In Paper Girls
, the celebrated comics creator Brian K Vaughan (Saga, Y: The Last Man, etc) teams up with Cliff Chiang to tell a story that's like an all-girl Stranger Things, with time-travel. Read the rest
This week (and next due to the nature of different release dates for the direct market and the book market) marks the release of the first collection of SHADE THE CHANGING GIRL v.1: Earth Girl Made Easy
, which compiles issues 1-6 (previously
). It’s a heavy load to recreate a character that giants before you have written. Steve Ditko is a master of the strange. His mind a merry-go-round of experimentation.
Brian K Vaughan and artists Marcos Martin and Muntsa Vicente started syndicating The Private Eye
just before the first Snowden revelations hit, which was a fortuitous bit of timing for them, since their surreal science fictional tale was set in a future where the rupture of all internet security had provoked humanity into banning the internet altogether, replacing it with a world where cable news was so dominant that the police had been replaced by reporters.
Phil Foglio (previously) writes, "Studio Foglio is kickstarting a new Girl Genius Collection! The Incorruptible Library covers the adventures of Agatha Heterodyne and her friends as they journey beneath the streets of Paris. There they encounter hidden subterranean civilizations, forgotten labyrinths filled with secrets, and a healthy dollop of Adventure, Romance, and Mad Science!"
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Benjamin Renner's hit French comic The Big Bad Fox
isn't just being adapted as an animated feature, it's also now available in English, thanks to the good graces of Firstsecond, whose translation keeps and even enhances all the comic timing of the original.
Zachary Zmith writes, "A Kickstarter is funding beautifully-designed and illustrated editions of classic stories, with illustrations from Paul Pope, Yuko Shimizu and Bill Sienkiewicz. They have already met their initial goal to fund a version of Algernon Blackwood's 'The Willows' with art by Paul Pope. If they reach $100k, Bill Sienkiewicz will illustrate H.G. Wells' vivisection classic."
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Asaf Hanuka is a celebrated Israeli cartoonist whose astonishing, surreal illustrations serve as counterpoint to sweet (sometimes too-sweet) depictions of his family life, his complicated existence as a member of a visible minority in Israel, the fear he and his family live with, and his own pleasures and secret shames -- a heady, confessional, autobiographical brew that has just been collected into The Realist: Plug and Play
, the second volume of Hanuka's comics.
Stories matter: the recurring narrative of radical Islamic terror in America (a statistical outlier) makes it nearly impossible to avoid equating "terrorist" with "jihadi suicide bomber" -- but the real domestic terror threat is white people
, the Dominionists, ethno-nationalists, white separatists, white supremacists and sovereign citizens who target (or infiltrate
) cops and blow up buildings. That's what makes Brian Wood's first Briggs Land collection so timely
: a gripping story of far-right terror that is empathic but never sympathetic.
In Soupy Leaves Home
, writer Cecil Castellucci and artist Jose Pimienta expand the borders of young adult graphic novels, telling a moving, inspiring tale of Depression-era hobos, identity, gender, suspicion, solidarity, and the complicated business of being true to yourself while living up to your obligations to others.
In Spill Zone
, YA superstar Scott "Uglies
" Westerfeld and artist Alex Puvilland tell the spooky, action-packed tale of Addison, one of the few survivors of the mysterious events that destroyed Poughkeepsie, New York, turning it into a spooky, Night-Vale-ish place where mutant animals, floating living corpses, and people trapped in two-dimensional planes live amid strange permanent winds that create funnels of old electronics and medical waste.
Briggs Land is a complex, intelligent crime drama that is so American at its core, but a slice of America we rarely get to see. It would be topical at any time, but in our current political climate, it's frighteningly relevant.
“Is becoming a successful manga artist an achievable dream or just one big gamble?” The back cover of every Bakuman. poses this question, the central question to a series about the highs and lows of professional art, and the troubles an artist has to endure for their work. In Bakuman., two high school students named Mashiro and Takagi team up to create manga, taking on the roles of artist and writer, respectively. They have different and unique motivations for pursuing this path, Takagi doing it to avoid falling into the trap of a boring life, while Mashiro endeavors to impress the girl he loves. They’re both incredibly well developed characters that struggle, win, lose, and never accept defeat. Over the course of the 20 volumes in this set, we’re offered an in depth chronicle of their attempts at success.
Manga fans may recognize creators Tsugumi Ohba and Takeshi Obata as the team behind the popular Death Note. While Death Note was a high concept mystery, Bakuman. is a much more accessible “everyday life” kind of story that blends comedy and drama with ease. Now excuse me while I gush a little, because I think Bakuman. may be my favorite manga series. Any manga/comics fan should read it, but I cannot recommend it enough to anybody working in an artistic medium. Ohba & Obata use the simple plot to develop a complex reflection on the nature of creation. In their journey, Mashiro and Takagi have to confront the reality of achieving their dreams, struggling to discover if it was worth the struggle. Read the rest
Saga is Brian K Vaughan and Fiona Staples' magnificent, visually stunning, adventurous, funny, raunchy, complex and provocative graphic novel; the first six volumes of collected comics moved from strength to strength, fleshing out a universe that was simultaneously surreal and deadly serious, where cute characters could have deadly-serious lives: now, with volume 7
, Staples and Vaughan continue their unbroken streak of brilliance.
Jonathan Coulton is known for a myriad of distinct accomplishments. The tech professional-turned-musician once conducted a Thing a Week experiment, in which he recorded and published a new song every Friday for a year, produced a cover of Sir Mix-a-Lot's "Baby Got Back
" infamously adopted by the Fox series Glee, regularly contributes to the NPR quiz show "Ask Me Another" as its very own one-man band, and runs his own fan cruise aptly called the JoCo Cruise
Once I started reading this book, I couldn’t put it down. Thi Bui’s debut illustrated memoir, The Best We Could Do , is an exploration of family and identity, past and present. In the preface, Bui explains that the evolution of the work, from an oral history project turned handmade book 15 years ago to its current form as a graphic novel, meant she needed to learn to draw comics, an undertaking she describes as having a “steep learning curve.” Based on her stunningly narrative art which breathes and runs and wonders and mourns and serves as the perfect medium for the story of survival it tells, I’d say she made it over that learning curve just fine.
Though her own understanding of self — as a parent and a child — is inextricably tied to, and informed by, her specific experience as a Vietnamese American whose family fled to the US in the 1970s after the collapse of South Vietnam, the pressure, guilt, and confusion she feels as a mother and daughter are easily recognizable. Bui begins with her own labor and delivery, long and complicated. It yields, of course, the birth of her son but also a deeper empathy for her own mother. With the new found perspective of a parent trying to understand her role and relationships within her family of origin and that which she has now created, Bui takes readers back through her own childhood and her parents’. Through Cambodia, Vietnam, and the US, through the First Indochina War, to the Vietnam War, to the aftermath, in boats and bunkers and shared beds, through two generations of both unknowing and surety, of flight and fight, we come to know the Buis, Thi, Má, and Bố especially, as individuals within a family. Read the rest
is a new dystopian science fiction YA graphic novel from Adam Rapp and Mike Cavallaro that tells the story of Angela Swiff, a teen who refuses to go along with the "Guarantee," a totalitarian philosophy that demands that everyone work, play and (especially) shop as quickly as is humanly possible.
Octavia Butler is a name to conjure with: the first African-American woman to rise to prominence in science fiction, Butler's fiction inspired generations of writers by mixing rousing adventure stories with nuanced, razor-sharp parables about race and gender in America; she was the first science fiction writer to be awarded the MacArthur Genius Grant, and her sudden and untimely death
left a hole in the hearts of her readers, proteges and admirers.