Prepare a turkey as usual, but add a prosciutto-wrapped pork loin with spaghetti teeth into the just-split chest cavity of the bird, garnished with dye-enhanced gravy and cranberry sauce -- YUM! Read the rest
Tim Maughan writes, "Thanks to all the Boing Boing crew that checked out the trailer for our Detroit LIDAR film, it'll be out soon - in the meantime our film IN THE ROBOT SKIES is now up to stream. The first narrative film shot entirely by semi-autonomous drones, it's a love story set on a highly surveilled housing estate in London. Written by me, directed by Liam Young, with music by Forest Swords." Read the rest
Boing Boing pal Adam Savage (MythBusters, Tested) tours the incredible prop collection of Peter Jackson, producer of The Lord of the Rings, The Hobbit, District 9, and the forthcoming The Adventures of Tintin: Prisoners of the Sun. One of his favorite pieces? An original Hal 9000 faceplate! That is quite the wunderkammer, Mr. Jackson! (Tested)
"It was so intense," Fisher told People magazine. "It was Han and Leia during the week, and Carrie and Harrison during the weekend..."
Fisher was 19 when she landed the breakthrough role of Princess Leia for the 1976 filming. Ford, then 33, was married to Mary Marquardt, with whom he had two children.
Fisher writes that she and Ford spent their first night together after a birthday party for director George Lucas.
"I looked over at Harrison. A hero's face -- a few strands of hair fell over his noble, slightly furrowed brow," she wrote. "How could you ask such a shining specimen of a man to be satisfied with the likes of me?"
"I was so inexperienced, but I trusted something about him," she added. "He was kind."
Filmmaker Brian Gersten writes, "'The Hollerin' Contest at Spivey's Corner' is a documentary short about the history, characters, and sounds of the National Hollerin' Contest. Hollerin' itself is considered by some to be the earliest form of communication between humans, and the competition has been held annually in the small town of Spivey's Corner, NC since 1969. The film follows the stories of three former champions as they attempt to reclaim their titles, and keep the oft-forgotten tradition of hollerin' alive." Read the rest
Remember the scene in Back to the Future Part II where Marty visits the Biff Tannen Museum and watches Biff on the screen? Here are the parts that were left on the cutting room floor. Does Biff remind you of Trump? Duh, says Bob Gale, writer of Back to the Future II. From a 2015 Daily Beast article:
“We thought about it when we made the movie! Are you kidding?” he says. “You watch Part II again and there’s a scene where Marty confronts Biff in his office and there’s a huge portrait of Biff on the wall behind Biff, and there’s one moment where Biff kind of stands up and he takes exactly the same pose as the portrait? Yeah.”
Of course, in the movie, Biff uses the profits from his 27-story casino (the Trump Plaza Hotel, completed in 1984, is 37 floors, by the way) to help shake up the Republican Party, before eventually assuming political power himself, helping transform Hill Valley, California, into a lawless, dystopian wasteland, where hooliganism reigns, dissent is quashed, and wherein Biff encourages every citizen to call him “America’s greatest living folk hero.”
“Yeah,” says Gale. “That’s what we were thinking about.”
Michael Mann's Collateral has one of the simplest and most startling shootouts in movie history. Even though it's short and unvarnished—every bullet fired in a single stationary camera shot interrupted only to see Jamie Foxx's reaction—actor Tom Cruise gets every motion just right.
In this video, Larry Vickers, a retired special forces veteran, carefully recreates the scene moment by moment, explaining the rationale behind each action. It's striking how much care Mann and Cruise took to get it right, given Hollywood's usual cartoon gunplay. [via]
Here's the original for reference:
(I also like how Collateral was shot digitally just as the technology matured, giving it a weird, evocative look that's reminiscent of both VHS and 16mm, and now seems perfectly mid-2000s) Read the rest
A few weeks ago my good friend John Park created a video demonstration of how to hack the famous Happy Chewbacca mask to trigger your very own audio files. And when my sister Christina told me she was building a Chewbacca-Pinata costume for her son, I naturally shared John’s video with her.
What my sister ended up creating was the most awesome thing I’ve ever seen.
But before sharing some pics and a video of the costume in action, I wanted to set the bar very, very low by showing images of other homemade Chewbacca costumes I found online.
It's like looking in a Chewbacca mirror!
Yes, you can purchase this one!
And this is my favorite one of all. The caption under this photo read, “Look at Chewbacca’s feet!”.
The truth is, that’s all I’m looking at.
So now that you’re primed for awesomeness, here are some pics of the creative process and a video of the finished product.
Christina started with an ordinary fleece jacket and started attaching strips of paper to it in layers.
She kept working upwards and onto the store-bought Chewbacca mask. And Ryan just kept standing there.
Christina made Chewbacca-pantaloons by applying the same paper layering techniques onto a pair of sweatpants.
Holy crap is that a fantastic Chewbacca-Piñata costume, but from what I can tell there is a fatal flaw.
The costume is called a “Chewbacca Piñata” and piñatas are meant to be hit with a stick or a baseball bat. Read the rest
Japanese culture website Tofugu has a rundown of the best Japanese horror movies of all time. Number 6 on the list is Hausu, a cartoonishly gory flick from 1977.
Read the rest
This is what makes Hausu great. It's an absolutely childish horror movie. So much so that the characters are one-dimensional (their names even indicate their behavior). But it all plays into the experience. Watching Hausu as an adult means you're forced to think like a child and find scary the things children find scary. This makes for gory fun when the piano starts dismembering people, blood gushing out its sides.
Sometimes Hausu's blend of silliness and gore is perfect. Other times not so much. But despite the film's imperfection, it works because it's authentic. Though people in 2010 praised Hausu for its "wackiness," I think affection for the film comes from its authenticity. Hausu knows exactly what it wants to be and goes for it full force. Combine that with a childlike perspective and you've got a film worth falling in love with.
Though the Dawn of Justice movie was a disappointment, the $45 Wonder Woman Dawn of Justice onesie (with cape!) (and gold foil tiara on the hood!) is not a bad consolation prize (and the cape zips off). Read the rest
I like the idea of having a blog but basically feel as if I have very little to say about things, at least things that are original or interesting. I gravitated to Tumblr with some idea of just posting pictures, but still felt I needed to be posting something I'd actually made myself... [Y]ears ago I used to draw really crappy basic MS Paint pics for a favourite pop group's fan site, and they always seemed to raise a smile. The idea of doing something else with MS Paint, a kind of celebration of my not being deterred by lack of artistic talent, never really went away....
I don't really think about giving up. The idea of actually completing something I start out to do (for once in my life) is very appealing,And it's fun, it's not a chore.
Shearer's $125 million lawsuit against Studio Canal and Vivendi enumerates a parade of horribles that the entertainment companies have visited upon him, from ripping him off with crazy, corrupt accounting practices to allowing the Spinal Tap trademarks to lapse but still charging him royalties to perform as his character from Tap. Read the rest
From Great Big Story:
America's movie and film archive is located in an underground bunker in Culpepper, Virginia. The bunker was originally a gold storage unit that doubled as a fallout shelter for the U.S. president and his cabinet during the Cold War. Today, the Library of Congress stores all manner of film here. Archivist George Willeman is in charge of the nitrate vaults, where fragile (and combustible) old films sit undisturbed and well preserved.