Norem's art set the tone of hyper-macho pulp men's magazines in the sixties, and he carried the style over to Marvel's Savage Sword of Conan, with barbarian-and-babe covers that oozed testosterone and unreconstructed chauvinism. Read the rest
David writes, "Whenever I ask guests of Between The Covers who their touchstone writers are, nobody is more often mentioned than Kelly Link. We talk (MP3) doppelgangers, rorschach tests, finding one's authentic mask, Basho, Buffy, weird writing rituals, and about her latest (and perhaps greatest) new collection Get in Trouble." Read the rest
Artist Yuri Shwedoff from the Russian Federation creates disturbingly beautiful postapocalyptic illustrations with familiar elements. Read the rest
In my spare time, when I'm not protecting wildlife with the National Wildlife Federation or guest-blogging for Animal Planet and here at Boing Boing, I'm also the co-host of a podcast called The Elfquest Show, about one of America's longest-running fantasy series, with my fellow uber-geek Ryan Browne.
I was lucky enough to sit down with series' creators Wendy and Richard Pini to record this interview for the show. We talked about the events of the latest Elfquest story arc called The Final Quest, the difference in fan reactions today versus 36 years ago when the series premiered, and a lot of other juicy tidbits.If you're an existing Elfquest fan, or are just curious about the series, give it a listen.
Boing Boing will remember that The Final Quest story arc of this epic, long-running fantasy series launched right here a couple of years ago. The series is now several issues in and is published both in print and digitally by Dark Horse Comics. Read the rest
Benjamin Harff produced a hand-illuminated edition of Tolkien's The Silmarillion (a famously dense set of myths and background for Middle Earth) as a final project at art school; in this interview, he explains his motivation and his process. Read the rest
Mitch writes, "I interviewed fantasy novelist Tim Powers about how he writes. We talked about working through story problems, using YouTube as a secret weapon, why he avoids social media, and his obsessively detailed outlines and research notes. 'In order to build a building, you put up so much scaffolding that the scaffolding outweighs the building.'" Read the rest