Super Hexagon is probably one of the most elegant and vicious puzzle games of our modern times. The soundtrack, by Chipzel, is also absolutely killer, and now you can pre-order it on vinyl. On hexagon-shaped vinyl. In four different colors.
I mean, you can theoretically pre-order it; preorders from iam8bit open tomorrow, August 13, at 10AM PDT and I am assuming they will go really quickly—they're limited and there are are only 1600 (400 per color, though you can't pick which color you will get), and also the wonderful Cory Schmitz designed the custom clear sleeve, so if owning something this singular and awesome and weird would be important to you, be ready to digitally 'check out' with speed tomorrow.
Hexagon-shaped vinyl. What does it look like when it spins around? Ohhhhh see that's like when you play the gaaaaame omggggg
Operated by Reading Buses, the vehicle was painted black and white in honor of the Frisian cows whose excrement powers its mighty engines. It was designed to advance the "power and credibility of buses fuelled by cow poo," reports the BBC.
"Most importantly we wanted to get the image of bus transport away from being dirty, smelly, and slow," Chief engineer John Bickerton told them ."We're modern, fast, and at the cutting edge of innovation."
Ars Technica's Sebastian Anthony writes that biomethane is a promising technology, far greener than natural gas, but close in performance: "not only are you leaving those fossil fuels in the ground, you're also combusting methane that would've otherwise ended up as an atmospheric greenhouse gas."
GENeco general manager Mohammed Saddiq said: "Gas-powered vehicles have an important role to play in improving air quality in UK cities but the Bio-Bus goes further than that and is actually powered by people living in the local area, including quite possibly those on the bus itself."
One human's annual output would would fuel the Bio-Bus for 37 miles. And if you're all out, there's always chip fat.
Here's an excellent 1956 RCA Victor promotional documentary about how vinyl records are made. More than 50 years later, the basic process remains the same even as the number of pressing plants has dwindled, driving up the price of new platters.
Afrika Bambaataa donated his vinyl to Cornell University Library's Hip Hop Collection. (Professor Bambaataa is a Visiting Scholar there.) But before the wax goes on its way, you can watch it being sorted, organized, and, yes, spun, at Gavin Brown's enterprise gallery in NYC's West Village. There are "Lunch Breaks" shows this week with Crazy Legs, Joe Conzo, Grandwizzard Theodore, and Break Beat Lou, and the collection will remain on view until August 10. Unfortunately, no digging allowed!
French DJ/producer Breakbot recently released a limited version of his album "By Your Side" pressed in chocolate. Yes, you can play it. Amazingly, sugar-and-chocolate records have been produced since at least 1905!
Gorgeous black and white photos from 1954 and 1962 of vinyl records being made, including scans of an album jacket with a description of the process. "How records are made" (Voices of East Anglia, via @chris_carter_)
If there's a more robust realm of music more closely simpatico with the Creative Commons philosophy than netlabels, please let me know what it is.
Netlabels are online record labels that actively release music for free download, with the full and enthusiastic participation of the musicians involved.
The vast majority use a Creative Commons license that allows for free download, attributed redistribution, and remixing. They are largely enterprises invested heavily in electronic music, albeit a wide and disparate range thereof -- from phonography (darkwinter.com) to sound art (stasisfield.com) to techno (monokrak.net) to instrumental hip-hop (dustedwax.org) and beyond.
As just one sign of the phenomenon's ever-increasing popularity, there are various competing curated lists of netlabels available online. The one I refer to primarily is maintained at disruptiveplatypus.wordpress.com/netlabels. As of this typing, it contains 13 scrolling screens of active netlabels (OK, I'm on a netbook; your scrolling may vary), from the Guadalajara, México-based amp-recs.com to the Modena, Italy-based zymogen.net (plus a bunch whose monikers start with numbers or symbols).
I've always found that the most interesting art lies at the intersection between two totally different styles. One of the best examples of this theory existed more than a half a century ago as an unlikely offshoot of country and western music.
From the 1930s through the 50s, country music exploded into a bunch of different styles- old time hillbilly folk music (exemplified by the Carter Family), bluegrass (Bill Monroe), honky tonk (Hank Williams) and cowboy music (Sons of the Pioneers). But the most exciting (and most fun) branch of the country and western musical family tree was the fusion of jazz and country music- Western Swing.
Before you say, "I hate country music." take a few moments to listen to the unrestrained madness of Speedy West and Jimmy Bryant at their peak...