Back in March, I blogged the Afterlife with Archie comics, and suggested that you wait until the first collection of the series came out before digging into it (the singles were going for silly money). Today, Afterlife with Archie: Escape from Riverdale hits stores, collecting the first series of the comic in one paperback edition. Afterlife With Archie is more than a silly gag -- the creators really do play out a grim, tense, serious zombie story here, albeit leavened with some comeuppances for Riverdale's most annoying recurring characters.
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Redditor Countbubs posted this photo of a wasps' nest built over a wooden humanoid sculpture, with the wasps' paper following the contours of the underlying form. It's a genuinely nightmarish image. (via Crazy Abalone)
Knitmeapony sez, "This is the raddest, most atmospheric thing ever. All kinds of delightful, spooky distortions, creepy static, half-heard voices and mashed-up music, created by physically altering vinyl records and record players and manipulating them as they go. A serious delight."
This beautiful life-sized bronze of Edgar Allan Poe with an enormous raven is Stefanie Rocknak's competition-winning entry for the Edgar Allan Poe Foundation of Boston's Edgar Allan Poe Square Public Art Project. It beat out 265 other pieces in the competition. Rocknak is also a professor of philosophy at New York's Hartwick College, and describes her work as depicting Poe "just off the train, the figure would be walking south towards his place of birth, where his mother and father once lived. Poe, with a trunk full of ideas -- and worldwide success -- is finally coming home."
Today's jam is Closed on Account of Rabies: Poems and Tales of Edgar Allan Poe , which features Christopher Walken's reading of "The Raven," Iggy Pop performing " The Tell-Tale Heart," Debbie Harry doing "The City And The Sea," Marianne Faithfull's rendition of "Alone" and "Annabel Lee," and loads more improbably fantastic stuff.
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Here's some good news: the next Lauren Beukes novel, Broken Monsters, is up for pre-order, and we've got a taste of the cover and the synopsis: "Detective Gabriella Versado has seen a lot of bodies. But this one is unique even by Detroit's standards: half boy, half deer, somehow fused together. As stranger and more disturbing bodies are discovered, how can the city hold on to a reality that is already tearing at its seams?
If you're Detective Versado's geeky teenage daughter, Layla, you commence a dangerous flirtation with a potential predator online. If you're desperate freelance journalist Jonno, you do whatever it takes to get the exclusive on a horrific story. If you're Thomas Keen, known on the street as TK, you'll do what you can to keep your homeless family safe--and find the monster who is possessed by the dream of violently remaking the world."
I loved Beukes's earlier work -- see my reviews of The Shining Girls and Zoo City.
(via Super Punch)
Nicholas sends us, "A crowd funding campaign to create a short film
adaptation of Poe's 'The Tell Tale Heart' set on space
station orbiting a mysterious planet. The short, ORBIT, has
an emphasis on practical special effects and old in-camera
techniques as a celebration of some of the classic sci-fi
films it was directly inspired by."
The production team is very accomplished and this looks very beautiful, and they've brought down their reward pricing: $13 gets you a digital DRM-free download of the movie.
ORBIT - A Sci-Fi Thriller from the Mind of Edgar Allan Poe
Afterlife with Archie is exactly what it sounds like: a series of comics in which Archie Andrews, Jughead, and the lovable gang are trapped in a horrific zombie apocalypse. It's more than a gag, too: it's got tight, tense storylines, genuine horror and real pathos. I just read issue four and was surprised by how moving and scary it is, and I also appreciated the EC-style horror mini-story at the end.
The singles are already selling at a frustrating markup on Amazon, so I think you're better off pre-ordering the $13 collection that comes out on May 13.
On its 40th anniversary, iconic splatterpunk film The Texas Chain Saw Massacre has been restored with a new 4K transfer from the original 16mm film shot by director Tobe Hooper in 1974. A production of Dark Sky Films, the new print premieres at SXSW on Monday, March 10 with wide theatrical release over the summer.
"I haven't seen The Texas Chain Saw Massacre on the big screen for many, many years," Hooper says. "This 40th anniversary restoration is absolutely the best the film has ever looked. The color and clarity is spectacular, displaying visual details in the film that were never before perceptible. The newly remastered 7.1 soundtrack breathes new life and energy into the film. I am very much looking forward to audiences experiencing this film as they never have before".
Leatherface had no comment.
MC Chris, creator of such immortal nerdcore classics as Fett's Vette and Aqua Teen Hunger Force, has a new double album out: Foreverrr.
Foreverrr is an insane, lewd, lacivious, profane and obscene delight of a concept album about the romance between a lonely ghost and a grandmotherly sexbot who's taken up residence in a haunted house. It features songs about all five Ghostbusters (including Tully), as well as nods to Wednesday Addams and The Shining (it's also got a ton of silliness about Luigi, french fries, and dating woes).
Ultimately, though, as the liner notes say, "it's also about letting go of the past, letting go of your anger, letting go of people you love." Amid all the supernatural sex-jokes and fat beats, MC Chris slides a lot of poignant, autobiographical material about coming to grips with his alcoholic father, and learning how to cope with his anger rather than taking it out on hecklers at his shows.
One of the Ghostbusters tracks, 58.9, was released early as a memorial to Harold Ramis, and a fan made a rather good video for it.
The album ships on Tuesday: $25 gets you two CDs in sleeves; $45 gets you a tri-fold CD case and a t-shirt; and $65 gets you the tri-fold case, a hoodie, stickers, a poster, a tote and a button.
"Foreverrr" - MC Chris
Here's a late 1970s Vincent Price performance of Edgar Allan Poe's "The Raven," featuring the dean of horror at his scenery-chewing best. Compare with Lord Buckley's 50s jazz hipster version.
Vincent Price's The Raven
(via Seanan McGuire)
Daniel Kraus's 2013 horror novel Scowler was pure nightmare fuel, a book that literally made me shriek aloud on the bus one afternoon. Now, the novel has been released as an audiobook by Random House audio, read by Kirby Heywood.
The unabridged audiobook is available as a DRM-free MP3 CD, and as a DRM-free MP3 download from BN.com.
The reader on the adaptation of Scowler is the very talented Kirby Heyborne, who also read the audio adaptation of my novel Little Brother.
Listening to Scowler read aloud can only heighten the terror to a masterpiece of psychological horror. Here's my original review:
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In The Philosophy of Furniture," an essay in the May 1840 issue of Burton's Gentlemen's Magazine, Edgar Allan Poe decries the interior design sense of the world (the Italians have "have but little sentiment beyond marbles" and the Americans worship an "aristocracy of dollars"). He ultimately describes his ideal room, and sets out the exact characteristics that Poe-compliant designers should hew to in order to make for harmonious interiors:
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8-Bitty does some extremely great pixel-art tees inspired by classic video-games. I like the two-sided, full-shirt screens the best, like the mummy wrappings and the skeleton (this one reminds me of the classic Skeletees and makes me wish it was as detailed as Leslie Arwin's original).
This Alien chestburster onesie was drawn by comics creator Mike Dougherty for a baby-shower.
(via Geeks Are Sexy)
Long Forgotten, the very best Haunted Mansion blog on the net, has a stellar piece on the influences that went into the Haunted Mansion's scary corridor of doors, and the delicate balance the corridor strikes between two different kinds of scariness, called "Boo" and "Brr." The piece starts from the premise that the Imagineers who designed the Haunted Mansion were heavily influenced by the 1963 classic horror film The Haunting (the film adaptation of Shirley Jackson's horror novel The Haunted of Hill House, later remade as a 1999 film with Catherine Zeta-Jones and Liam Neeson). This isn't a very controversial idea, as there are many parallels between the Mansion and The Haunting, though Long Forgotten finds some particularly subtle and fascinating lifts I'd never seen mentioned before.
More interesting, though, is the way the corridor -- and the Mansion itself -- slides from "Boo" to "Brr" as you pass through it, and the ways that subsequent fine-tunings and renovations have changed this calculus. As with all of Long Forgotten's pieces, it's a very well-argued and illuminating piece of design criticism that made me rethink something with which I'm very familiar in a totally new light.
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