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Glenn Greenwald replies to CNN's attempt to discredit story about compromised Bahrain coverage

Yesterday, I blogged Glenn Greenwald's Guardian story about CNN suppressing its own award-winning documentary on human rights abuses in Bahrain, which Greenwald linked to CNNi's commercial relationship with the ruling Bahraini regime. I was quickly contacted by two different PR flacks from CNN with a list of small, picky points it disputed about Greenwald's article, presented as though this constituted a thorough rebuttal. I immediately noticed that CNN's reps didn't dispute that the company had threatened to cut off Amber Lyon's severance payment if she continued to speak out on the issue, so I asked about it.

CNN's reps both told me they couldn't comment on "individual employees," which is awfully convenient. How nice for them that they can prepare and circulate a dossier that disconfirms minor elements of its critics' stories, but that it has some nebulous confidentiality code that prevents it from confirming the most damning claims made by those critics. Given that Lyon is no longer a CNN employee, and that she has divulged this threat, this feels more like an excuse than a reason. I certainly hope that CNN's own investigative journalists wouldn't accept such a pat evasion from the PR flacks that contact them.

Glenn Greenwald has published a thorough rebuttal to CNN's memo:

CNNi has nothing to say about the extensive financial dealings it has with the regime in Bahrain (what the article called "the tidal wave of CNNi's partnerships and associations with the regime in Bahrain, and the hagiography it has broadcast about it"). It has nothing to say about the repellent propaganda it produces for regimes which pay it. It has nothing to say about the Bahrain-praising sources whose vested interests with the regime are undisclosed by CNN. It provides no explanation whatsoever for its refusal to broadcast the iRevolution documentary. It does not deny that it threatened Lyon's severance payments and benefits if she spoke critically about CNNi's refusal. And it steadfastly ignores the concerns and complaints raised by its own long-time employees about its conduct.

In sum, CNNi's response does not deny, or even acknowledge, the crux of the reporting, and simply ignores the vast bulk of the facts revealed about its coverage of, and relationship with, the regime in Bahrain. Indeed, one searches its response in vain for any explanation to the central question which New York Times columnist Nicholas Kristof asked nine months ago:

Reply to response from CNNi

CNN suppresses its own award-winning doc on human rights abuses in Bahrain; has commercial ties to the regime

CNN sent its investigative correspondent Amber Lyon to produce an expensive documentary on the Arab Spring, including human rights abuses in Bahrain. Lyon and her crew were violently detained by Bahraini security forces, but soldiered on and made "iRevolution: Online Warriors of the Arab Spring," which went on to win awards and acclaim after its sole airing on CNN.

But CNN International, "the most-watched English-speaking news outlet in the Middle East," has never aired the doc. While cutting the doc, Lyon was pressured to include statements from the Bahraini government that she knew to be lies. And CNN itself under-reported the ongoing abuses in Bahrain. Now, CNN has threatened Lyon with sanction for her continued work to uncover the reason that her doc was blackballed by the international arm of her former employer. CNN itself has been remarkably friendly to the Bahraini regime, with which it has close financial ties.

Here's more from Glenn Greenwald in The Guardian:

On 16 August, Lyon wrote three tweets about this episode. CNNi's refusal to broadcast "iRevolution", she wrote, "baffled producers". Linking to the YouTube clip of the Bahrain segment, she added that the "censorship was devastating to my crew and activists who risked lives to tell [the] story." She posted a picture of herself with Rajab and wrote:

"A proponent of peace, @nabeelrajab risked his safety to show me how the regime oppresses the [people] of #Bahrain."

The following day, a representative of CNN's business affairs office called Lyon's acting agent, George Arquilla of Octagon Entertainment, and threatened that her severance payments and insurance benefits would be immediately terminated if she ever again spoke publicly about this matter, or spoke negatively about CNN.

Why didn't CNN's international arm air its own documentary on Bahrain's Arab Spring repression? (via Reddit)

AdHawk: who's behind that political ad?

Nicko from the Sunlight Foundation sez,

The Sunlight Foundation recently launched a free mobile app to help voters better know who is buying political ads this election year. Ad Hawk available for iPhone and Android, listens to campaign, super PAC and issue ads on the TV or radio and then lists information about who placed the ads, their campaign finance profile and other information.

Ad Hawk is simple to use: just listen, identify and learn. When you see a political ad on TV or hear one on the radio, open the app to have Ad Hawk start listening to the ad. In less than 30 seconds, Ad Hawk will create an audio fingerprint using open-source technology and start searching our database of thousands of ads for a match. We identify new ads by monitoring media reports and the YouTube channels of political groups and campaigns. When Ad Hawk finds a match, users will get information on their phone about how much money the ad's sponsor received or spent, where the ad is on the air and media reports about the candidate or political group.

Ad Hawk: Identify Political Ads As They Air

Neal Stephenson's Some Remarks, a remarkable essay collection

Neal Stephenson is a talented essayist, a fact that anyone who read his seminal In the Beginning... Was the Command Line will be aware of. Some of the finest moments in his fiction is really nonfiction, essays that make up part of the story, which some critics take umbrage at. I love it. I happen to love discursive novels. But that said, Stephenson's essays are even more enjoyable than the discursions in his novels, which is saying something.

Some Remarks is a new collection of mostly reprinted, mostly nonfiction. I've read nearly every word in this collection before, some of it multiple times, but nevertheless found it to be a breezy, fast, and thoroughly enjoyable read.

The collection is dominated by Mother Earth Mother Board a "hacker tourist" travelogue that tells the story of the FLAG transoceanic cable, a pioneering privately funded project that was originally published in Wired magazine, which deserves kudos for having the bravery to commission an essay that runs to more than 100 pages in this 300-page book. This essay still stands as a kind of Moby-Dick for undersea cabling, a ferociously detailed, gripping account of an obscure but vital field that manages to be both highly technical and highly dramatic. I found my 2012 re-read of this essay much different from my original reading of it in 1996, in particular because of all the references to politics in middle eastern countries like Libya and Egypt, which have been so much in the news lately. There's a little frisson of history-in-the-making from this essay, as you realize that the establishment of redundant, high-speed network links into the region prefigured a vast, global change that we are still experiencing.

There are many other pieces in this book, including two pretty good short stories (Stephenson readily admits that he's at his best with fiction at much longer lengths), as well as some classic interviews and a speech in which Stephenson lays out a theory of the sort of work that he writes and its place relative to literature and culture.

There's an unabashedly esoteric and absolutely delightful account of Leibniz's metaphysics, and an evocative piece on life as a child in a midwestern college town. In short, there is the sort of highly varied and erudite contrasts that make Stephenson's novels so pleasurable (and important).

Stephenson lightly edited these essays to remove anachronistic irrelevancies, but some of them still stand as perfect reflections of the period in which they were written, time capsules and core samples of the heroic days of the early commercial Internet. This is, in short, a fantastic book and an indispensable companion to Stephenson's canon.

I'm also delighted to note that there's a Brilliance audio MP3CD unabridged audiobook edition.

Some Remarks

(Image: Neal Stephenson Answers Questions, a Creative Commons Attribution Share-Alike (2.0) image from jmpk's photostream)

If politics in Game of Thrones featured attack ads

Mike Mechanic from Mother Jones sez, "So, basically, the folks in our DC office were sitting around shooting the shit, and someone asked: What would it be like if they had Super-PACs in Westeros? Well, it turns out somebody knew somebody who knew someone, which allowed us to professionally produce these 'Game of Thrones Super-PAC Attack Ads.'"

Game of Thrones Attack Ads

Read the rest

Globe and Mail turns celebrity photos slideshow into commentary on Quebec protests

The caption writer on the Globe and Mail's "Celebrity Photos of the Week" department has some trenchant political fun with the feature. Opening with a picture of the mass demonstrations still rocking Quebec, the writer notes "Thousands of Quebec students march through Montreal to protest university tuition fee hikes. Oh wait. Sorry about that, English Canada. You didn't come here to look at a bunch of self-centred, entitled people who don't know the value of a dollar and obviously crave attention. I don't know what I was thinking. You have no time for those kind of people."

Of course, the rest of the slideshow is of celebs holding fancy handbags flashing prosthetic dentistry attending red carpet events ("Cannes jury member Diane Kruger hits the Cannes red carpet last week in a dress that hardly resembles at all something Marie Antoinette would have worn") interspersed with protesters getting forcibly taken down and arrested in Montreal, creating an imaginary dialog with the celebs ("Zac, this is a bad person with misguided values. According to some, this Quebecker is no better than a Greek person who lost his job and isn't gracious enough to be pleased that his unemployment is helping Wall Street recover from the 2008 recession").

The Globe's celebrity photo caption-writer does this sort of thing regularly, but this is the best to date.

Celebrity Photos of the Week (Thanks, Emily!)

Leveson Inquiry cakepops


The redoubtable Miss Insomnia Tulip has created a calorific tribute to the Leveson Inquiry, in which Lord Justice Leveson is interrogating the state of the nation's newspapers, phone hacking, and undue political influence. There are cakepops for all of the players in the inquiry, including one for Rebekah Brooks's LOL Blackberry.

Leveson Enquiry Cake Pops!!!

Dial M for Murdoch: exhaustive account of the UK tabloids' criminality and the resulting coverup

Tom Watson and Martin Hickman's Dial M for Murdoch is a timely, informative, infuriating insider account of the News International phone-hacking scandal that has occupied the news-cycle, off and on, for several years now (and shows no sign of slowing down). Watson, a veteran Member of Parliament -- and frequent target of the Murdoch press and its hackers and snoops -- was an early and consistent voice of alarm over the scale and illegality of the Murdoch tabloids' investigative methods. He's uniquely well-situated to tell this story. His co-writer, Martin Hickman, is a veteran investigative reporter who covered the story for the Independent. They make a good pair, and the narrative is relatively smoothly told and, at times, is very powerfully written.

The Murdoch papers -- and other UK tabloids and papers -- wield tremendous influence in the halls of British power. Dial M traces the intimate connections between the press and senior ministers, elected officials, and -- crucially -- the police in the UK. As the flagship Murdoch tabloid, News of the World attained the highest circulation of any English-language paper, and seems to have led the world in illegal investigation techniques as well. The early inklings of the scope of the company's criminality were systematically understated by the press, underrated by the police, pooh-poohed by officials (from every party), and buried.

But the story wouldn't die. There were just too many victims, a sympathetic poster-child for everyone -- dead soldiers and their families, terrorist bombing victims, royals, the families of murdered children, and so on. It was impossible for Scotland Yard to maintain its "nothing to see here" posture, not with so many different stakeholders and so many upwellings of outrage. It didn't help that the most senior police officers on the case were doing various kinds of business with Murdoch, or retiring into cushy sinecures as high-paid columnists and consultants. Neither could the impotent Press Complaints Commission maintain the fiction that it had investigated, censured, and cleaned house.

Murdoch's many enemies were willing to bring the fight, risking their private lives, risking their personal fortunes. Vindictive Murdoch executives drew up enemies lists, ordered deep background checks on Parliamentarians and attorneys, sent high-powered lawyers to lean on witnesses, set private eyes to follow Murdoch's opponents in secret, or dispatched obvious PIs to watch them openly and intimidatingly. Watson and Hickman are exhaustive in documenting the slimy depths plumbed by Murdoch's high-placed lieutenants and their thugs in their efforts to maintain the years-long suppression of the investigation.

They were ultimately undone by their own arrogance. You can't defend yourself by throwing your accomplices under the bus forever. Eventually, some of the minions on whom you've pinned the blame will start whispering your secrets to others. Likewise, you can't pin the blame on your fancy lawyers, insisting that they investigated your operation and gave it a clean bill of health -- they won't sit still for it. You can't just hack everyone who accuses you of hacking.

Indeed, the scale and arrogance of the Murdoch companies' illegality was both their undoing, and is the major problem with Dial M for Murdoch. Despite the authors' valiant efforts to be both exhaustive and engrossing, sometimes the sheer litany of the names of the hacked, the officials who participated in the coverups, the bribes and corruption -- well, it gets a little repetitive. This is the banality of evil, 350 pages' worth. The fact that it's hard to keep it all straight when it's delivered in sequence, with the benefit of hindsight, tells you a lot about how this managed to slip off the front pages so many times over the years. The revelations can be so similar that it's hard to remember that this is actually a fresh outrage, not just a re-reporting of last week's lies and crimes.

My other problem with Dial M is its unwillingness to set out an explicit agenda in defense of a free press. For all that the tabloids have gotten away with murder for decades, Britain has one of the most censorious and litigant-friendly environments when it comes to press freedoms. This is the land of the "superinjunction," where corporate criminals can order the news of their misdeeds to be vanished into the memory hole. This is the land where spurious libel claims can be used to silence science writers like Simon Singh and Ben Goldacre, who document the (sometimes literally) murderous quackery of "alternative medicine" gurus. Britain has the unwelcome distinction of being the world's center for "libel tourism," a place where despots can come to punish journalists who reveal their misdeeds.

One consequence of the Murdoch scandal has been a renewal of the call for "press regulation," to rein in the tabloids. But what the tabloids did was already illegal -- it didn't just violate a "code of conduct," it violated the actual statutes on the actual lawbooks. The problem wasn't that they slipped through a legal loophole: the problem was that they had the cooperation of crooked prosecutors and cops, and the collusion of highly placed officials, both elected and appointed. The problem wasn't the absence of a law, it was the absence of legal enforcement.

For example, Dial M paints Max Mosley as something of a hero of the fight against Murdoch. Mosley, a wealthy celebrity who'd been libeled by the tabloids, refused to settle and refused to back off, and spent a fortune bankrolling much of the legal action against Murdoch. For this, he is justly lionized by the authors. But Mosley also proposes far-reaching Internet censorship rules, and advance notice and "arbitration" whenever the press publishes stories about public figures, and an opportunity for those figures to seek injunctions against publication. I kept waiting for the authors to point out that one risk of the Murdoch scandal is that Britain's moneyed and powerful will seize on the opportunity to reverse the trend toward libel reform and other free-speech rules, and to demand expansions to the already onerous censorship and libel regime the country labours under.

Instead, Watson and Hickman walk a fine line between praise and condemnation of the press, without ever articulating what a "good" press should do, or what regulation they favour. There are plenty of opportunities for this, too: after all, the Guardian's Nick Davies was a key investigator of the scandal, and the authors credit him with bringing Murdoch to heel, at real personal risk. I wanted them to explain how they would create a policy or precedent that would let Davies investigate Murdoch at full tilt, but not be so broadly defined as to legalize the investigative techniques used by the Murdoch press. Indeed, the book opens with a quote from Bob Woodward, who brought down a president by publishing illegally leaked confidential material -- what system would protect Woodward and not Andy Coulson?

The other "other shoe" that never dropped in Dial M was a critique of the way that our IT systems are designed to be such juicy and easy targets for scumbags and crooks. It goes without saying that there's no excuse for the Murdoch invasions. But what on Earth are all these rich and powerful people doing sending unencrypted emails? Why do ministers of the government use voicemail servers operated by big, dumb phone companies like Vodaphone, instead of privately maintained Asterix instances run by Parliament's IT department (who, presumably, couldn't be tricked into resetting a voicemail PIN merely by calling up and saying, "It's Bob in tech support, and I'm on the other line with the Home Secretary and she's forgotten her PIN, can you reset it for me, mate?"). How is it that lawyers and clients send cleartext documents to one another, and how is it that ministers and civil servants keep the nation's most important information on unencrypted hard drives? It's one thing for an individual celebrity (or the bereaved parents of a murdered child or a felled soldier) to lack the wherewithal to protect themselves, but when it comes to officials and their staff, it's both inexcusable and inexplicable. Maybe the Murdoch snoops would still have gotten something on them with long lenses and PIs who shadowed them from home to work. But the fact that a crew of creepy dolts were able to sit in their basements hacking thousands of important and official phones and computers at a time is not merely an indictment of their employers at the tabloids. It should be a wakeup call to the establishment to put its house in order, get some training, and use the decades-old technology (that comes stock on every GNU/Linux box) in their official dealings.

Leaving aside those omissions, Dial M is a fabulous and infuriating read. If you have been trying in vain to keep all the crooked dealings straight, here, at last, is the scorecard you've been looking for. It's the perfect background reading for the nightly news, and I can't wait for a sequel once this business has been resolved (however long that might take!).

Dial M for Murdoch

Powerful US Senator wants to know more about the Murdoch empire's UK crimes

In the wake of a UK Parliamentary committee report that described Rupert Murdoch as "not fit" to run a major corporation, a powerful US senator has reached out to the judge presiding over an inquiry into the British "phone hacking" scandal to discover whether Murdoch and his empire violated US law, too. Jay Rockefeller, chair of the Senate Commerce Committee, has asked Lord Justice Levenson "whether any of the evidence you are reviewing suggests that these unethical and sometimes illegal business practices occurred in the United States or involved US citizens." Rockefeller's committee oversees the FCC, which regulates broadcast licenses in the USA. The Guardian's Ed Pilkington and Lisa O'Carroll report:

In a scathing attack on the Murdoch company, Rockefeller writes: "In a democratic society, members of the media have the freedom to aggressively probe their government's activities and expose wrongdoing. But, like all other citizens, they also have a duty to obey the law.

"Evidence that is already in the public record clearly shows that for many years, News International had a widespread, institutional disregard for these laws."

Rockefeller also asks for details emerging from the Leveson inquiry that indicated whether any News Corp executives based in New York were aware of illegal payments made by News of the World to British police and other public officials. "I would be very concerned if evidence emerged suggesting that News Corporation officials in New York were also aware of these illegal payments and did not act to stop them."

Murdoch facing new challenge as US senator contacts Leveson over hacking

Hyperlocal news manifesto

Ned Berke, editor of the Sheepshead Bites site -- which provides comprehensive local news for the neighborhood of Sheepshead Bay -- has a great manifesto about the delights and rewards of making hyperlocal news.

I believe local journalism, local government and local economies are the linchpins of a vibrant, healthy nation. For decades, as conglomerates swallowed up independent news outlets across the nation (our own local paper, Bay News, is owned by News Corp. – the same company that owns Fox News and the New York Post, for example), local coverage was watered down because community reporting is expensive, and stockholders want dividends. And because corporations can view employees as easily replaceable cogs, one reporter who lives in the community and has covered it for decades is just as valuable as one straight out of journalism school three states over.

But community reporting requires more than cogs. It requires more than an academic familiarity of those it covers. What meaningful local reporting requires is a personal investment. If the reporter doesn’t stand to benefit from a healthy community, his coverage will serve to dramatize and exacerbate problems rather than solve them.

When Sheepshead Bites ventures to cover the community, we do it because we’re neighbors. Our writers live here. Our business is based here. And we endeavor to support and uplift our neighbors for all of our benefit.

Our reporting sees results. When we complain about garbage, it gets cleaned up. When we question politicians, they endeavor to meet our concerns. When we cry to the city that Sheepshead deserves more – well, we’re still waiting to see about that one. This alone makes the site a worthwhile exercise, because, to me, the significance of one’s aspirations is only measurable by how much it helps others. Not to get preachy, but a preacher’s quote is especially applicable here: “Life’s most persistent and urgent question is, ‘What are you doing for others?’” (That’d be Martin Luther King, Jr., by the way.)

For more top-notch, independent hyper-local news see John McDaid's blog on Portsmouth, RI. It's clear that this sort of reporting makes a real, on the ground difference for the communities it serves.

Open Thread Mondays: A Manifesto For Hyperlocal (via Making Light)

G-spot "discovery," gender, and good science reporting

Dr Petra Boynton has a very good critical essay examining the media coverage of a study that "proves" the anatomical existence of a G-spot.

The take home message is
- there are numerous conflicting messages about the g-spot, many of them from papers with limitations, all recently published in the same journal
- this is not cutting edge sex research nor the prime focus of what sex research is
- this distracts us from the exciting and wonderful stories and studies within sexology – and people’s daily lives
- this makes people anxious about their bodies, sexual experiences and sexual performance
- it gives legitimacy for untested cosmetic gynaecological procedures to be promoted uncritically by the media
- it implies orgasm is solely a physiological experience that is located in specific areas of the genitals (in cis women)
- it suggests particular kinds of orgasm are superior to others or that you should train your body to orgasm in particular ways/locations
- this discourages us to celebrate sexual diversity and pleasure in our genitals and elsewhere, and find what excites and arouses us

G-spot discovery, medicalization and media hype

How the press is distorting the Breivik trial to make video games central to the narrative


On Rock, Paper, Shotgun, John Walker tears into the mainstream press's treatment of mass-murderer Anders Breivik's video-game habits. Breivik's gaming has been prominently mentioned in press accounts, and the Norwegian prosecutor also called attention to it. Breivik himself described his World of Warcraft sessions as a "martyrdom gift," a "sabbatical year," and stated that he played to unwind after a difficult stretch of work in planning his atrocities and writing his 800,000 word manifesto.

Later, Breivik talks about using Modern Warfare to prepare for his massacre, calling it "a simple war simulator." But as Walker points out, Breivik's description of what he did with the game in order to train for his assault doesn't actually jibe with the way that the game works -- Breivik describes doing things that the game doesn't do. Walker points out that most of Breivik's statements about his motives and inspiration are treated skeptically by the press and prosecutors, but where Breivik describes using games to prepare for slaughter, his statements aren't just taken at face value, they are enthusiastically amplified and elaborated.

Walker shows that this reporting slant is widespread, across different news entities with different audiences, from CNN to The Irish Times to Al Arabia News. It seems like the press has already made up its mind about what role games play in social violence, and will cherry pick and even distort facts to support that narrative.

That’s not what Modern Warfare is, or lets you do. The scripted corridors, nor the multiplayer, offer no useful practice for any such actions, and don’t allow you to simulate practising killing policemen in the manner Breivik describes. There is of course the infamous No Russian airport level, in which you play as an undercover agent with terrorists, and are able to shoot (or not shoot) civilians and policemen, but I think it’s unreasonable to suggest that it offers what Breivik claims. Of course there are many other shooters out that that would let you create your own specific scenarios, attempt to rehearse escaping from armed forces, and so on. But Breivik, in keeping with much else of his rhetoric, doesn’t make much sense here. It is very unfortunate that while a sceptical press has been enjoying picking over his comments about being a member of the Knights Templar, and disproving them, they see no need to question his remarks on using Call Of Duty as a simulator for combating armed police in real life. Instead here it’s assumed he’s being honest and clear-headed. It’s also important to note that Breivik’s memoir makes it clear that he only played MW2 after he had entirely planned the attacks, and it was in no way influential on his decision to kill anyone.

The same Times report then explains how Breivik named all his guns, citing El Cid for having done the same for his favourite sword, but oddly doesn’t then condemn the learning of history. Instead, astonishingly, it just reports the names for all the weapons, and doesn’t even mention the possible concern that he was in possession of them. They also don’t mention the enormous detail written in the manifesto about how these guns were legally and illegally acquired, and the enormous amount of time he spent at shooting ranges, practising firing them. Factors that, you would imagine a journalist reporting on how he had trained for his attacks, would think relevant to bring up. But no, instead, only Modern Warfare and World Of Warcraft are mentioned.

Yet again I feel compelled to repeat the refrain: were gaming genuinely a dangerous factor, something that could cause someone to become a murderer, we would want to know about it, and you can damn well believe we’d be reporting on it. What more serious matter could there be for gamers than to be aware of this? This is not about defending gaming, but about defending truth, and truth in reporting. And it is woefully lacking in the so-called respectable papers over this matter. The headline in the Times bears no relation to what is actually said by Breivik. It obfuscates the year he spent playing WoW to give himself a rest with the couple of months he spent with Modern Warfare, and it ignores the huge amount of time he spent actually practising firing real weapons. While taking massive amounts of steroids.

Breivik Testifies About Gaming, Press Ignores The Facts

What role for journalists in holding the powerful to account?


Laurie Penny, corporate-crime-fighting superhero journo, has a corker of an essay on Warren Ellis's website, about the uneasy role of muckraking journalism in the late days of crony-capitalism:

I thought I got into journalism to tell truths and right wrongs and occasionally get into parties I wouldn’t normally be cool enough to go to. Right now though, with a few exceptions, professional journalism is rarely seen as an exercise in holding power to account. Justly or unjustly, the media, especially but not exclusively the mainstream, corporate-controlled press, has come to be seen as the enemy of the voiceless rather than their champion. Justly or unjustly, few people believe what they read in the papers or watch on the news anymore, because belief has long ceased to be quite as important as complicity when it comes to the Daily Mail, the Daily Post or News International. On the streets of Athens and Madrid as well as during the London riots of August 2011, journalists have been threatened and attacked by desperate young people making havoc in the streets. Why? Not because these young people don’t want to be seen, but because they don’t want to be seen through the half-closed eyes of privilege.

Journalists are losing any case we ever had for special pleading. For the younger generation of digital natives, there is no particular reason to be deferential towards anyone who happens to be at a protest with a phone that can get the internet and an audience of thousands: it’ll be you and a hundred others, and unless the police have given you special privileges to write precisely what they want and nothing else, your press pass is less and less likely to keep you safe from arrest. As more and more ordinary men, women and children without degrees in journalism acquire the skills and technology to broadcast text and video, the media has become another cultural territory which is gradually being re-occupied. Those on the ground do not have to wait for the BBC and MSNBC to turn up with cameras: they make the news and the reporters follow. They have grown up in a world of branding and they know how to create a craze and set the agenda. They occupy the media. And the media is starting to worry.

GUEST INFORMANT: Laurie Penny (Thanks, Laurie!)

Fighting he-men from 1950s men's magazine covers collaged into dainty homes from 1950s women's magazines


Photographer Nadine Boughton has a series of collages called "True Adventures in Better Homes" that combine the muscular he-man (and sultry seductress) cover illustrations from 1950s and early 1960s men's magazines (see Mark's Mean Monkey Monday series) with women's magazines from the same period.

Here is a collision of two worlds: men’s adventure magazines or “sweats” meets Better Homes and Gardens. These photocollages are set against the backdrop of the McCarthy era, advertising, sexual repression, WWII and the Korean War. The cool, insular world of mid-century modern living glossed over all danger and darkness, which the heroic male fought off in every corner.

My intention is to show how the inner psyche reflects the culture at large. I am drawn to the tension of opposites: inner and outer spaces, wildness and domesticity, the sweat and the cool. With a background in psychology, I am always interested in what lies beneath appearances. The predator theme so present in the “true” adventures led me to explore “who” or “what” is breaking through. Whether the metaphor is that of bats or whales, this “other” carries not only our deepest fears but our deepest desires. We meet ourselves.

True Adventures in Better Homes

Fox News whistleblower begins anonymous tell-all series

Gawker has launched a new column written by an anonymous Fox News employee who posts under "The Fox Mole." S/he claims to have been with Fox for "years," and claims that s/he can't find work elsewhere because other news organizations view Fox alumni with suspicion. The Mole's first column describes a particularly nasty piece of work by Fox -- the notorious "Obama's Hip Hop BBQ Didn't Create Jobs" story -- as the breaking point that got her/him interested in exposing wrongdoing at the organization.

The post neatly summed up everything that had been troubling me about my employer: Non sequitur, ad hominem attacks on the president; gleeful race baiting; a willful disregard for facts; and so on. It came close on the heels of the Common controversy, which exhibited a lot of the same ugly traits. (See also: terrorist fist jabs; Fox & Friends madrassa accusations; etc.)

The worst thing about the Hip Hop BBQ incident is that we didn't back away from it. Bill Shine, who is a rather important guy—sort of Roger Ailes' main hatchet man, and the go-between for Ailes and most of the top talent—bafflingly doubled down and defended it. The story still exists on the Fox Nation site, headline and photo montage intact, to this very day.

That was it for me. It wasn't that the one incident was so bad, in and of itself. But it was so galvanizing, and on top of so many other little incidents, that I guess it just finally pushed me over the edge.

Announcing Our Newest Hire: A Current Fox News Channel Employee (Thanks, Fipi Lele!)

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