Katana Leigh sez, "I want to provide memorable ways to learn to draw that are interesting and visually entertaining. The proportions of a red spotted button mushroom are the same as a skull and these LSD colors provide maximum contrast so you can see the process and hopefully copy it. Not your boring art lessons but a new way to think about seeing."
New Zealand artist Bruce Mahalski has put a new sculpture of an AK47 assembled from animal bones up for sale, with a starting bid of NZD3500. It's quite a beautiful piece of work.
The latest bone gun by New Zealand bone artist – Mahalski – is a life-size AK47 machine gun(330mm x 940mm) featuring found animal bones from rabbit, stoat, ferret, sheep, hawk, pheasant, wallaby, snapper, snake, blackbird, tarakihi, hedgehog, broad-billed prion , shear water, thrush, seal ,cat and possum (plus part of a skull from the extinct moa ). The gun is made entirely of bones mounted on an invisible wooden frame and is displayed standing upright on two rods on a piece of recycled matai timber (1130mm x 2000mm). You can see more pictures at - www.mahalski.org
Baker Anna at Eat Your Heart Out Bakers made this astounding skull wedding-cake.
Food artist Annabel de Vetten, also known as Conjurer’s Kitchen, created this incredible skull wedding cake for the Eclectic Wedding Extravaganza in Birmingham this weekend. Her theme being ” ‘Til Death Do Us Part”.
It features solid chocolate skulls of 16 carrion crows, 12 domestic kittens, 3 Vervet monkeys, and 4 barn owls, all of which the artist sculpted by hand. Made from White Chocolate Mudcake, the cake took her over 100 hours to complete in total. There are two options of toppers: a chocolate conjoined kitten skull, or dried flowers from an actual wedding bouquet (ones shown here from her own).
Scarecrowoven has revisited his "Skele Gore" image, and just in time for St Valentine's Day! Of the new version, Mr Scarecrowoven sez, "It's pretty insane. In person, the colors are so bright and fluorescent they actually work under a black light."
Last week, I got to visit the Museum of Osteology in Oklahoma City. It's an amazing collection — well worth driving out of your way to see. I was expecting just a selection of different animal skeletons. The actual collection was a lot bigger and more awesome than I'd guessed it would be, and included some really nice exhibits on evolutionary adaptation, convergent evolution, deformed skeletons of both humans and animals, and the process of stripping a body down to a clean and shiny bone structure.
One of the things I found really fascinating was the skeletal features that you can't see just by looking at the outside of an animal. Take this Indian Rhinoceros, for instance. You'll notice that his horn is not a part of the skull. That's because the horn isn't really bone. The "horn" isn't a horn, at all.
Horns are made of bone. They're hard on the outside thanks to a thin layer of keratin — the stuff that makes up your fingernails and hair. But the majority of that material is living bone. Rhinos, on the other hand, have "horns" that are almost 100% keratin. They're really thick bundles of protein fibers.
That's a pretty well-known fact. But it's one thing to know it intellectually, and another thing entirely to see the place where that keratin horn attaches to the animal's actual bone structure. The intricate, lacy network of spongy bone was absolutely fascinating to me. It reminded me of the way ceramic artists will attach one piece of clay to another by scoring little cuts into both pieces and then applying a layer of thin, goopy clay that cements the cuts together as it dries. Seeing the rhino skull really drove home the idea that the "horn" was something else entirely. The horn was attached to the bone. It wasn't part of the bone.
Doktor A's beautiful immortality helmet was produced on commission and looks like a spectacular way to extend your lifespan:
1. Remove strap and leads from the storage drawer.
2. Place electrodes against forehead and tighten strap.
3. Attach bulldog clips to terminals in the jaw.
4. Set over-ride timer to desired duration.
5. Crank the main handle to build electrical charge.
6. Close the main switch to engage the electrical flow.
7. Increase the electrical voltage using dial.
8. Wait until your Asphyx manifests within the tube.
9. Shut off charge to electrodes using the main switch.
10. Transfer the Asphyx to a long term containment device.
11. Congratulations you have gained immortality.
These two house-topped silver skulls are 2011 pieces by Danish sculptor Frodo Mikkelsen, whose online galleries have many more fine examples of this sort of work, going all the way back to 2007. Each one is a perfect bit of grim whimsy, frozen moments of urban planning in a village of miniature grave-robbers.
I don't know what's more tragic: that I missed out on the chance to bid on this skeletal rocking chair, or that I didn't think to search for its like when we were shopping for a nursing chair after my daughter was born.
Anthony Santell carved this magnificent "transformation mask." Santell was inspired by ritual transformation masks made by the indigenous peoples of the Pacific Northwest Coast and Alaska. Those masks are actually wearable and, according to Wikipedia, are operated by "pulling a string to reveal an inner, human face carved in wood. "Transformation Mask" opened and closed(via Neatorama)
Hayden sez, "A good one for Halloween - this skull-shaped memento mori clock is historically important and even a little spooky today.
The Art of Mourning site is all about death and love in jewelry and art, so there are many examples of the symbols of death throughout history."
Watches and clocks with the memento mori motifs were not uncommon, dating from the mid 17th Century to the 1930s. This early Verge silver skull pivots at the top of the cranium, whereas others pivot from the jaw. There are others created that fold open at the top of the head with enamel and diamonds, but pieces like these are extremely rare and command a high price. Examples exist from Switzerland, France, Germany and England. As written by the Taft Museum:
“The skull and watch are part of the standard subject matter of 17th-century vanitas still lifes. Vanitas is from the Latin for “emptiness” or “untruth,” from which comes the English word “vanity.” Such pictures depict objects that have an underlying moral message—usually about the fleeting nature of physical reality. Therefore, it is not surprising that the skull and watch, two reminders of the passage of time, should merge in a single object. The use of the skeleton hand, however, is unusual.1“