Sistah Sinema aims to offer a wide selection of films by and about queer women of color. It's via a partnership with Indieflix which hopes to add about five titles per month to the platform while showcasing global diversity.
Memberships are only $5 per month, and Colorlines recommended films including Cheryl Dunye’s important 1997 film “The Watermelon Woman” and Kourtney Ryan Ziegler’s look at black transmen, “Still Black".
Creepy cool Criterion Collection montage of the "Eyes of Hitchcock" films.
Watch this Auralnauts video to see the importance of John Williams' bombastic score to Star Wars. (Thanks, Gil Kaufman!)
This weekend, David Cronenberg: The Exhibition lands at Amsterdam's EYE Film Institute. Celebrating one of my favorite contemporary directors, the show features props from the movies, original costumes, set photos, and screenings of all his films, from Shivers and Videodrome to Naked Lunch and Scanners (animated GIF below!).
Do you have experience with sleep paralysis? Many scientists believe that sleep paralysis is the biological answer to such mysteries as spirit visitations, alien abductions, incubi/succubi, and out-of-body experiences. My old friend Rodney Ascher, director of the excellent film Room 237 and other movies, is making a documentary about the phenomenon and would love to hear from you. Rodney writes:
I'm working on on a new film - it's about Sleep Paralysis, a surprisingly common phenomenon where people wake-up totally frozen from the eyeballs down, unable even to make a noise, and they frequently see sinister intruders and other disturbing visions. I've been obsessed with it ever since it used to happen with me (in my case, I saw sort of a living, 3D shadow looming over in me in judgement).
The film is going to be largely built on interviews with people who've had vivid, first-person experiences with it (and have given some serious thought to what's really happening to them) - if anyone wants to share their stories, the easiest way is to contact us via the film's Facebook page.
Kenneth Anger is a legendary underground filmmaker, actor, chronicler of 1960s Hollywood scandals, and devoted follower of occultist Aleister Crowley. He's perhaps best known for his book Hollywood Babylon (1965) and the Magick Lantern Cycle of films, including the above Inauguration of the Pleasure Dome (1954), Scorpio Rising (1963), and Invocation of My Demon Brother (1969). In the 50s, 60s, and 70s, he palled around with then-marginal characters like Alfred Kinsey, Tennessee Williams, Jimmy Page, Marianne Faithful, and Keith Richards. Esquire UK's Mick Brown recently spent two days in Los Angeles with Anger, now 86 years old. Read the rest
Read the rest
"X-Ray Film" (c.1968) by Chris Munger. According to the Creative Film Society 1972 catalog, it's a UCLA student film that "makes a cynical comment on our romantic naiveties of our bodies, particularly in terms of lovemaking." (via I Hate This Film)
There are as many nostalgias as there are times, countries, nationalities, traditions, beings. In order to capture the plurality of the definition, the chosen role for this purpose is that of a documentarist, an interpreter, an aesthetic observant. The film is a visual experimentation exploring these different definitions by putting together different audio and visual testimonies. Going backwards, forwards, the mind recreate a new present beyond a linear temporality ; not a new house nor a lost city, but a new present.
My favorite DJ, DF Tram -- who draws from far-out jazz, psych, experimental ambient, soundtracks, avant-garde classical, and myriad other genres -- just posted this glorious "Movie Mix" that he describes as "a "a selection of sounds from films that have inspired me, audio from scenes that I enjoy, scenes imagined, and scenes discovered along the way." What a fantastic way to lose yourself for 90 minutes.
Ben Sellon submits Red Moon, a short film about a werewolf aboard a Russian sub. An Official Selection at the 2011 Atlanta Film Festival, Hollyshorts Film Festival, St. Louis International Film Festival, and 2012 Oxford Film Festival, it stars Ben as Capt. Alexei Ovechkin and was directed by Jimmy Marble.