The brilliant Jen Lewis, having untanned Trump to ghastly effect, writes that she "had another terrible thought." This time, she tried her hand at photoshopping his presidential rivals so that they have tans just like his. The results are nasty, as you'd expect, but not quite as nasty as the Flame-faced Fuckwit of Fifth Avenue. Read the rest
Daniel Holland made the striking observation that if you faceswap The X-Files' Scully and Mulder, you get a synthpop duo. Read the rest
You don't know how good it feels to watch the main creator of Photoshop struggle with the magic wand tool just like I always do. Read the rest
"There is no dark side of the Pluto really. Matter of fact it's all dark."
You can do a lot of things in Photoshop, but rarely do you use its tools to defeat flaming skulls in an alternate dimension. Read the rest
For Ester Honig's Before & After, she used freelance platforms like Fiverr to contract 40 people from 25 countries to make her "beautiful" with Photoshop. (Above right, the work of someone in the Philippines.) Honig's hope was that the resulting images would provide insight into the contractor's "personal and cultural constructs of beauty."
"They are intriguing and insightful in their own right; each one is a reflection of both the personal and cultural concepts of beauty that pertain to their creator.
Photoshop allows us to achieve our unobtainable standards of beauty, but when we compare those standards on a global scale, achieving the ideal remains all the more elusive."
Before & After (Thanks, Bob Pescovitz!) Read the rest
Hubble Ultra Deep Field Cat. So many galaxies! Read the rest
Illo: Matt Haughey
Two scenes shot on LAX's mosaic-backed moving walkway, years apart: Pam Grier in the intro credits of Jackie Brown, and Jon Hamm as Don Draper in last night's season opener of Mad Men. Compare The Graduate.
Matt Haughey carefully spliced stills from the two scenes together to create this exquisite composite. It's unsettling, yet intriguing, to see the two stars with their impassive public don't-bother-me faces appearing to stand before one another. The walkway hidden from view, it could be anywhere in abstract LAXspace.
But I prefer an alternate explanation, where the context of the automatic walkway is assumed: Don has turned around in order to travel backwards while chatting up Jackie, but Jackie is having none of his bullshit.
(For context, here's video of the mosaic and walkway.) Read the rest