Ant sez, "Cory kindly posted about Dimensions, a 1920s/30s sci-fi drama filmed in Cambridge, England, when we were in pre-production. At the time we were trying to round up steampunk props for our main character's workshop. We are incredibly excited to announce our U.S. premiere! Dimensions screens on Saturday 18th February as the Closing Film for the 37th Boston Science Fiction Film Festival." Here's the trailer.

The Man Who Prints Houses is a documentary about Enrico Dini, an Italian roboticist who switched tracks to design and build enormous 3D printers capable of outputting houses:

Having built his printer – the world’s largest – from scratch, there’s no shortage of work offers for this highly-skilled and imaginative engineer. Throughout the course of the film, we see Enrico embark on an array of innovative projects: constructing the tallest printed sculpture in existence, working with Foster + Partners and the European Space Agency on a programme to colonise the moon, solidifying a sand dune in the desert, and printing the closest thing to an actual house: a small Italian dwelling known as a trullo.

The long-term nature of these projects and the current financial climate take their toll on Enrico and his team of workers, as contracts fail to be honoured and the infant technology stutters. Travel back to 2008 and it’s a different story, as Enrico describes how he was staring a €50m investment in the face. Just as he’s about to sell up and move to London, the stock market crashes… he must rebuild his business all over again.

The Man Who Prints Houses (Thanks, gaiapunk!)

Here's a trailer for a documentary-in-progress called "Kidnapped for Christ," which tells the stories of children whose evangelical Christian parents pay military-style boarding school to render them to an offshore facility, where they are subject to inhuman treatment in the name of reforming their wicked ways, from "discipline problems" to simply being gay:

The film centers on the story of David, a straight-A student from Colorado who was sent to Escuela Caribe in May of 2006 after coming out to his parents as gay. Like many others, David was taken in the night without warning by a “transport service” and was never told where he was going or when he would be brought back home. While at Escuela Caribe, David had no way of communicating with any of his friends or family back home until the filmmakers arrived and he decided to ask them if they would smuggle out a letter that he had secretly written to his best friend. Once word got back to David’s community about what had happened to him, many people sprung to action and formed a plan to get him released. Getting David out of this school, however, turned out to be a much more difficult task than anyone had thought, and the trials they went through to get David released revealed just how far Escuela Caribe would go to prevent a student from leaving.

David was not the only student whose life was impacted by the school’s severe approach to discipline. The filmmakers followed many other students who also experienced degrading punishments and who struggled to understand what was happening to them. The film also features interviews with former students, including Julia Scheeres, whose 2005 New York Times Best Selling memoir Jesusland tells the story of the disturbing physical and physiological abuse she witnessed and suffered at Escuela Caribe during the 1980s.

The growth of the troubled teen industry, especially therapeutic boarding schools located in the United States and abroad, has given rise to many other allegations of the inhumane treatment of youth and the exploitation of families who are desperately seeking help for their teenagers. The goal of Kidnapped for Christ is to tell the stories of the students at Escuela Caribe and to give them a voice so that they may make people aware of the broader industry of schools like Escuela Caribe and the potential danger they constitute for our youth. We hope that the film will be entertaining, shocking, thought provoking and will ultimately inspire change in the way these types of schools are run and regulated.

You can help us finish the film and advocate for the rights of teenagers who are sent to boarding schools like Escuela Caribe by making a tax-deductible donation to our IndieGoGo Campaign here

Kidnapped for Christ (Thanks, Fipi Lele!)

Here's a trailer for Tim Burton's forthcoming adaptation of the satirical horror novel Abraham Lincoln: Vampire Hunter. Hard to tell how Burton will play it -- it will be tricky to maintain the relevance of the fact that the action hero is also Honest Abe without obliterating suspension of disbelief, since each reminder of this fact is a bit jarring in the context of a fun/funny horror romp.

Here's the Onion's Sean O'Neal's thoughts:

Adapted from the monster mash-up novel from Seth Grahame-Smith, the forthcoming film from Wanted director Timur Bekmambetov and producer Tim Burton obviously gets fairly tongue-in-cheek with its alternate U.S. history—the kind the liberal-run schools are too afraid to teach you—but it's not like you’d necessarily know it from this teaser.

Abraham Lincoln: Vampire Hunter (Thanks, Fipi Lele!)

Johannes sez, "Cory was so kind to post my TEDxVienna talk on monochrom's feature film project SIERRA ZULU. I wanted to give you guys an update. Today we released a short film: EARTHMOVING. It's the prequel to SIERRA ZULU. We thought that's a good way to expand on the backstory and give the folks something to see while we are still working on getting the feature film financed and (hopefully) done. We have a bunch of great actors (e.g. Jeff Ricketts, who was part of Firefly or Star Trek: Enterprise) and our crew at Golden Girls Filmproduktion (Vienna) was absolutely wonderful."

Earthmoving: A Sierra Zulu Prequel (Thanks, Johannes!)

My latest Guardian column is "Movie fans turn to piracy when the online cupboard is bare," a report on the Open Rights Group's study of the lawful options for people who want to watch great British movies online. The UK government and courts keep ratcheting up Internet censorship proposals because they say that there are so many lawful marketplaces that there's no excuse for "piracy." But ORG's research shows that large swathes of critical material isn't available for sale. And as we saw when major rightsholders pulled out of Hulu and iTunes before, the availability of their material on BitTorrent spiked -- if you don't offer lawful channels, you drive customers to unlawful markets.

Here's what ORG found: though close to 100% of their sample were available as DVDs, more than half of the top 50 UK films of all time were not available as downloads. The numbers are only slightly better for Bafta winners: just 58% of Bafta best film winners since 1960 can be bought or rented as digital downloads (the bulk of these are through iTunes – take away the iTunes marketplace, which isn't available unless you use Mac or Windows, and only 27% of the Bafta winners can be had legally).

And while recent blockbusters fare better, it's still a patchwork, requiring the public to open accounts with several services to access the whole catalogue (which still has many important omissions).

But even in those marketplaces, movies are a bad deal – movie prices are about 30% to 50% higher when downloaded over the internet versus buying the same movies on DVDs. Some entertainment industry insiders argue that DVDs, boxes and so forth add negligible expense to their bottom line, but it's hard to see how movie could cost less on physical DVDs than as ethereal bits, unless the explanation is price-gouging. To add insult to injury, the high-priced online versions are often sold at lower resolutions than the same movies on cheap DVDs.

Movie fans turn to piracy when the online cupboard is bare