Oh hell YES. DeviantArtist ArtistAbe has crossed Batman with the stretching portraits at the Disneyland Haunted Mansion. His substitutions are extremely well-thought-through and well-wrought. The fact that these are DC comics mixed into the Disney/Marvelverse gives it all a rogerrabbitesque mind-bend, too:
Harley Quinn and Killer Croc-
This was the last one I did because I was still unsure what I wanted to do with Harley Quinn's outfit. Sure I could have made it easier on myself just to put her in her standard costume, but I'd miss the opportunity to put her in a dress. I'm not that great at fashion, but this was one of the ideas I had for her outfit that I finally settled on. Pretty happy with how it turned out. :) I thought about giving her the umbrella for a split second, but then it's Harley! So I gave her a croquet mallet.
Croc was the obvious choice to replace the crocodile.
Joker and Scarface-
The original portrait had his pants down, so who better to pull that off than the Joker! He's doing the drinking water while still having the puppet talk trick, just fyi. I didn't intend to have at least two Batman characters in each portrait, but it kind of happened that way. I've always liked the Scarface character so I jumped at the chance to draw him in this piece...
From the Instagram feed of hyper-talented Australian design/illustration duo We Buy Your Kids (aka Sonny Day and Biddy Maroney): the cover art for a 2008 split 7" vinyl by Cloud Control and Telekinesis! and poster for a 2012 Eleanor Friedberger concert. webuyyourkids on Instagram
Zack sez, "Artist Brad McGinty (the "Xenomorph Anatomy" T-shirts) has a new website celebrating the fake history of Glorp Gum, best described as Bazooka Joe by way of Rat Fink. The site includes an elaborate narrative for Glorp Gum, tons of merchandise (including T-shirts, stickers and yes, actual gum) and this hilarious animated commercial that parodies the classic "Mr. Owl" spots for Tootsie Roll Pops"
Mr Unpronounceable Adventures is a book of comics by AustralianNew Zealand surrealist artist Tim Molloy in a Lovecraftian vein. But that only scratches the surface here. Molloy is incredibly fucking weird, and not always in a funny-ha-ha way (though there's plenty of that). The story loops around and around, almost making sense, almost following a narrative, returning to themes, to iconic panels, full of menace and hectic hilarity. It's really good. It's really strange.
Hugh D'Andrade sez, "The Bay Area Anarchist Bookfair takes place this weekend in San Francisco! I'll will be one of the speakers -- I am giving a slideshow all about the series of posters I have created for the Anarchist Bookfair over the last 10 years, called 'Anarchist Bookfair Artist: How I Tried and Failed to Solve the Anarchist Image Problem' on Sunday at 1pm. Here's my Flickr set of these 10 posters, each available for high-res download on a CC Attribution-Noncommercial license! And if you like, my Etsy shop, where I have these for sale."
Len sez, "A few years ago, you posted about my Monster By Mail project. Since then I've drawn a lot of things including Cory for my Geek A Week project. Now I am doing something similar to Monster By Mail with RPG and D&D characters. I'm drawing people's characters for their character sheets. They get an 8.5 x 11 drawing and a 72 dpi version for their character sheet and online use. As long as it is not a licensed character, I will draw it. You can see all the characters I've drawn so far here."
Drawing a map means understanding our world a bit better. For centuries, we have used the tools of cartography to represent both our immediate surroundings and the world at large—and to convey them to others. On the one hand, maps are used to illustrate areal relationships, including distances, dimensions, and topographies. On the other, maps can also serve as projection screens for a variety of display formats, such as illustration, data visualization, and visual storytelling. In our age of satellite navigation systems and Google Maps, personal interpretations of the world around us are becoming more relevant. Publications, the tourism industry, and other commercial parties are using these contemporary, personal maps to showcase specific regions, to characterize local scenes, to generate moods, and to tell stories beyond sheer navigation.
A new generation of designers, illustrators, and mapmakers are currently discovering their passion for various forms of illustrative cartography. A Map of the World is a compelling collection of their work—from accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations. The featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.
On IO9, Vincze Miklos rounds up some of the finest sovkitsch futuristic imagery from three 1970s issues of the Soviet YA technology magazine Youth Technics (1, 2, 3) and other sources, presenting a gallery of streamlined jetpack socialism.
Some of the most famous images of Soviet futurism come out of the 1920s and 30s, when the Revolution was young and propaganda posters were like stark works of realist art. But the nation continued to produce works of incredible futurism throughout its reign — including during the trippy period before the Iron Curtain fell in the late twentieth century. Here are some visions of tomorrow, from the USSR in the 1970s.
Marshall sez, "This paper scene is a collaboration between illustrator Derek Yaniger and Marshall Alexander. The result is this poster-sized template that you can either hang on the wall or cut to pieces to create the paper scene. We hope to make this template available for purchase soon."