Eric sez, "The Singularity Summit 2012, exploring 'Minds and Machines' and 'Emerging Technologies and Science' will be taking place October 13 - 14 at the Nob Hill Masonic Center in San Francisco. The Singularity Summit is the premier event on cutting-edge technologies including robotics, regenerative medicine, artificial intelligence, brain-computer interfacing and more.
Join some of the most brilliant minds in the world for discussions on the most revolutionary technological advancements on the horizon. Speakers include inventor, entrepreneur and author Ray Kurzweil, Nobel Prize-winner Daniel Kahneman, professor and author Steven Pinker, professor and author Temple Grandin, science fiction author Vernor Vinge, and many more."
The Singularity Summit | October 13-14, San Francisco
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Reminder: Charlie Stross and I are doing our grand finale
tonight at Rochester's RIT -- last chance to see! Read the rest
Joly MacFie captured video of Charlie Stross's and my tour-stop at Brooklyn's MakerBot this week. We were there in support of our new novel Rapture of the Nerds, and did a talk, reading and Q&A that touched on the Singularity, its precedents, its discontents, and its inherent comedy -- all while 3D printers chattered in the background. And afterwards everyone got 3D printed miniatures of our heads!
We're making our final stops of tour tomorrow -- Sunday! Sunday! Sunday! -- in Rochester, NY, at RIT. Tell your friends!
Cory Doctorow & Charles Stross - The Rapture of the Nerds
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Charlie Stross and I conclude our whirlwind transhumanist comedy two-act on Sunday to support our new novel Rapture of the Nerds
with appearances at RIT
in Rochester, and the IEEE International Games Innovation Conference 2012
. Be there or be consigned to the scrapheap of history! Read the rest
Charlie Stross and I will be at the Brookline Booksmith
tonight at 7PM! It's the second-to-last stop on our quick tour for Rapture of the Nerds
-- the last stop is this weekend in Rochester, NY. Be there or be pre-posthuman! Read the rest
Tomorrow morning, Charlie Stross and I kick off our tour for Rapture of the Nerds tour, with stops in Lexington, KY; Brooklyn, NY: Brookline, MA; and Rochester, NY. Be there or be left behind!
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The always wonderful and thought-provoking Venkatesh Rao has a typically spot-on analysis of the ideology underlying the idea that we are heading for a world of either collapse or abundance. Along the way, he drops all kinds of great thoughts, like the Generalized Godwin’s Law: "Every discussion within an online community converges to a zero-information signal characterized by empty assertions concerning the foundational dichotomy of that community."
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A resource gets cheap enough to waste when it is cheap enough that you can leave it out of the strategic cost calculations for most products and services that it is a part of.
This is a relative definition of cheap. Global shipping is an example of a wasteable resource today, for value-added manufactured goods. Relative to manufacturing and other costs, the costs of shipping something from China to the US (say) are so trivial that as a first approximation, you can ignore them. You can think about business models and strategic positioning issues without thinking about transport (your accountants still have to include it in their book-keeping of course). The design space for your business model shrinks in useful ways.
Not all resources are wasteable in all industries. Electricity is something you can waste in many contexts in the developed world, but not in the data center business, where it is a big enough cost component that it pays to locate data centers near cheap power.
This suggests a good measure for development actually. A nation or region is as developed as the resources its economy views as wasteable (in the good+strategic sense).
Jill from Tachyon Books sez, "Is the Rapture of the Nerds just around the corner? Or is the Vingean posthuman technological Singularity the biggest myth since Y2K? You know—and you can prove it in verse. Post
or email (email@example.com) Tachyon a haiku that is either pro- (it's totally gonna happen) or con- (as if!) Singularity. There will be two winners, one for each argument. In addition to getting a signed copy of Digital Rapture: The Singularity Anthology
, attendees at Chicon 7, the World Science Fiction Convention, will be treated to A FREE LUNCH with James Patrick Kelly and John Kessel." Read the rest
Charlie Stross and I are hitting the road this September 5-9 for a mini, post-Burning Man, post-WorldCon book-tour for our collaborative comic novel of the Singularity called Rapture of the Nerds. We're coming to Lexington, KY; Brooklyn, NY (a stop at MakerBot's BotCave, where there will be a very special surprise!), Brookline, MA, and Rochester, NY. I've never been to Lexington or Brookline, so this is doubly exciting to me!
And tonight, of course, I'm appearing (solo) at a Long Now talk in San Francisco.
Announcing the Tour for Cory Doctorow and Charles Stross’s The Rapture of the Nerds
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Tor.com's just published an excerpt from Rapture of the Nerds, the comic science fiction novel that Charles Stross and I collaborated on, which comes out in September. Booklist just gave it a starred review, saying "Doctorow and Stross, two of the SF genre’s more exciting voices, team up to produce a story that is mindbendingly entertaining but almost impossible to explain….Peppered with references to pop-culture staples (The Matrix, Doctor Who, The Hitchhiker’s Guide to the Galaxy), and drawing on concepts from hard SF, cyberpunk, and videogames, the novel is a surefire hit for genre fans, especially those familiar with the works of its coauthors. Fans of
Adam Roberts' elegant, intellectually challenging SF will also be on firm ground here."
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Huw awakens, dazed and confused.
This is by no means unusual, but for once Huw’s head hurts more than his bladder. He’s lying head down, on his back, in a bathtub. He scrabbles for a handhold and pulls himself upright. A tub is a terrible place to spend a night. Or a morning, come to think of it—as he blinks, he sees that it’s midafternoon, and the light slanting in through a high window limns the strange bathroom’s treacly Victorian fixtures with a roseate glow.
That was quite a party. He vaguely remembers the gathering dawn, its red light staining the wall outside the kitchen window as he discussed environmental poli- tics with a tall shaven-headed woman with a blue fore- lock and a black leather minidress straight out of the twentieth century.
Bruce Sterling gave a speech at the North American Summer School in Logic, Language, and Information (NASSLLI) on the eve of the Alan Turing Centenary, and delivered a provocative, witty and important talk on the Turing Test, gender and machine intelligence, Turing's life and death, and art criticism.
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If you study his biography, the emotional vacuum in the guy’s life was quite frightening. His parents are absent on another continent, he’s in boarding schools, in academia, in the intelligence services, in the closet of the mid-20th-century gay life. Although Turing was a bright, physically strong guy capable of tremendous hard work, he never got much credit for his efforts during his lifetime.
How strange was Alan Turing? Was Alan Turing a weird, scary guy? Let’s try a thought experiment, because I’m a science fiction writer and we’re into those counterfactual approaches.
So let’s just suppose that Alan Turing is just the same personally: he’s a mathematician, an early computer scientist, a metaphysician, a war hero — but he’s German. He’s not British. Instead of being the Bletchley Park code breaker, he’s the German code maker. He’s Alan Turingstein, and he realizes the Enigma Machine has a flaw. So, he imagines, designs and builds a digital communication code system for the Nazis. He defeats the British code breakers. In fact, he’s so brilliant that he breaks some of the British codes instead. Therefore, the second World War lasts until the Americans drop their nuclear bomb on Europe.
I think you’ll agree this counter-history is plausible, because so many of Turing’s science problems were German — the famous “ending problem” of computability was German.
Suicide Girls has published an excerpt from Rapture of the Nerds, the novel Charlie Stross and I wrote, which will come out in September. Charlie and I will be touring the book together briefly after Labor Day. The details are still being settled, but there's going to be some very exciting stops!
Rapture is the novel-length version of the two novellas Charlie and I wrote, Jury Service and Appeals Court. For this volume, we re-wrote those two, and added a long third section, Parole Board, from which the Suicide Girls excerpt is drawn. It's a comic novel of the Singularity, party mash-note to technophilia and part indictment. As the title suggests, we're both a little ambivalent on the idea of machine transcendence.
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Of course, the sim is far too realistic. A virtual champagne bath should somehow manage to keep the champagne drinking-temp cold while still feeling warm to the touch. And it shouldn’t be sticky and hot and flat; it should feel like champagne does when it hits your tongue—icy and bubbly and fizzy. And when Huw’s nonbladder feels uncomfortably full and relaxed in the hot liquid and she lets a surreptitious stream loose, it should be magicked away, not instantly blended in with the vintage Veuve to make an instant tubworth of piss-mimosa.
This is what comes of having too much compute-time at one’s disposal, Huw seethes. In constraint, there is discipline, the need to choose how much reality you’re going to import and model. Sitting on an Io’s worth of computronium has freed the Galactic Authority—and isn’t that an unimaginative corker of a name?
Daniel Wilson's latest novel is Amped, a post-apocalyptic high-tech apocalypse cast in the same mold as his spectacular debut novel, Robopocalypse. Wilson is a roboticist by trade, and he combines his background in science and engineering with a knack for fast-paced narrative.
Amped begins on the day that the Supreme Court rules that "Amps" -- people who've had neurological amplification -- aren't entitled to the same rights as "normal" people. Amps are a motley bunch. The amping program started out as a form of "government cheese" -- a welfare handout for the poorest Americans, to help their ADD kids focus in school, to uplift the kids with fetal alcohol syndrome, to give new, functional limbs to shell-shocked veterans rotting in VA beds. Over the years, the amping program is extended to blind people, people with epilepsy, and other people whose disabilities can be overcome with the right combination of new neurocircuitry and physical prostheses.
But, of course, an amp doesn't correct a disabled person's disability up to the level of an able-bodied person. An amped eye isn't a mere substitute for a 20-20 eye -- it blows right past the limitations of our meat-eyes, adding computational pattern-recognition, digital storage, focus at great and close distances, and senstitivity into spectra denied to us poor baseline humans. Likewise amplified cognition, limbs, and so on.
America -- uncomfortable with questions of race and class at the best of times -- goes insane. Suddenly, the privileged elites of America are physically weaker, intellectually slower, and generally less fit than the teeming underclasses whose badge of shame is a tell-tale data-access port on one temple. Read the rest
Matt sez, "Hey, it's Matt at the Disinformation Company, and I thought that you'd enjoy the lengthy interview I did with Warren Ellis for the DisinfoCast. We talk about aliens, space travel, the singularity and more. We even squeeze in a second or two for talk about comic books."
Warren Ellis on The DisinfoCast with Matt Staggs
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Tom Scott's Welcome to Life is a clever and chilling short film about the EULA you will be asked to click through when you die. It paints a picture of an afterlife run on the kinds of shitty, non-negotiable terms as today's social media sites.
If you liked this, you may also enjoy two novels that provided inspiration for it: Jim Monroe's Everyone in Silico, where I first found the idea of a corporate-sponsored afterlife; Rudy Rucker's trippy Postsingular, which introduced me to the horrifying idea of consciousness slums.
Welcome to Life: a science fiction story about what you see when you die.
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Erik Wecks has a thoughtful and smart analysis
of my little book The Great Big Beautiful Tomorrow
's GeekDad today (spoilers ahoy!) Read the rest
Madcap science fiction paragon Paul Di Filippo's column in the latest Fantasy and Science Fiction takes the form of a short story demonstrating a new (to me) potential consequence of lifetime-based copyrights, human longevity, and the idea that copyrights should be extended to benefit a creator's descendants.
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By all rights, Rajah Robot and Poxy Toff belonged to me, as Arden Pence's only relative! But the immutable laws of ownership and copyright—unchanged since the distant twenty-first century, thanks to the Disney corporation and pals: life plus seventy years!—insured that Rajah and Poxy would remain in my father's negligent and uncaring hands. How very unfair!
My father had certainly derived enough income from them already, enough to sustain him for the rest of his immortal years, and plainly he had no more interest in crafting exciting new adventures for his widely beloved characters. I, however, had great ideas about how to revive the franchise, and place it once again at the top of the entertainment pyramid. A complete reboot, employing the writerly skills I had inherited from Dad, but had never been able to utilize. Rajah Robot would no longer have access to multiple bodies, you see, while little Poxy Toff would have to grow up at last into attractive womanhood. As for Flora Aurora and Badfinger Bill—
But it pained me even to contemplate these thrilling changes. I would never get to initiate them, so long as the stubborn and passive old man lived. He was an insurmountable roadblock to my own happy future, and to the potential new enjoyment of billions of eager percipients.