In McSweeney's, Dan Cluchey plumbs the depths of Poe's law with an indistinguishable-from-satire article analyzing the "winners and losers of the recent nuclear holocaust." Read the rest
Most people think of millennials as minimalists, of sorts: either the hip sort or the poor sort. The New Yorker imagines: what would a millennial hoarder look like?
One quip really hit home for me: "A browser just for episode recaps of shows he never watches." I'm not sure if I've ever seen a single episode of ███████ ███ but I can quote chapter and verse from many—a simulation of experience mediated by the psychotic phemonema of the Internet, where work is not quite play and play not quite work, and even talking about it the way I am now turns out to be a nerdy joke about the pretentious way we talked about the Internet future in the 1990s. Read the rest
"Stephen Colbert" is a character that was once played by Stephen Colbert: a right-wing blowhard pundit who called Bill O'Reilly "Papa Bear." When Colbert took over the Late Show, the "Stephen Colbert" character disappeared (possibly because Viacom claimed the rights to it!), but now and again, he reappears. Read the rest
What happens when boys completely obsessed with table tennis are given a video budget? The ping-pong bowling is least among their many achievements: "One ball, one mind!" Read the rest
@hateshaliek: "i started singing 'chemtrails' in the tune to the ducktales theme a half hour ago so i just had to make this real quick:"
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i started singing 'chemtrails' in the tune to the ducktales theme a half hour ago so i just had to make this real quick: pic.twitter.com/Gmf83VpsyA— lionel nietzsche (@hateshaliek) February 7, 2017
Among the most-read articles of 2016 on McSweeney's Internet Tendency is this list by Susan Harlan, which includes many entries that will be more relevant than ever after January 20th.
• Thanks For Behaving So Predictably Badly Face
• A Smidge of Self-Awareness Would Not Go Amiss Face
• Please Stop Touching My Knee Face
Plop! was a humor magazine published by DC from 1973 to 1976. I bought most of the copies when they were on the newsstand, and I still have them. It was an unabashed rip-off of Harvey Kurtzman's 1950s MAD, and not as good. The best thing about this self-described "New Magazine of Weird Humor!" were the covers by Basil Wolverton (who drew for MAD) and the marginalia by Sergio Aragones (another MAD artist).
The Bristol Board posted a high-res scan of this unpublished original Plop! cover by Wolverton/Aragones. What does it mean? I don't think it means anything, which is classic Wolverton.