Authorities in St. Petersburg, Florida, are battling an onslaught of graffiti depicting a three-buttocked arse. NBC affiliate WFLA reports that the design has appeared at least twenty times across the city. It is thought to be the calling card of a single anonymous artist, who police stress is breaking the law.
St. Pete is a city known for its beautiful art and stunning murals. Many people are upset by this new graffiti involving a tush trend. They don’t like the fact that the bold buttocks are suddenly everywhere.
“This is not art. At all,” said one woman. “It’s vandalism.”
“There should be consequences. You can’t just take it upon yourself to do whatever you want to do,” another man said.
We shall speak in hushed tones, over the beachfires where the Suwannee meets the shore, of the great triple-arsed god worshiped by those who once lived in the sunken cities of the Florida sea. Read the rest
Enjoy Paul De Graaf's gallery depicting the sedimentary layers deposited by 30 years of graffiti on a wall in Nijmegen, The Netherlands.
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It's a Graffiti Hall of Fame in the city of Nijmegen, the Netherlands. What started as a 70's Hippie cult place, became a center of music and art in the early 80's. One of the first places where it was legal to smoke cannabis. It still a Music studio and Graffiti Hall of fame. The building is surrounded by walls that are all spray painted from top to bottom.
The internets will tell you that spraypainting a giant penis around a pothole will get your town's roadworks to prioritize its repair. The internets are wrong. Read the rest
Agent X and Agent Full Stop are a pair of graffiti activists who call themselves Acción Ortográfica Quito: they sneak around the streets of Quito, Ecuador with cans of red spray-paint, correcting the punctuation, grammar and spelling of the city's prolific graffiti writers, bringing legibility to boasts, professions of love, and political messages. Read the rest
I’d like you to meet a man that I've worked with for over a decade. His artist name is Ekundayo and I'll be darned if I know what else to call him. He pours his life into his work - it's everything to him.
His painting style style is emotion filled, kinetic, and unforgettable.
I met Ekundayo in 2005 and since then, I’ve seen his work pop up on billboards, in movies and on murals around the globe.
The content he chooses to create goes beyond our comfort zone, and because of that, it's impossible to mistake his artistic fingerprint.
Each of his art pieces drips with emotion and has amazing stories buried within them.
Reznor's mural was stolen 2 days after it was completed and to this day, fans around the world are on the lookout for it.
By the time the Year Zero project was complete, Ekundayo had become very special to me and as his technique evolved, I marveled at his ability to quickly fill vast spaces with his unique vision.
I'd love to have a peek at the sketchbook in his head and see the art before it unfolds.
My friend is truly a genius with a paintbrush and you can check out the rest of his work at Ekundayo.com.
Macedonia's laws define vandalism as a misdemeanor which puts a limit on the jail time faced by participants in a political movement whose symbol is splashes of brightly colored paint. Read the rest
Banksy's iconic SWAT Van artwork goes up for auction at Bonhams next week. The piece first appeared in Banksy's infamous 2006 Los Angeles show Barely Legal. The hammer price is expected to hit US$300,000 - $450,000. From Bonhams:
Banksy's classic response to fear and tyranny is laughter and in the case of the present work the artist toys with his anti-establishment persona, ridiculing the police not just by depicting a scene in which heavily armed, faceless Special Forces agents are hoodwinked by a small boy but by doing so on the very apparatus of their strength. Banksy's best works combine vicious black humour with a clarity of message that many of the best advertisers would kill for and a rage that simply will not be ignored. His playfulness is the velvet glove that hides the iron fist of a social conscience honed on the streets of Bristol and which found its apotheosis in his breakout show Barely Legal in Los Angeles in 2006...
The present work was acquired directly from this exhibition and has remained in the same magnificent collection ever since, coming to the open market now for the first time. Despite the nature of the sculpture the condition is excellent and testament to the care with which the artist approaches even his most challenging works. This is a work that by the artist's own admission was first shown in a 'vandalised warehouse extravaganza' and yet it is worthy of any museum collection in the world.