German designer Marcus Blättermann created this nifty series of scalable pixel illustrations based on Greek mythology (Tantalos shown here). Drag your cursor around at his site to alter the image. Read the rest
Zack Smith writes, "With the film of SUICIDE SQUAD out Friday [ed: alas, it looks like a turkey], you might enjoy this oral history I did of the 1980s series with writer John Ostrander and most of the artistic and editorial team from throughout the book's run. Along with some fun surprises, it includes some never-before-seen script and original art pages from the creators' personal collections." Read the rest
Davis had been with MAD since its first run in 1952, and his illustrations helped define the look of satirical art for generations. Read the rest
Robert Altbauer created this series of illustrations depicting crusaders meeting the HP Lovecraft's monsters, annotated in medieval Middle High German. Read the rest
Karen Hallion, a frustrated Disney animator, has updated her brilliant Princess Leia/Haunted Mansion mashup from 2014 with an inspired, complete set of Star Wars inspired Haunted Mansion stretch-gallery portraits. Read the rest
The New York Public Library's spectacular Digital Public Library challenged designers to create new covers for some of the public domain's greatest books, which had been previously doomed to an undeserved dullness thanks to the auto-generated covers that book-scanning projects stuck them with. Read the rest
Terry Gilliam’s memoir is as unique as the man himself. Known for his work with Monty Python and as a director of films like Brazil, Time Bandits, and Twelve Monkeys, Gilliam’s work has always had a surreal quality that makes it instantly recognizable. His “Pre-posthumous Memoir” happily possesses a similar quality.
Most authors would write a memoir that is a prose account of their life, and maybe they would include a couple pictures of the highlights for added effect. Gilliam, originally a cartoonist and animator, naturally flips this idea on its head and sticks pictures all over the book, drawing attention to them with handwritten notes. Sometimes the pictures are a direct reference to the text, sometimes they are tangentially related to the text, and occasionally they have no apparent connection to anything outside of Gilliam’s head.
What we get reads less like a book and more like a collage of many art pieces. The actual text of the memoir ends up being just one piece of many that ties the others together. You could probably only read the handwritten notes and pictures and still get a good sense of Gilliam’s life and personality. The pictures scattered throughout the book are a collection of old family photos, sketches, illustrations, magazine ads, set photos, and more. Gilliam’s early years in advertising and comedy magazines include some of the most surprising work, with hints of what the artist Gilliam would later become. Read the rest