I keep running into these posters here in Pittsburgh. The design was created by Queer & Brown in Steeltown.
For those that asked, the posters and t-shirts are not for sale. We reject the white supremacist capitalist system that entices us to profit from a black person’s tragic death. We have made a hi-res copy of the image available for non-commercial use. That means you should never see this image for sale. Get the image and read our full response here. Team Q&B**"
As the San Francisco Museum of Modern Art prepares to shutter its South of Market location for the next three years, during which it will spend almost half a billion dollars to more than double its size for the Doris and Donald Fisher Collection, the museum’s restaurant on Third Street closes out its more modest exhibition program with nine acrylic-on-canvas paintings by Chris Shaw, on view through June 3, 2013. Admission is free.
Best known locally for his rock posters, Shaw has used his swan-song time slot to present a series of vividly colored Madonnas, each based on Madonnas by such 15th century artists as Bellini, Botticelli, and Ambrogio de Predis. For Shaw, the Madonna is just another propaganda icon, a vessel to be filled up with whatever one is trying to sell.
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From the Instagram feed of hyper-talented Australian design/illustration duo We Buy Your Kids (aka Sonny Day and Biddy Maroney): the cover art for a 2008 split 7" vinyl by Cloud Control and Telekinesis! and poster for a 2012 Eleanor Friedberger concert. webuyyourkids on Instagram
A friend of Boing Boing introduced me to the work of artist Kii Arens this weekend. We visited his studio for a karaoke party. It was great. I love his work. You can buy it in reasonably affordable poster form, through his website: lalalandposters.com. I would like one of everything, please. Kii is on Twitter and Facebook. (Thanks, Alex!)
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Ben Marks on the Retro-Futuristic World of Laurent Durieux.
This year, 2013, has gotten off to an equally rousing start, beginning with the January release of a poster for Steven Spielberg’s 1975 thriller “Jaws.” Reportedly, the director himself liked Durieux’s design so much, he ordered 25 copies to give as gifts to his closest friends. Thanks to the buzz that followed Durieux’s “Jaws” (prices for prints from the original edition of 525, which cost $60 each, are now hovering around $200), anticipation is building among collectors, who are hoping a new Durieux will be included in Mondo’s annual Oscars drop during the Academy Awards broadcast on February 24, 2013.
One of my favorite parts about going on tours of laboratories are the signs and jokes that scientists post on office doors and lab walls. This gem comes from the Lawrence Berkeley National Laboratory.
The obvious question: How do you transport an infinite number of protons home from IKEA? Does that fit on the little cardboard roof rack?
For a little over a year now, Tom Whalen has been Mondo’s go-to artist for contemporary movie posters of classic cartoons. Mondo, of course, is the Austin-based gig-style movie-poster publisher whose limited edition screenprints generally sell out within minutes of being offered online—these guys are literally printing money. Whalen, whose work can be seen at strongstuff.net, is the son of the Pennsylvania coal country, a working stiff who still holds a day job as an editorial illustrator for a medical publisher.
On Saturday March 10, Mondo will release “Duck Dodgers in the 24 1/2th Century,” its first Looney Tunes print. In another first, the print will be part of Mondo’s debut exhibition in its new gallery space at 4115 Guadalupe Street in Austin. The theme is Science Fiction, and there will be almost 40 pieces of original art and screenprints from more than 30 artists, including Whalen's "Duck Dodgers." Hours for the opening are 6-10pm.
Naturally, Whalen was tapped to come up with the image, probably because he’s been creating cartoon posters for Mondo since February of 2011, when the company’s first Disney piece was released. That largely black, white and silver screenprint imagined a poster for the 1928 Disney short “Steamboat Willie.” Printed by DL Screenprinting in Seattle, “Steamboat Willie” was published in an edition of 200, plus a variant of 60 that swapped silver for sepia, among other minor changes. We hear the edition size of the seven-color “Duck Dodgers” will be 320, and the price will be $40. Good luck getting your hands on one.
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The Occupy Oakland folks have been publishing designs for today's general strike, including this jaunty little number from R Black. Lots more to choose from, too, including the venerable IWW black cat, back from retirement and looking as spry as a kitten.
Awesome Posters for Nov 2 General Strike!
Dann Matthews' variation on the Keep Calm poster is one I can live with. Prints are available for $15 and up. via GamOvr.