SpaceFlavor, a design firm, won the 2012 Small Project Awards for "Cube," a flatpack live/work loft elegantly crammed into a teeny weeny mobile space.
Responding to the Ming’s preference for zen-modernism, the Cube was designed with simplicity, efficiency and a sense of discovery. The stair and cabinet doors, including a stair slipper-drawer, are concealed, subtly hinting at the openings. Humble yet expressive, Ash plywood panels were hand-selected for their unique grain patterns that resemble Chinese ink landscape paintings and to complement the tatami mats.
Translucent roller shades, a shoji screen and frosted acrylic panels allow daylight to filter through the Cube, while responding to varying needs for privacy. At night the Cube illuminates like a lantern, casting playful shadows on the glowing screens.
Openings to the study and the bed are placed at opposite corners to create a sense of movement, emulating the flow of active Yang and passive Yin elements. Secluded from the activities below, the meditation/tea ceremony loft is accessed by the concealed stair.
Portfolio: Home Remodel & Commercial Interiors San Francisco, Bay Area:
The next SF in SF reading series on July 7 is a punk-rock extravaganza: John Shirley and Richard Kadrey, the guys who put the "punk" in cyberpunk, reading together. Kadrey, of course, has reinvented himself as a totally hard-boiled, awesome horror writer with his triumphant Sandman Slim series (I've just read a proof of the next one, and it's killer). Shirley's short story collection was one of the most excitingly mutated books of 2011.
Doors and cash bar open at 6:00PM
Event begins at 7:00PM
Suggested $5 - $10 donation at the door helps support Variety Childrens' Charity of Northern California
Seating is first come, first seated
The Variety Preview Room Theatre
The Hobart Bldg., 1st Floor -- entrance between Quiznos and Citibank
582 Market Street @ 2nd and Montgomery
July Reading – John Shirley & Richard Kadrey
This video from Herrenknecht AG shows the operation of the enormous tunnel boring machine that will conduct the deep tunnelling for San Francisco's new subway lines. The machine obviates the necessity of tearing up city streets for subway construction, and somehow manages to be gentle enough to avoid shaking the buildings above it. There's a much older version of this monster on display at the fabulous London Transport Museum in Covent Garden that is truly awesome to behold.
A TBM consists of a rotating cutterhead within a cylindrical steel shell that is pushed forward along the axis of the tunnel while excavating the ground through the cutterhead. The steel shield supports the excavated ground as required until the final tunnel lining is built in the rear of the shield. The shield is propelled using hydraulic jacks that thrust against the erected tunnel lining system. The TBM is used in conjunction with a prefabricated ground support system, which consists of pre-cast concrete segments that are bolted and gasketed to form a watertight lining.
Pressure-face TBMs that are capable of exerting a balancing pressure against the tunnel face are used to control excavation rates and groundwater inflow, as well as to maintain stability of the tunnel face.
After completion of TBM excavation and installation of the lining, the temporary rail and conveyor system are removed, the invert is cleaned, and a flat invert for the permanent rail fixation and a raised walkway are constructed as reinforced, cast-in-place concrete. The invert contains embedded pipes and inlets for track drainage.
(Thanks, Fipi Lele!)
As part of the celebration for the 75th birthday of the Golden Gate Bridge, a group of artists led by Stephanie Syjuco have set up an imaginary gift shop for the Bridge, filled with tchotchkes in the bridge's iconic rusty orange (it's a custom color that is generally mixed in 500-gallon batches). The tchotchkes aren't for sale or anything -- they're just there as a kind of installation in celebration of that wonderful orange. Rachel Swaby covered the installation's opening for Wired:
It’s a souvenir store with a twist. “What is the most disconcerting is that there are no images on things,” says Syjuco. Apart from that iconic orange marking each and every object, there is no branding to speak off.”
The range of products on display is also slightly absurd: Pencils, keychains, and earrings sit atop a table. An Eames chair is perched on a stand to the left. Lined up on shelves against the back wall are mugs, pillows, plate sets, and bottles of unidentified red sauce. “I tried to overdo it,” says Syjuco. “There’s wine, deodorant, car air fresheners — it gets crazy.”
Painting the Store Red
Hugh sez, "San Francisco muralista Mona Caron has created a stunning to poster to mark the 20th anniversary of Critical Mass in San Francisco this September."
Critical Mass 20th Anniversary Bike Angel Poster by Mona Caron
The next installment of San Francisco's SF in SF science fiction reading series is this Saturday, May 19
: Ysabeau Wilce, Marie Brennan & Erin Hoffman. Doors open at 6, event kicks off at 7. Free, with a suggested donation to Variety Children’s Charity of Northern California of $5-10.
Joanna from the Electronic Frontier Foundation writes:
If you plan on being in or around San Francisco May 30, come join
EFF for a Geek Reading with Barbara Simons. An expert on electronic voting, Simons co-authored Broken Ballots: Will Your Vote Count? As Simons told us recently 'The way we run our voting system in this country is really a scandal,and it's a scandal that no one talks about.' Lots of people will be talking about it at EFF's upcoming Geek Reading, though, and you're invited to join in the discussion.
EFF Geek Readings bring Internet users, bloggers, free speech advocates, and other interested folks together to hear from prominent writers and thinkers, meet like-minded community members, and exchange ideas.
Geek Reading: The Broken E-Voting System with Barbara Simons
Fantasy writers Steven Boyett and Bruce McAllister will read from their contributions to the new Peter Beagle-edited The Urban Fantasy Anthology
at this weekend's free SF in SF reading series
, at San Francisco's Variety Preview Room Theatre (The Hobart Bldg., 1st Floor, 582 Market Street @ 2nd and Montgomery), kicking off at 6PM. No charge, but the organizers do ask for donations for the Variety Children's Charity of Northern California.
The next installment in San Francisco's excellent SF in SF reading series will feature Claude Lalumière and Richard A. Lupoff
, on Mar 17. Jameson's will be served at the cash bar. Admission is free, as always, though donations are solicited for Variety Children’s Charity of Northern California.
Concerned by the San Francisco BART system's decision to suspend cellular service to frustrate coordination among protesters angered by the fatal transit police shooting of an unarmed passenger, the FCC is holding a public inquiry seeking comment on who should be allowed to order cellular service shutoffs, and when. Here's the notice, with instructions for replying. Ars Technica's Megan Geuss writes:
But the FCC's public notice also states that law enforcement personnel have raised concerns that, "wireless service could be used to trigger the detonation of an explosive device or to organize the activities of a violent flash mob," suggesting local government authorities like BART should be allowed to retain some autonomy over service in its stations.
The FCC's decision will most likely set a clear precedent for other local government agencies. So far, two electronic public comments have been posted (the FCC lets you post comments online or send them in by mail), both in favor of more severe restrictions on who can turn off cell phone service and when. "The only time it should be legal to shut down a wireless network is when it is necessary to do so to repair a defect, or when it is necessary to prevent an attack that is compromising the ability of the network to function." said one commenter, "the government and government agencies are not wise enough to judge any other scenario in which one might think about shutting down a network."
Who can shut down cell phone service? FCC seeks public comment
On Wired, Matt Simon profiles Clayton Bailey, who makes spectacular rayguns out of junk and scrap, and who is possessed of a truly magnificent mustache.
Next you’ll notice the many steampunkish ray guns — from dueling pistols to rifles to turrets — that Bailey has constructed from materials he found at flea markets and scrap yards around the San Francisco Bay Area. Instead of shooting lasers, they utilize either lungpower or pump-action air pressure to launch peas, corks or bits of potato a third of the way down a football field.
They’re gorgeous and entirely nonlethal, unless you’re targeting someone with an especially bad allergy to peas, corks or potatoes.
Scrap Yards Yield Raw Material for Artist’s Amazing Ray Guns
(Image: Ariel Zambelich/Wired.com)
In San Francisco, developers who want to build big projects are required to make space available to the public as part of their planning permission. Some of the most beautiful spots in town are in these privately owned public spaces. But you'd be hard-pressed to discover their existence, as many of them are hidden away with tiny, obscure signs announcing them, and in some cases, you have to sign in with a guard to get to them. Writing on SFGate, John King lays out the problem and suggests some solutions:
The solution: pull back the addition's 11th floor to tuck in a terrace that also maintains views from the west of the 1906 landmark's regal mansard roof.
The result is unique, a vantage point of the sort that until now was available only to penthouse dwellers or corner-office executives. The space itself is amply outfitted with benches and planters.
The problem, again, is knowing that it exists.
The 1985 plan states that when public spaces are located within or on top of buildings, "their availability should be marked visibly at street level." But because the guidelines are so vague, it's easy to fulfill their letter but not their spirit.
That's true of One Kearny's hideaway. By placing the sign at knee level - and making it less than 5 inches wide - the likelihood of outsiders finding their way to the roof is almost nil.
At another recent space, the enclosed plaza included as part of the Millennium Tower, the exterior sign is brushed metal. But at 6 inches square, it's too easy to miss.
Compare this with the signs required for similar private-but-public spaces in New York City. The city's planning code requires signs to be "12 inches square in dimension and dark green or black in color with a highly contrasting background," with "lettering at least two inches in height stating 'OPEN TO PUBLIC.' "
Privately owned public spaces: Guidance needed
Officials at San Francisco International Airport today unveiled what is said to be the first dedicated practice space for yoga in any airport, anywhere in the world. I'm not surprised to see it's in SFO's newly revamped Terminal 2, a swankily-designed space where Virgin America is based, and some really fantastic food vendors abound.
So much of the the blog/press coverage of today's SFO yoga room launch is cliché-ridden, scoffing at yoga as "woo woo" and so on. But I think it's a great, practical idea. I practice yoga, and when I'm waiting between long-haul flights in an airport, I'll often try and find a discreet, out-of-the-way spot to do a few poses before I'm crammed into my flying cattle pen. Gentle stretching and exercise before, after, or between plane flights makes good health sense.
I do hope this is the start of a trend at other airports around the world. One caveat: the idea of using their provided sticky-mats grosses me out. I'd definitely BYOM (bring your own mat).
More: SFist, MSNBC, SF Examiner, CBS.
Jonathan from Hackers and Founders
sez, "We're planning
SOPA/PIPA protests in SF
on Wednesday the 18th to coincide with the blackouts."
Remember this video, in which protesters ask an Oakland PD officer why he illegally covered his name-badge, then, when he won't answer, ask a supervisor why this was so? Well, both the cop and his supervisor have been disciplined for their roles in the incident (the cop for covering his badge, the supervisor for failing to report the illegal conduct). The supervisor, formerly a lieutenant, has been busted down to sergeant, and the officer has been suspended for a month (no word on whether he will be paid during the suspension, which he is appealing).
After an internal investigation, Hargraves was ordered suspended for 30 days, and Wong was demoted to sergeant for failing to report the incident to internal affairs, said the sources, speaking on condition of anonymity because the department considers the case a confidential personnel matter...
"[An video the officer had seen on the net involving another officer] called for violence against the officer, including burning down his home," Hargraves wrote. "This caused me great concern for the safety of my family."
But civil rights attorney Jim Chanin said Wednesday, "That's like saying that you can steal from a store because you're poor. If you take that to its logical conclusion, every police officer every day faces possible exposure and danger because their names are on their badges."
Chanin added, "Officer Hargraves could have asked to get an undercover assignment. He could have asked to be taken off duty that day. Instead, he decided to go and get his pay and violate the law. There's no excuse for that."
Oakland cops disciplined for name-covering episode