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Stewart Brand sums up Susan Freinkel's Long Now talk: "What Common Objects Used to Be Made Of," a history of the world before plastic:
“Bakelite was invented in 1907 to replace the beetle excretion called shellac (“It took 16,000 beetles six months to make a pound of shellac.”), and was first used to insulate eletrical wiring. Soon there were sturdy Bakelite radios, telephones, ashtrays, and a thousand other things. The technology democratized consumption, because mass production made former luxury items cheap and attractive. The 1920s and ‘30s were a golden age of plastic innovation, with companies like Dow Chemical, DuPont, and I. G. Farben creating hundreds of new varieties of plastic for thrilled consumers. Cellophane became a cult. Nylons became a cult. A plastics trade show in 1946 had 87,000 members of the public lining up to view the wonders. New fabrics came along—Orlon and Dacron—as colorful as the deluge of plastic toys—Barbie, the Frisbee, Hula hoops, and Silly Putty.
“Looking for new markets, the marketers discovered disposability—disposable cups for drink vending machines, disposable diapers (“Said to be responsible for the baby boom“), Bic lighters, soda bottles, medical syringes, and the infinite market of packaging. Americans consume 300 pounds of plastic a year. The variety of plastics we use are a problem for recycling, because they have to be sorted by hand. They all biodegrade eventually, but at varying rates. New bio-based polymers like “corn plastic” and “plant bottles” have less of a carbon footprint, but they biodegrade poorly. Meanwhile, thanks to the efficiencies of fracking, the price of natural gas feedstock is plummeting, and so is the price of plastic manufacture.
A creative agency called Murmure is kitting out its employees with concrete business cards that come with their own miniature shipping palettes. There's a scene in a William Gibson novel (I could swear it was Idoru, but I can't find it) where a Hollywood studio exec passes out business-cards screened on wafer-thin slices of marble, each in its own velveteen slipcase. These (which come with their own little paper boxes) are a nice second, though not nearly so keen as those fictional bad boys.
Materials scientist Debbie Chacra writes about "peak plastic" -- the moment at which our ability to make plastic (which is made from oil) begins to decline. As Debbie points out, our material world is made of plastic, and it's hard to imagine a post-plastics life.
Plastic is more than just water bottles and Tupperware. If you’re indoors, look around. There’s a good bet that much of what’s in your field of view is made of plastic. Paint. Carpeting. Upholstery. The finish on a wood floor. Veneer on furniture. And that’s before you go into your kitchen, or bathroom, and never mind a subway car or a hospital (disposable, sterile medical supplies, anyone?). Plastic is so ubiquitous that it’s almost invisible...
There’ll likely still be applications that really need petroplastic, so landfills will become goldmines. The characteristic drawback of plastic, its stubborn resistance to degradation (‘this plastic bag will still be around in ten thousand years!’) will become a virtue, as it sits unchanged in anaerobic landfills waiting for us to decide that it’s worth excavating and recycling. And one day we’ll do just that–there’ll come a point when the easy, albeit expensive, way to get a particular combination of properties (formability, degradation resistance, sterilisability) will be to dig up post-consumer plastics and reuse them.
An architect named Michael Green believes he can make wooden skyscrapers that stand 100 storeys tall, and he's prototyping the idea with a 30-storey wooden building in Vancouver. More wooden high-rises are planned in Austria and Norway. Green uses laminated strand lumber, a glue/wood composite, and has char buffers to give it good safety in fires. He claims that his buildings can be cheaper than comparable structures made from traditional steel and concrete, and will have a smaller carbon footprint.
Wood buildings lock in carbon dioxide for the life cycle of a structure, while the manufacture of steel and concrete produces large amounts of CO2 -- the International Energy Agency (IEA) estimate that for every 10 kilos of cement created, six to nine kilos of CO2 are produced.
Green's "Tallwood" structure is designed with large panels of laminated strand lumber -- a composite made of strands of wood glued together. Other mass timber products use layers of wood fused together at right angels that making they immensely strong and able to be used as lode bearing infrastructure, walls and floors.
Despite being made of wood any worries about towering infernos should be banished, says Green, as large timber performs well in fires with a layer of char insulating the structural wood beneath.
"It may sound counter-intuitive, but performing well in a fire is something inherent in large piece of wood, that's why in forest fires the trees that survive are the largest ones," he says.
Combine the spike in commodity metal prices with advances in geriatric medicine and the increased trend to cremation and what do you get? A thriving trade in artificial joint harvesting and recycling. A Dutch company called OrthoMetals recycles 250 tons of scrap from cremated bodies -- cofounder Ruud Verberne notes that it takes five hips to make one kilo of metal, which fetches €12 on the scrap market.
Clark Boyd and Rob Hugh-Jones from PRI write on the BBC:
The company works by collecting the metal implants for nothing, sorting them and then selling them - taking care to see that they are melted down, rather than reused.
After deducting costs, 70-75% of the proceeds are returned to the crematoria, for spending on charitable projects.
"In the UK for example," he says. "We ask for letters from charities that have received money from the organisation we work with in the UK and we see that the amount we transferred to them has been given to charity. This is a kind of controlling system that we have..."
...Mr Verberne has no metal implants himself, but he points out his business partner's wife, who is helping sort out bits of metal at the recycling plant. "She has two titanium hips", he says. "And she was once asked: "Isn't it strange that you know that one day your hips will run along this conveyor belt?'"
"She said, 'No, it's just a part of life. You're going to die, and I know that reusing metals is a very good thing, so it is no problem at all.'" She added "'My mother's hip was on here too!'"
An 83-year-old woman with a badly infected lower jaw had the entire thing replaced with a 3D printed titanium/bioceramic replica. The surgery was performed by doctors from the University of Hasselt (Belgium) in collaboration with Dutch surgeons.
The 3D printer prints titanium powder layer by layer, while a computer controlled laser ensures that the correct particles are fused together. Using 3D printing technology, less materials are needed and the production time is much shorter than traditional manufacturing. The mandible was finally given a bioceramic coating compatible with the patient's tissue by BioCeramics in Leiden. The artificial jaw weighs 107 grams, it is only 30 grams heavier than a natural jaw, but the patient can easily get used to it.
The operation was performed in June last year in the hospital in Sittard-Geleen. One day later the lady could start talking and swallowing.
83 year-old woman got 3D printed mandible (Thanks, Don!)
Read the rest
Disappearing Spoons sells kits to make your own gallium prank-teaspoons. Gallium spoons weigh nearly as much as stainless steel ones, and have a similar finish, but they dissolve in hot liquids like tea. When the tea cools, the gallium forms a lump in the cup, ready to be molded into a new prank-spoon!
Goddammit, Big Detergent is screwing up my future again!
Spray-on liquid glass is transparent, non-toxic, and can protect virtually any surface against almost any damage from hazards such as water, UV radiation, dirt, heat, and bacterial infections. The coating is also flexible and breathable, which makes it suitable for use on an enormous array of products.Spray-on liquid glass is about to revolutionize almost everything (Thanks, Rick!)
The liquid glass spray (technically termed "SiO2 ultra-thin layering") consists of almost pure silicon dioxide (silica, the normal compound in glass) extracted from quartz sand. Water or ethanol is added, depending on the type of surface to be coated. There are no additives, and the nano-scale glass coating bonds to the surface because of the quantum forces involved. According to the manufacturers, liquid glass has a long-lasting antibacterial effect because microbes landing on the surface cannot divide or replicate easily.
Other organizations, such as a train company and a hotel chain in the UK, and a hamburger chain in Germany, are also testing liquid glass for a wide range of uses. A year-long trial of the spray in a Lancashire hospital also produced "very promising" results for a range of applications including coatings for equipment, medical implants, catheters, sutures and bandages. The war graves association in the UK is investigating using the spray to treat stone monuments and grave stones, since trials have shown the coating protects against weathering and graffiti. Trials in Turkey are testing the product on monuments such as the Ataturk Mausoleum in Ankara.
The liquid glass coating is breathable, which means it can be used on plants and seeds. Trials in vineyards have found spraying vines increases their resistance to fungal diseases, while other tests have shown sprayed seeds germinate and grow faster than untreated seeds, and coated wood is not attacked by termites. Other vineyard applications include coating corks with liquid glass to prevent "corking" and contamination of wine. The spray cannot be seen by the naked eye, which means it could also be used to treat clothing and other materials to make them stain-resistant. McClelland said you can "pour a bottle of wine over an expensive silk shirt and it will come right off".