engineering:

We work hard to make our OP-1 users happy with free OS updates and added functionality. But sometimes we fail. As some have noted, the shipping cost of the OP-1 accessories is very high. This is because we can't find a good delivery service for small items. Meanwhile, we have decided to put all CAD files of the parts in our library section for you to download. The files are provided in both STEP and STL format. Just download the files and 3D print as many as you want. Next fail is the OP-1 manual update. We are almost there...we promise it will be ready sometime next week. Thank you all for your patience, we promise to work even harder in the future to make you happy.

Embracing 3-D Printers, Manufacturer Tells Customers to Print Their Own Replacement Parts