Whoever opts for this “hazardous trip”, the committee said, is likely to perish for no “righteous reason”, and thus will be liable to a “punishment similar to that of suicide in the Hereafter”.One-way trip to Mars prohibited in Islam Read the rest
The committee, presided by Professor Dr Farooq Hamada, said: “Protecting life against all possible dangers and keeping it safe is an issue agreed upon by all religions and is clearly stipulated in verse 4/29 of the Holy Quran: Do not kill yourselves or one another. Indeed, Allah is to you ever Merciful.”
Bassam Tariq of 30 Days Ramadan points us to a series of images making the rounds on Facebook, Twitter, and the like today. The snapshots are ostensibly reactions to the recent violence related to a weird, anti-Islam YouTube trailer for a film produced by a mysterious character with a shady past.
The whole story behind that video and the attacks linked to it is perplexing, and the more that comes to light, the more it feels like a strange disinfo job. But I have no idea by whom, and to what end.
More images here. I don't know who shot them, and am unable to verify that they are what they appear to be as I post.
Update: The whole thing sounds like a weird disinfo job. But, by whom and to what end? The AP has outed "Sam Bacile" as Nakoula Basseley Nakoula, 55, a Coptic Christian who claims the film supports the concerns of Christian Copts about their treatment by Muslims. On The Media notes that there's something fishy about the film dialogue. And Gawker has spoken to one of the actresses in the film, who says she had no idea what the film was really about.
The Associated Press identifies Sam Bacile as an Israeli filmmaker based in California who made an independently produced and financed anti-Muslim movie that's sort of "Birth of a Nation" meets "Bed Intruder." The YouTube trailer is embedded above, and it unapologetically attacks Islam’s prophet Muhammad. Bacile has no known prior history as a filmmaker.
His D-grade web trailer inspired (or, alternately, was used as cover for) attacks by ultra-conservative Muslims on U.S. missions in Egypt and Libya. J Christopher Stevens, America's ambassador to Libya, and three American members of his staff were killed today in resulting violence.
Read the rest
Speaking by phone Tuesday from an undisclosed location, writer and director Sam Bacile remained defiant, saying Islam is a cancer and that the 56-year-old intended his film to be a provocative political statement condemning the religion. Protesters angered over Bacile’s film opened fire on and burned down the U.S. consulate in the eastern Libyan city of Benghazi. Libyan officials said Wednesday that Ambassador Chris Stevens was killed Tuesday night when he and a group of embassy employees went to the consulate to try to evacuate staff as the building came under attack by a mob firing machine guns and rocket propelled grenades.
I love this one. In it, a Muslim nerd "is excited for the new Dark Knight movie," but it releases on the first night of Ramadan.
The short film stars Aman Ali, is directed by Musa Syeed, and was shot by Omar Mullick. Subscribe to their YouTube channel for more.
"30 Mosques in 30 Days" returns for Ramadan 2012 The "30 Mosques" guys visit "The Ground Zero Mosque" Letters to a friend: Convicted terrorist's former friends asked, "what ... 30 days through Muslim America, a photo essay Two Muslim guys photo-blog 30 NYC mosques in 30 days. Read the rest
Saudi Arabia is reported to have used Interpol's "red notice" system to locate and arrest journalist Hamza Kashgari, 23, (image at left) over tweets perceived as an insult to the Prophet Muhammad.
The international police organization denies involvement.
On the day observed as the Prophet's birthday, Kashgari published three tweets that described an imaginary meeting with the Prophet.
The one that caused all the hysteria (including "arrest him!" campaigns on Facebook and Twitter):
"I have loved things about you and I have hated things about you and there is a lot I don't understand about you … I will not pray for you."
[translation via AFP].
Kashgari later apologized, removed the tweets, then fled the country as calls for his arrest grew.
More from the Guardian:
Police in Kuala Lumpur said Hamza Kashgari, 23, was detained at the airport "following a request made to us by Interpol" the international police cooperation agency, on behalf of the Saudi authorities. Interpol later denied that its notice system had been involved in the arrest of Kashgari.
A spokesperson said: "The assertion that Saudi Arabia used Interpol's system in this case is wholly misleading and erroneous."
Kashgari's tweets are said to be blasphemy, and blasphemy is punishable by execution in Saudi Arabia. Read the rest
Habibi is set in an atemporal Middle Eastern country that seems at times to be caught in classical times, but whose landscape is dotted with derelict jeeps, poisoned water awash in rotting consumer goods and other elements from out of time. Dodola, a child bride, is captured by slavers who murder her older husband, a scribe who had reared her on the stories, sutras and legends he was paid to calligraph. On the run, she rescues a younger slave boy, Zam, and the two become refugees together. They find a new home in the desert, a strangely out of place wrecked ship amid the sands, which they make into a snug home. Dodola raises Zam as her son, and to feed them both, she must prostitute herself to the caravans that pass by their hiding place.
When violence comes again -- when Dodala is enslaved to a capricious sultan's harem -- Zam is on his own, and is also soon in trouble. The story veers into Scheherazade territory as Dodola tries to charm the sultan into releasing her, but with the dark threat that usually lurks in the background in Scheherazade brought to the foreground. Zam is battered by life and circumstance, mutilated and enslaved, and still the two pine for each other.
Habibi is told in a dreamlike, non-linear, dense style, with asides for swirling Islamic legends, the theory and practice of magic squares, the hidden meanings in Arabic calligraphy, jumping from time to time and place to place, giving the book a deep, mythic resonance. Read the rest