Danny Galieote's series of vivid paintings of feminine figures with fists and weapons clenched behind their backs is extremely satisfying. Something about the savage strength and defensive might lurking beneath the pinafores and bows. He's currently exhibiting a one-man show of recent works (including these) at the Arcadia Contemporary in NYC.
One of Pablo Picasso's most famous works, The Blue Room, was painted over an earlier work now revealed by infrared imaging. The hidden image, of a large man in formal attire resting on his hand, would have been created early in the artist's career, reports The Associated Press.
Though the existence of an earlier work beneath The Blue Room was long-suspected, it took years to develop techniques to expose it in detail. Earlier X-rays showed an image so "fuzzy" it wasn't even clear that it was a portrait. Now there's a new mystery: The identity of the subject himself.
Scholars are researching who the man might be and why Picasso painted him. They have ruled out the possibility that it was a self-portrait. One candidate is Paris art dealer Ambrose Villard, who hosted Picasso’s first show in 1901. But there is no documentation and no clues left on the canvas, so the research continues.
Ms Favero has been collaborating with other experts to scan the painting with multi-spectral imaging technology and X-ray fluorescence intensity mapping to try to identify and map the colours of the hidden painting. They would like to recreate a digital image approximating the colours Picasso used.
Curators are planning the first exhibit focused on The Blue Room as a seminal work in Picasso’s career for 2017. It will examine the revelation of the man’s portrait beneath the painting, as well as other Picasso works and his engagement with other artists.
We covered multispectral imaging ourselves in a trip to the Library of Congress. The same techniques revealed that a draft of the Declaration of Independence originally named Americans "subjects" instead of "citizens".
For the past two months, my daughter's and my main bedtime reading has been The Cats of Tanglewood Forest, a modern folktale written by Charles de Lint and illustrated by Charles Vess, a power duo if ever there was one. This is a story set on an American prairie farm sometime in the 20th century, about Lillian, a kind-hearted girl who sets out saucers of milk for the wild cats, scatters grain for the songbirds, and leaves a biscuit by the oldest, most gnarled apple tree in the orchard for the Apple Tree Man. And it's because of her good heart and her wild spirit that the cats of Tanglewood Forest defy the king of cats, and work cat-magic to rescue her when she is bitten by a snake and brought near to death. Now she has been reborn as a kitten, and she must find out how she can once again become a girl.
The book is lavishly illustrated with Charlie Vess's amazing art nouveau paintings (you may recognize these from his frequent collaborations with Neil Gaiman, such as the beautiful picture book Blueberry Girl). The paintings -- which appear as full pages, but are also worked into the margins, endpapers, and jacket -- are a wonderful and gripping accompaniment to the story. Although this story is too sophisticated for my six-year-old to have read to herself, the combination of the illustrations and my reading it aloud made it absolutely accessible to her. And these paintings are so gorgeous that she was more than happy to sit and thumb through the book, enjoying them on their own.
Read the rest
Read the rest