I'll admit it, as a kid Killer Klowns from Outer Space scared the heck out of me.
Long before ICP comes to earth, this bunch of goofy clowns, with a really great toy-based arsenal, land their space-going big top and get to making mayhem! A really useless cop, his love interest and the heroic Terrenzi brothers are all that stand between us, these man-eating clowns and their terrifying pop-corn. There really isn't much more to this classic terrible scifi horror, there doesn't need to be.
If you missed it when it was released you may have been among the fortunate!
Big Star: Nothing Can Hurt Me is the new documentary about the mythic, incredible, and commercially unsuccessful rock band formed in the early 1970s in Memphis by Alex Chilton, Jody Stephens, Chris Bell, and Any Hummel. Their three albums #1 Record, Radio City, and Third/Sister Lovers, influenced everyone from REM and The Replacement to Afghan Whigs and Wilco. The film's companion soundtrack album, out this week, is an excellent compilation of demos, alternate mixes, and rare recordings that will delight both longtime fans and those who are (gasp) new to the overwhelmingly awesome Big Star sound. Big Star: Nothing Can Hurt Me soundtrack (Amazon)
SoundWorks Collection interviews Skywalker Sound sound designer Tom Myers about the Sound of Monsters Univeristy.
"Eltávozott nap" (The Girl) is a 1968 Hungarian film starring rock singer Kati Kovács. I haven't yet seen the film, about a working class girl's search for her biological mother, but the opening freakbeat credits drive me wild. You can read more about The Girl and other Hungarian, Czech, and Russian films at the UC Berkeley Art Museum & Pacific Film Archive calendar for their ongoing "Treasures of Eastern European and Soviet Cinema" series. (via Toys and Techniques)
According to the report, "by any impartial analysis, the re-investigation process prompted by Jesse Friedman, his advocates and the 2nd Circuit, has only increased confidence in the integrity of Jesse Friedman’s guilty plea and adjudication as a sex offender."
Friedman isn't giving up though.
“Today is not the worst day of my life," he said. “I’ve had many, many worse days than today and I’m standing strong and I’ve got as much fight in me — I’ve got more fight in me — than I’ve ever, ever had before. So, game on.”
"Exonerating Jesse Friedman" (FreeJesse.net)
Last night, I saw the Bling Ring. My favorite part was the logo motion graphic for A24 Films, the distributor and production company that released the movie. Seriously, it's fantastic! Designed by Grand Army with sound by Felt Not Heard. Below is another terrific version that didn't make the cut. Read the rest
Read the rest
Hunter S. Thompson's "Fear and Loathing in Las Vegas" (the movie) on speed. Er, even more speed. From 1A4 Studio who have done this with a number of movies, including Star Wars, Back to the Future, and The Matrix.
During World War II, the US Army deployed a "tactical deception unit" to Europe. The 23rd Headquarters Special Troops, aka the "Ghost Army," consisted of artists, ad directors, actors, and other creative folks who used inflatable tanks, sound effects trucks, and good ol' fashioned bullshit to trick the German forces. It included the likes of fashion designer Bill Blass, fine artist Elsworth Kelly, and photographer Art Kane. A documentary about the Ghost Army, directed by Rick Beyer, aired last month on PBS. You can watch it for free right here! The Ghost Army story would make for a great black comedy too! The Ghost Army (Thanks, Bob Pescovitz!)
Here's Alex Cox, director of Repo Man (1984), interviewed recently by psychotronic film buff and master poster artist Jay Shaw. Criterion just re-released Repo Man on DVD and Blu-ray, featuring original package art by Shaw and Tyler Stout of Austin's Mondo Gallery scene. Repo Man: Criterion Collection edition (via Mondo)
I love hearing about sound effects in films and the work of foley artists, soundtrack composers, and sound designers. Back in 1997, I interviewed David Cronenberg for the bOING bOING print 'zine, and we mostly talked about the squishy oozy sounds he likes to use in his movies. Here's an excellent SoundWorks Collection interview with Oblivion director Joe Kosinski and the sound of his new movie. Some of his collaborates included composer Joseph Trapanese, Anthony Gonzalez (M83), re-recording mixer Gary Rizzo, and re-recording mixer Juan Peralta.
New Man of Steel trailer with scenes of Krypton, Jor-El, Lara, Pa, young Clark, bearded Clark, shirtless Clark, supervillains, Lois, Superman, and the icy Fortress of Solitude which this time, I hope, can only be unlocked with an enormous key disguised as an airplane flight path marker -- as it was written. In theaters June 14.
"That's what I love about these high school girls, man. I get older, they stay the same age."
Dazed and Confused is 20 years old! Esquire has a package of features tied to the anniversary. And if you're in Austin, there's a big screening, reunion, and cast party happening at the Marchesa Hall & Theatre!