Chet Phillips's Monster Zen is a book of 16 beautiful, "Japanese-styled" drawings of monsters, accompanied by haikus by the artist -- you can get the book for $24 or get individual prints. Read the rest
The Monster Scouts are a wonderful thing: monster-obsessed makers who have created a collaborative, detailed, LARP-ish world in which monsters are real and an imaginary scouting organization called the Crow Scouts, founded in 1907, has operated for more than a century to help our monster friends. Read the rest
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a "weird-oh," a "derelict," a ghoul, a mummy, Frankenstein's monster, Quasimodo, Mr Hyde, "split face," and more. Read the rest
The machine knows what cat parts are and knows where they go, and can glue them together to fit drawings of cats that you provide. Whether the results charm or horrify you might depend on whether you, yourself, are part of the simulation. The Next Web interviews creator Christopher Hesse. Read the rest
If you were one of the lucky Del Toro fans who got to see the At Home With Monsters show at the Los Angeles County Museum of Art this year I hope you found the photo-mural of his house on the way out and took a selfie there — it looks like YOU are right there inside Bleak House, Del Toro’s home of monsters! (see my pic above). Seeing that show was about as close as any of us will ever be to getting inside to see his collection. If you missed the show, then this book is the next best thing.
Any fan of horror, sci-fi, and Del Toro films like Hellboy, will love this handsome book designed to go along with the museum show. The legendary film director’s collection of original art, movie props and extraordinarily realistic life-size figures is truly amazing. His appetite is omnivorous and wide-ranging from low- to high-brow and everything in between: William Blake etchings, pulp novels and comic books, Japanese woodblock prints, Simpsons vinyl collectibles, Phillip Guston paintings to Todd Browning Freaks stills, and much, much, MUCH, more. Also included, are pages directly from Del Toro’s own notebook with sketches and notes for his films, including Pan’s Labyrinth and Blade.
Guillermo del Toro: At Home with Monsters: Inside His Films, Notebooks, and Collections by Guillermo del Toro (Author), Guy Davis (Illustrator), & 3 more Insight Editions 2016, 152 pages, 8.0 x 0.8 x 10.0 inches, Hardcover $20 Buy one on Amazon Read the rest
Lorraine Andrusiak couldn't get a new Ikea Moppe dresser in Canada, but she found this one in a thrift store, marred by a thick, ugly coat of paint; so she stripped the paint, transferred vintage sea-monster art with graphite paper, and burned the decorations into the wood -- the result is gorgeous. Read the rest
Behold the Muriwai Monster, a horrifying beast that washed up last weekend on Muriwai Beach in Auckland, New Zealand. It's thought that the 7.8 magnitude earthquake that hit New Zealand’s South Island, raising the sea bed by two meters, spurred this evil behemoth to surface.
Unfortunately, some non-believers are insisting that the Muriwai Monster is actually a hunk of driftwood covered in gooseneck barnacles. They'll learn, as soon as the Muriwai Monster awakens.
Papertoy Monsters: 50 Cool Papertoys You Can Make Yourself! by Brian Castleforte (author) and Robert James (illustrator) Workman Publishing Company 2010, 124 pages, 8.6 x 11 x 0.9 inches (softcover) $15 Buy a copy on Amazon
As a child, I often viewed school as an evil creature that could be temporarily subdued only by sickness, weekends, government holidays, and art/craft Fridays. Among my favorite Friday activities were the various papertoys that I got to color, cut out, and assemble. Some were mechanical, some were static, some would have a specific purpose, and some would just be neat little creatures to play with. But, they all had the same feature that I found so intriguing: they were three-dimensional toys born from a single sheet of two-dimensional paper. Three decades later, I can finally relive those fond childhood memories as well as share them with my nephews.
Papertoy Monsters is a collection of 50 monster designs by 24 papertoy artists from around the globe including the author, Brian Castleforte. Building one of these monsters is pretty straightforward, and the only required tool is some glue. The author recommends some other tools, but glue is really all that is required. Inspiring mad scientists have it so easy nowadays.
Every monster is printed on both sides, so the finished toy has colorful graphics inside and out. Pieces are perforated for easy punch-out, and pre-scored for easy folding. Even the slots are pre-cut for easy assembly (no dangerous X-Acto knives to contend with). Read the rest
I was unprepared for the magnitude and quality of stuff on display at LACMA's exhibition of filmmaker Guillermo del Toro's monster memorabilia collection. This just might have been the best museum exhibition I've seen. Read the rest
Zach Smothers, who hand-colorized 1,300 frames from the credits of The Munsters has posted 64 seconds of similarly hand-colored footage from The Addams Family. Read the rest
Hugh sends us this "beautifully made mashup video of the Republican candidates as Munsters." Read the rest
Cartoonist Winsor McCay was best known as the creator of the hallucinatory Little Nemo in Slumberland and Dreams of the Rarebit Fiend newspaper comic strips. Fewer people know that he was also the creator of the first animated dinosaur to appear in the movies (Gertie the Dinosaur, 1914). But hardly anyone knows that when McCay died in 1934, he was at work on a new comic strip called Dino, about a dinosaur that awakens after sleeping for 65-million years and befriends a young girl and her brother in New York City.
One person who knows is McCay historian Ulrich Merkl, who has put together a massive, astounding book about McCay and his influence in depictions of rampaging dinosaurs, robots, apes, and monsters in popular culture. Every page is loaded with eye-popping art from the early 20th century, much of it never reprinted before now. People of that era were just as hungry for city-destroying cinematic behemoths as we are today, and Merkl convincingly makes the case that it was McCay who whetted our appetite for them. If you like illustrations from the 1900s, you will go ape over Dinomania.
Dinomania: The Lost Art of Winsor McCay, The Secret Origins of King Kong, and the Urge to Destroy New York by Ulrich Merkl Fantagraphics 2015, 304 pages, 11.9 x 15.9 x 1.2 inches $54 Buy one on Amazon
Screen Novelties' Witch Doctor kickstarter is looking to raise $60,000 to finish a gorgeous-looking, tiki-themed stop-motion black-light movie inspired by classic dark rides. Read the rest