In this video essay by Kristian Williams, the story of the biomechanical beasts from the mad mind of H.R. Giger, surrealist painter and designer best known for his work on the special effects team behind the film Alien (1979).
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Kritian Williams: "He wasn't bound by the common design tropes of the '70s. He was able to create something genuinely Alien, a distorted biomechanical reflection of man. Everything we feared about ourselves, taken to the point of surrealism." Read the rest
The famous Swiss surrealist leaves behind some of the twentieth century's most impressive and startling artwork. Here are our favorite biomechanical wonders.
A problem crops up when filmmakers try to adapt epic fantasy worlds to the big screen—particularly beloved, richly-imagined literary ones. Sacrifices must be made. Characters are cut, and plotlines are re-routed. Scenes and places don’t match what readers have pictured with their minds. Fans of the original book cry foul.
In the case of director Alejandro Jodorowsky, his vision for Frank Herbert’s masterwork Dune was so over the top, so surreal (and, at times, so absurd), it probably would have blown the minds of critics before they had a chance to grumble.
That is, if Jodorowsky’s translation and transmogrification of Dune had ever been made. It never was.
From Ukrainian steampunk/fetish mask maker Bob Baset, the Hugger Head mask, "Slightly reinterpreted Giger monster. It now manages the object. Or maybe it’s a happy symbiosis?"
Hugger head Leather Mask
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