In the years since his death, John Lennon's whimsical artwork has appeared on baby bedding, greeting cards, T-shirts, prints, posters and even in a few slim books. But this volume is the most comprehensive collection of his visual works to date. The book includes early drawings inspired by Ivanhoe and other childhood reading, as well as Lennon's darkly funny, Thurber-esque cartoons of the mid-1960s. And it concludes with his gentle, almost Matisse-like sketches of family life with Yoko Ono and son Sean in the late 1970s. Together, you get a full sense of how Lennon used simple artworks to express himself throughout his life.
Lennon dropped out of the Liverpool College of Art to become a full-time Beatle in his early 20s. Probably a good move. Unlike his classmate Stu Sutcliffe, Lennon didn't have the makings of a great painter. Yet, he might've made it as a cartoonist. The works here demonstrate imagination and potential, and a fluency for relating concepts in pencil, ink and brush. With a few minimal lines, Lennon could clearly convey whatever was on his mind: silly, sentimental or sad. Which is what it was all about: He used art to express an idea and then quickly moved on to the next thing on his agenda, be it writing or recording a song, or baking bread for Sean and Yoko during his house-husband years.
The book's text, on the other hand, seems to suggest Lennon should be acclaimed as a great visual artist as well as musician. Read the rest
Michael Horowitz*, Timothy Leary's longtime archivist, has permitted the Timothy Leary Archives website to publish a transcription of a tape recorded conversation between Dr. Leary and his wife Rosemary, and John Lennon and Yoko Ono, made during John and Yoko's Bed-In for Peace in Montreal, May 1969. Tim had given it to Michael, in 1984, as a present for finishing Tim's bibliography.
The conversation took place during John and Yoko’s week-long Bed-In, on May 29th, 1969. This is just a few months before John would leave the Beatles and move with Yoko to the U.S. where they were closely monitored by the FBI and threatened with deportation, and ten months before Tim would be put in prison for possessing a minuscule amount of marijuana, and Rosemary would be putting on benefits to raise money for his appeal.
This transcript was intended to be added to a previously published piece, “Thank God for the Beatles” (The Beatles Book, 1968), an essay about the Beatles as "evolutionary agents sent by God, endowed with mysterious power to create a new human species," to be published in an anthology of Tim's shorter writings, but the project was abandoned.
The transcript, as far as we can tell, has remained unpublished until now.
Transcription of a tape recorded conversation between Timothy Leary and his wife Rosemary, and John Lennon and Yoko Ono
*Michael Horowitz was Timothy Leary's archivist, editor and bibliographer. He co-founded the Fitz Hugh Ludlow Memorial Library and co-edited Moksha: Aldous Huxley's Classic Writings on Psychedelics and the Visionary Experience and Sisters of the Extreme: Women Writing on the Drug Experience (with Cynthia Palmer). Read the rest