Polish leatherworker MK makes some very nice wrist-straps for pocket-watches and car-watches. He's not the only one making these, but I find them particularly handsome, and rather nice retro-modern take on the massive wristwatch phenomenon.
When John Hilgenberg got a nutcracker for Christmas, he decided to make it the centerpiece of a huge, delightful rubegoldbergian clock that strikes every four hours, using a combination of eight bells and a complex arrangement to motors and gears.
Geoffrey McGann, a southern California artist, was arrested at Oakland airport for wearing an assemblage sculpture/watch he'd made. The TSA were also worried because he had a lot of insoles in his shoes. He was eventually released on $150,000 bail.
OAKLAND, Calif. -- A Southern California man was arrested at Oakland International Airport after security officers found him wearing an unusual watch they said could be used to make a timing device for a bomb, authorities said Friday... McGann told Transportation Security Administration officers that he's an artist and the watch is art, Nelson said.
Today's the day when Americans, Canadians, and others across the pond turn their clocks back (we in the UK beat you to it by a week). In honor of that momentous occasion, the Vintage Ads LJ group has a fine collection of clock ads from the past. Here are two of the best, found by nolock_boston: Telechron, GE Computer Radio (which I covet with the intensity of a thousand suns).
Hayden sez, "A good one for Halloween - this skull-shaped memento mori clock is historically important and even a little spooky today.
The Art of Mourning site is all about death and love in jewelry and art, so there are many examples of the symbols of death throughout history."
Watches and clocks with the memento mori motifs were not uncommon, dating from the mid 17th Century to the 1930s. This early Verge silver skull pivots at the top of the cranium, whereas others pivot from the jaw. There are others created that fold open at the top of the head with enamel and diamonds, but pieces like these are extremely rare and command a high price. Examples exist from Switzerland, France, Germany and England. As written by the Taft Museum:
“The skull and watch are part of the standard subject matter of 17th-century vanitas still lifes. Vanitas is from the Latin for “emptiness” or “untruth,” from which comes the English word “vanity.” Such pictures depict objects that have an underlying moral message—usually about the fleeting nature of physical reality. Therefore, it is not surprising that the skull and watch, two reminders of the passage of time, should merge in a single object. The use of the skeleton hand, however, is unusual.1“
Having seen and admired Matseng's freeformed "The Lethal Nixie Cube Clock," which displays the time one digit at a time, I have only one question: is this a great-looking Nixie tube clock, or the greatest-looking Nixie tube clock:
It's a clock made of a single IN-1 Nixie tube controlled by a ATMega8. The Mega8 directly controls 10 pcs of MPSA42 high voltage transistors for lighting up the filaments in in Nixie. It also generates the high voltage required for the tubes by a pwm output connected to a IRF520 N-FET and the usual inductor and fast recovery diode.
Hodinkee's John Reardon has a great profile on and interview with Dan Spitz, former Anthrax guitar hero who quit the music business to become a world-renowned, prize-winning watchmaker who hand-lathes his own replacement parts for antique watch restorations. Reardon quit his gig to spend more time with his family -- he has twin boys who have autism -- and to pursue his lifelong technical passions. He's hand-built his own workbench!
Funny story, actually. I was working as a watchmaker in Geneva and thinking I would never go back to music when Dave Mustaine from Megadeth called me and said “Dude, what are you doing? Stop messing with watches. You need to come back and start writing music again. You are one of the creators of our genre, thrash metal. You need to stop tinkering around with these million dollar toys and get back to music.” This lecture led to the end of my solitary confinement as a watchmaker. I looked down the bench and saw another watchmaker working on a crazy watch but obviously also headbanging. I walked over to him and saw that he was blasting Slayer. He was working on a multiple fly-back, jump hour, chrono, perpetual calendar, moon phase, tourbillon and he’s blasting Slayer! I looked at him and thought, “That’s it, I’m done. I’m going back to music.” In the end, most people in Switzerland are blasting while working on watches, anything from Barbra Streisand to Slayer.
My grandfather was a watchmaker, and I grew up playing with junk movements and parts. It's amazing to hear the story of someone so accomplished -- especially in a second career begun as an adult.
Brazilian artist Diego Kuffer writes, " I have a new series of photos called 'Chrononaut'. It's about how experience shapes the way we perceive the world and reality. Also, it pictures public clocks in Sao Paulo that are abandoned, because it isn't allowed anymore to post ads in public spaces, as part of a law that forbids this kind of visual pollution."
Click's latest watches are the "Wall Switches." As the name implies, they look like wide, flat, blank wall-switches, but have a hidden illuminated time-display that lights up when the switch is flicked.
Holy crap, but Dominic Wilcox's sculptures are seriously up my street. He mods little plastic people to depict strange and newsworthy contemporary moments, then animates them by affixing them to the faces of vintage wristwatches and pocket-watches under oversized domed crystals.
Dominic Wilcox has created a series of miniature time-based sculptures using a collection of vintage mechanical watches and customised model figures. By attaching tiny figures onto the second and minute hands of each watch, Wilcox has made unique, animated scenes from everyday observations and imagined situations.
New in the Watchismo Vault collection, the $17,500 Devon Tread watches, which use a cunning system of belts and optical sensors to keep and display the time. No, I don't have $17.5K to drop on something like this, but if you asked me to imagine what a $17.5K watch should look like, it would be something much like this: "The exposed movement is a mesmerizing display of the patented interwoven system of conveyor belts. This series of belts includes critical elements that allow the optical recognition system to know every belt position at all times."
Tokyoflash's latest Kisai watch is the Kisai Stencil, based on a concept design submitted by a math teacher named Heather Sable. It uses "negative space" to draw the numbers, a display that is cryptic at first but is easy to read at a glance once you've figured out the knack of it.
I found that I had a knack for creating read-at-a-glance designs with cryptic looking, yet easy to read digits. I designed the digits for this concept by starting with rectangular shapes, and cutting out unnecessary pieces using line segments and dots. By arranging them into four quadrants with some connecting lines, the display appears to be just a bunch of stencilled in lines and dots, while if you read the background, you can see the digits clearly.
When I got an email from Tokyoflash telling me they were interested in this design, I was absolutely elated. I had a huge smile on my face for the entire day. Now that I see how my concept has been brought to reality as Kisai Stencil, I am super-excited. The fact that Tokyoflash decided to emboss the digits I created on the strap fits so perfectly with the fact that I am a Math Teacher - of course there are numbers on my watch strap!