For their film Fire, Saulo Jamariqueli and Dirk Rees put a couple of fire breathers in a dark studio with a reflective surface, then ran the impressive footage through a kaleidoscope filter, making it even cooler. Read the rest
Stoned special effects fun from the 1970s.
"I created these films in the 70's using Super 8mm film and a bunch of my creative friends," writes uploader WooferHound Town. "This is a collection of clips, there is no story here. This stuff was mostly filled in Huntsville Alabama.
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a "weird-oh," a "derelict," a ghoul, a mummy, Frankenstein's monster, Quasimodo, Mr Hyde, "split face," and more. Read the rest
Adam Savage visits with Weta Workshop's Richard Taylor for a glimpse of the mecha-geisha masks, animatronic amazement, and far-out fabrication that brought the new Ghost in the Shell film to life. Directed by Rupert Sanders and starring Scarlett Johansson and Pilo Asbaek, Ghost in the Shell hits theaters in a month. Trailer below. (Tested)
Enjoy this "creature featurette" with director Gareth Edwards and Creature Effects Supervisor Neal Scanlan introducing us to the strange characters in Rogue One: A Star Wars Story.
Director Daniel Jewel invites us into the magical and world of foley artist Pete Burgis and Sue Harding who create sound effects using techniques that look odd when you see them but sound spot on when paired with the right visual.
Chris Noessel and Nathan Shedroff demonstrated that in movies depicting computers in the future, the screens are mostly blue.
Some interesting exceptions: 1991's Terminator 2 made red popular, and the Matrix Trilogy made green the in thing for a while. But within a couple of years, we were back to blue. And it's been this way since the 60s.
I think that green usually signifies "old" computers, perhaps? The Matrix was clever in that way.
Forgive me if I'm mistaken, but I'm struck by the thought that the first and third Alien movies (which were British haunted house movies, sort of) used green screens, whereas the second one, Aliens (an American action movie) used blue. Google Images isn't entirely helpful.
Guardians of the Galaxy (above) appears, of course, to be both. Read the rest
Ever wonder how they make unsettling dissonant sounds in sci-fi and horror films? Some are made by waterphones or synths emulating them. Portland-based Robb Bockman demonstrates an analog waterphone, gawdyphone, and dopephone in this video. Read the rest
The Making of Raiders of the Lost Ark, aired on PBS in 1981. Read the rest
Jason Craft is very good at special effects. As proof, I offer this homebrew Portal video, in which Craft and friends animate an excellent (and rather comical) Portal adventure. I was amazed to discover that the gun itself is also animated.
My interpretation of what a real POrtal gun would be like if one existed. Based on the video game, POrtal. I tried to match the game as close as possible. This was the most challenging project I have ever undertaken, consisting of 3D tracking, seamless camera cuts and 3D camera projection. This started out as an experiment since I didn't think I could even pull it off, if I knew it would've turned out as good as it did I would've put more of a story behind it. O well, it makes up for in Visual Effects, ENJOY!
Breakdowns are coming.
For those of you that think the gun is a physical prop you can buy, well.....sorry to break the news to you, but it's entirely CG. The 3D Portal gun was replacing/covering up a painted up coffee can with tracking markers.