By Tony Zhou.
Pioneering special makeup effects artist Rick Baker has Tweeted these amazing unseen creature designs from 1980 for Spielberg's never-made mean alien film Night Skies. The film was meant to be Spielberg's pre-E.T. "sequel" to Close Encounters of the Third Kind featuring malevolent aliens such as E.T.'s grumpy ancestor above and the following curious creatures.
Here are the opening credits to Forrest Gump, directed by Wes Anderson. (video by Louis Paquet)
As part of Saturday's Record Store Day releases, The Wizard of Oz Soundtrack has once again become available on vinyl! The "75th Anniversary" edition is pressed on emerald green vinyl and includes a digital download of the original version of "If I Only Had A Brain" which you can hear above. Ray "The Scarecrow" Bolger's first recording of the tune, only rediscovered in 2009, was much mellower than the one ultimately picked for the film.
‘X-Men’ director Bryan Singer accused of raping teen boy in 1999; case mentions sex offender Marc Collins-Rector of DEN
Bryan Singer, the director of the forthcoming film “X-Men: Days of Future Past” is accused in a lawsuit filed today in Hawaii federal court of drugging and raping a teenage boy in 1999. The case is a civil case, not a criminal case, and Singer's attorney says the charges are "without merit." AP reports that the lawsuit was filed in Hawaii "because of a state law that temporarily suspends the statute of limitations in sex abuse cases."
Also mentioned in the lawsuit is Marc Collins-Rector, a sexual predator and founder and chairman of Digital Entertainment Network (aka DEN or <EN), an early internet video startup that made headlines for high capitalization and sex parties involving founders and teen boys. Collins-Rector is a registered sex offender who fled to Spain, and was arrested there in 2002. In 2004, Collins-Rector pled guilty to charges he lured minors across state lines for sexual acts. The allegations of sexual abuse involving Collins-Rector and other DEN executives shocked the web startup world in 1999, and led to the collapse of DEN's IPO.
A problem crops up when filmmakers try to adapt epic fantasy worlds to the big screen—particularly beloved, richly-imagined literary ones. Sacrifices must be made. Characters are cut, and plotlines are re-routed. Scenes and places don’t match what readers have pictured with their minds. Fans of the original book cry foul.
In the case of director Alejandro Jodorowsky, his vision for Frank Herbert’s masterwork Dune was so over the top, so surreal (and, at times, so absurd), it probably would have blown the minds of critics before they had a chance to grumble.
That is, if Jodorowsky’s translation and transmogrification of Dune had ever been made. It never was.Read the rest
Remember this incredible video above? In the new issue of BusinessWeek, I profile the brilliant minds behind it, creative robotics studio Bot & Dolly, whose astonishing technology was also instrumental in the special effects of Gravity:
Behind a small cafe in San Francisco’s Potrero Hill neighborhood stands an unmarked warehouse where the future of human-machine interaction is taking shape. Inside this sprawling maze of soundstages, machine shops, and computer labs, artists collaborate with engineers, cinematographers brainstorm with coders, and everyone has a collegial relationship with the small army of industrial robots stationed here. This is Bot & Dolly, a boutique design studio that specializes in combining massive mechanical arms with custom software for movies, architecture, digital fabrication, and entertainment installations. “We’re a culture of makers, of creators with open minds,” says Tobias Kinnebrew, Bot & Dolly’s director for product strategy. “We work on things that don’t seem possible and try to make them possible.”"Bot & Dolly and the Rise of Creative Robots"
A new Peanuts movie will come to the big screen on November 6, 2015, produced by Charles Schulz's son Craig Schulz with a screenplay co-written by his son Bryan Schulz.
"It's about a round-headed kid and his dog, and that's about as far as I'm willing to go," Craig Schulz told USA Today.
Hollywood, legendary home of creative accounting, wants a new round of subsidies. David Sirota at Pando Daily:
Now that California has a budget surplus, the question for the state’s lawmakers is pretty simple: Should they use all the new money to reverse recession-era cuts to social programs. Or, should they spend up to $400 million a year of the new resources on more taxpayer handouts to the film industry? Yesterday, 59 California state legislators called for the latter, sponsoring a bill to increase tax credits to the film and television industry. Call it yet another Hollywood heist, this one engineered with a double-shot of chutzpah.
Shirley Temple Black, child movie star and adult diplomat, has died. She was 85. Above, Temple sings "On the Good Ship Lollipop" in the 1934 film Bright Eyes. (New York Times)