James "New Aesthetic" Bridle writes, "I wrote an SF short story about satellites, space weapons, UN inspectors, and the end of personal data! I hope you like it." Read the rest
This gallery of public Blue Screen of Death crashes on screens is a great reminder that, as Vice's Rachel Pick says, "life is a farce." Read the rest
In "Inceptionism," scientists at Google Research describe their work training neural nets with sets of images, then tweaking the "layers" of neural net nodes to produce weird outcomes. Read the rest
Director: Maxime Dardenne. Read the rest
Nathaniel Stern straps modified document scanners to his body and then walks around, producing beautiful, glitched out art-images. Now he's taken his scanners to the bottom of the ocean. Read the rest
Here's something exciting: Autodesk's new computer-aided design software lets the designer specify the parameters of a solid (its volume, dimensions, physical strength, even the tools to be used in its manufacture and the amount of waste permissible in the process) and the software iterates through millions of potential designs that fit. The designer's job becomes tweaking the parameters and choosing from among the brute-forced problem-space of her object, rather than designing it from scratch. Read the rest
Charlie Warzel: "THIS is what google's self driving car can see. So basically this thing is going to destroy us all." [via Matt Buchanan] Read the rest
Spocko sez, "This piece of furniture looks like an alien made it after looking at a frozen frame on a VCR."
In his second year working with Fratelli Boffi, Ferruccio Laviani has created yet another fanciful world from the depths of his prolific imagination. A concept that goes beyond individual products, it combines the expertise of a company that specializes in full-feature and tailor-made projects with the creativity of a designer who can strike a balance between the past and the future, blending the harmony and magniloquence of the classical with the charm and allure of the contemporary.
Martin Backes is selling a limited edition of 333 "Pixelhead" anonymity masks, which allow you to replace your face with the pixellated likeness of German Secretary of the Interior Hans-Peter Friedrich. Masks are made to order and to measure, take 4-6 weeks for delivery, and cost €158 with shipping.
The full face mask Pixelhead acts as media camouflage, completely shielding the head to ensure that your face is not recognizable on photographs taken in public places without securing permission. A simple piece of fabric creates a little piece of anonymity for the Internet age. The material used is elastic fabric for beach fashion and sports gear with a fashionable Pixel-style print of German Secretary of the Interior Hans-Peter Friedrich. The mask has holes for your eyes and mouth, so you can see and breathe comfortably while wearing the mask, secure in the knowledge that your image won’t be showing up anywhere you don’t want it to.
Bruce Sterling gave a speech at the North American Summer School in Logic, Language, and Information (NASSLLI) on the eve of the Alan Turing Centenary, and delivered a provocative, witty and important talk on the Turing Test, gender and machine intelligence, Turing's life and death, and art criticism.
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If you study his biography, the emotional vacuum in the guy’s life was quite frightening. His parents are absent on another continent, he’s in boarding schools, in academia, in the intelligence services, in the closet of the mid-20th-century gay life. Although Turing was a bright, physically strong guy capable of tremendous hard work, he never got much credit for his efforts during his lifetime.
How strange was Alan Turing? Was Alan Turing a weird, scary guy? Let’s try a thought experiment, because I’m a science fiction writer and we’re into those counterfactual approaches.
So let’s just suppose that Alan Turing is just the same personally: he’s a mathematician, an early computer scientist, a metaphysician, a war hero — but he’s German. He’s not British. Instead of being the Bletchley Park code breaker, he’s the German code maker. He’s Alan Turingstein, and he realizes the Enigma Machine has a flaw. So, he imagines, designs and builds a digital communication code system for the Nazis. He defeats the British code breakers. In fact, he’s so brilliant that he breaks some of the British codes instead. Therefore, the second World War lasts until the Americans drop their nuclear bomb on Europe.
I think you’ll agree this counter-history is plausible, because so many of Turing’s science problems were German — the famous “ending problem” of computability was German.
David Cox interviews Bruce Sterling about the significance, lifecycle and future of the New Aesthetic movement:
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First to the issue of “is the New Aesthetic really new?” I’d say those images are “new’” pretty much by definition. Aesthetics obviously is very old. James Bridle doing a project called the “New Aesthetic Tumblr” is over, and receding into the past. But machine-generated imagery that is unlike previous forms of imagery is all over the place. So, yes it is new, for any reasonable definition of novelty.
As for whether James Bridle’s image collection had any analytical rigor, I’m inclined to think he had more analysis going on there than he liked to let on; but I rather think James prefers writing, journalism and publishing to the trying role of a public New Aesthetic visionary. When you have a breakout viral hit on the Net nowadays, the opportunity-cost can be pretty stiff.
On the issue as to what a New Aesthetic ought to do, what the “strategy” is, well, that’s unsettled, but I think that James’s year-long intervention there has raised the morale of tech-art people quite a lot. It’s legitimated their practice in their own eyes, and helped to free them from their traditional hangups on specific pieces of hardware. At least it’s possible to imagine a strategy now — instead of merely saying, I’m an artist, but I do digital electronics, you can re-frame your efforts as something like “a new aesthetic of processual vital beauty,” and you’re not so handcuffed to the soldering irons.