Seelix set out to make an incredible costume that mashed up Imperator Furiosa from Mad Max Fury Road and Princess Peach from the Super Mario franchise -- she succeeded. Read the rest
Paul Holdengraber, host of the New York Public Library's legendary literary interview series, has started a new podcast called "A phone call from Paul," which he has inaugurated with a two-part interview with Neil Gaiman. Read the rest
The PKD Award is given for the best paperback original this year, and has been awarded to such classics as Neuromancer. Storybundle's DRM-free collection of name-your-price ebooks includes some of my favorite books of all time: Walter Jon Williams's Knight Moves, Kathe Koja's The Cipher, Lewis Shiner's Frontera, Lisa Mason's Summer of Love, Elizabeth Hand's Aestival Time, and more. Read the rest
David Steffen is raising $1250 to defray costs on a collection of 2014 Hugo Award-nominated short stories; one of his stretch goals is an audio edition produced by the excellent Skyboat Media studios (where Wil Wheaton recorded the audiobook editions of Homeland and Information Doesn't Want to Be Free). Read the rest
My biggest (and, IMO, best) adult novel has just sold to Tor for a very pleasing sum of money; it will hit shelves in 2017. Read the rest
By @takumitoxin, who composed it in three fits. Read the rest
“Holy crap! It's a monolith!” After my recent bookworm-o-gasm over Taschen's new William Blake book, I didn't think I'd be having another dreamy out-of-box book experience anytime soon, but I was wrong. The venerable art book publishers outdo themselves again with their just released The Making of Stanley Kubrick's 2001: A Space Odyssey.
The book was designed by the highly regarded Mathias Augustyniak and Michael Amzalag, together known as M/M (Paris). The duo has created a truly one-of-a-kind experience here, an artifact in book form that's worthy of the iconic artifactuality (Is that a word?) of the source material. (Did I mention: It's a monolith!)
The book is 6.9” wide, stands 15” tall, and is covered in a lovely light-absorbing (and dust attracting) matte black stock. The book slides out of a glossy 4-sided wrap which contains the full-color cover art and back cover copy. Sliding the thick black slab from the sleeve, you're confronted by four sigil-like icons, representing stages of a Stargate journey, deep-embossed into the black cover board. The title on the spine is in black foil. Black on black. Lovely.
The cover opens portfolio-style (i.e. the cover spine is not glued to the bound pages inside). The cover and spine fold down flat, creating a kind of stage for unfolding the rest of the book. And stage is the right word, because that's what this books feels like: A performance. Many things feel different from a traditional book. Since the pages are so narrow, there are dozens of fold outs, in 2-panel, 3-panel, and 4-panel spreads. Read the rest