In honor of his new film, STRAIGHT OUTTA COMPTON, Ice Cube revisits the titular song by reacting to the lyric interpretations of Rap Genius.
[YouTube, thanks Joe Sabia!]
Nicki Minaj's “Anaconda” becomes protest anthem in India, over Unilever's mercury contamination disaster
Written by Chennai-born rapper Sofia Ashraf and set to Nicki Minaj's “Anaconda,” the video tackles Unilever's failure to clean up mercury contamination or compensate workers affected by its thermometer factory in Kodaikanal. Read the rest
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La Guardia Cross, a first-time dad, lays down some fat beats with his 7-month-old baby girl. Read the rest
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Shahid Buttar -- the rapper who created the amazing NSA vs USA track/video -- is also a constitutional lawyer who serves as executive director of the Bill of Rights Defense Committee.
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Zack sez, "There's an upcoming Canadian TV animation URBANCE, based on a short film by animator Joel Dos Reis Viegas. The neon-colored series combines elements of SF, hip-hop, and just plane rave-flavored action: 'In the big city, gender war rises. Sex is prohibited because of a genetic deadly virus. Ruled by hate and anger, boys and girls grow up apart from each other, forming rivals gangs. Among these lost teenagers, Kenzell and lesya will fight adversity and defy all the rules in order to live their love and restore peace.'
The latest release from Chuck D and Public Enemy is the Public Enemy BitTorrent Bundle, where you trade your email address for access to a torrent of "Get Up Stand Up," featuring Brother Ali, as well as "the song's music video, outtakes, and 37 multitracks." Public Enemy wants you to remix the track and upload and share your own mixes, too, and will reward the best remixes with a variety of prizes ranging from an official PE release and studio equipment to an editorial feature on BitTorrent and some PE swag.
Sound engineer John Stewart has never fallen out of love with DJ Danger Mouse's genius 2004 Grey Album, a mashup of the Beatles' White Album and Jay-Z's Black Album (and neither have I). He's got a golden ear, and over the years, the little audio infelicities in his copy have been niggling at him, so he undertook a complete, crisp, and beautiful remaster of the album. You can download the tracked-out album from MediaFire, or listen on SoundCloud.
It’s got plenty of advantages too: Revisiting The Grey Album with an expert ear gave Stewart the ability to pinpoint its audio flaws, and his professional experience gave him the agency to do something about it. Stewart says he first got the idea to remaster The Grey Album on Wednesday, Nov. 21, but it didn’t really click until that Saturday. On Sunday he set out to improve the album’s audio, tinkering with various faders in ProTools until he achieved the desired effect: “I just kind of put the sonics on steroids,” he says. Stewart knocked out the entire project that day and uploaded The Grey Album (Remastered) to SoundCloud and MediaFire on Monday. In the few passing days since releasing the updated version of The Grey Album it’s been covered by sites such as The Source and FACT Magazine, and a swarm of fans have reached out to Stewart to thank him. “A lot of people have thought that it needed to be remastered,” he says. “So it worked out.”
Stewart says he’s seen people from around the world flock to him—he said his website received about 200 hits from Hungary on Tuesday alone—though personal fame wasn’t the goal. “I wasn’t putting it out to be discovered,” Stewart says. The digital artwork for The Grey Album (Remastered) does include his name on the back cover (“I’ve always enjoyed seeing my name in credits,” he says), but that’s also part of what he considers a pragmatic move. “I wanted people to be aware it was something different,” he says. Among the subtle changes Stewart made to the artwork is a bold border, which also covers up the lower half of his name. It’s more or less a reminder that this is Danger Mouse’s original product, just with a new polish.
EMI mercilessly censored the original release, chasing down people all over the world for having the audacity to share what Danger Mouse had freely given, and which Paul McCartney and Jay-Z had endorsed. I wonder if they'll do it again?
Here's a freebie you won't see again any time soon: a gigantic head of Digital Underground's Humpty Hump, available free to a good home, and Shock-G himself will deliver it to you, and promises to rent it from you for cash money if the band ever does a reunion tour. It's big enough to live in, which is just what its former owner was doing when he got caught living illegally in a warehouse storage unit and abandoned it. Here's some details from the AV Club's Marah Eakin:
The enormous noggin was made both as a stage prop and as a set piece for the group’s 1993 music video “Return Of The Crazy One.” According to the person who alerted everyone to its existence on Tumblr, whoever last owned the head (not another member of Digital Underground, hopefully) had been evicted from his or her apartment, and was actually living in the head for several weeks before being discovered. And while that might sound uncomfortable, the head is actually big enough to house a full dressing room and an electronic elevator that would lift Humpty out through the giant nose and onto the stage. Also featuring sunglasses that would light up and lips and chin that double as steps, the head originally cost $50,000 to build, and required an 18-wheel truck to transport and a four-man forklift team to move—although it splits into three convenient pieces.
David Minnick is a genius. That is all.
A remix of the Snoop Dogg/Kid Cudi song "That Tree". The idea for this sort of remix was born when I became aware of the great similarities between the lyrical themes of rap and the lyrical themes of pirate music (Self-aggrandizement, the quest for money and treasure, romantic view of violence, sexism etc..) In spite of this "serious" description, this remix was really just a hilarious idea that I somehow managed to finish. Enjoy!