Hahah! Boing Boing reader William Jaspers saw the 1967 ad for jobs at NASA's Jet Propulsion Laboratory I posted yesterday, which ran in Scientific American—and with a little help from Photoshop, he updated it to feature the MSL space celeb Bobak "Mohawk Guy" Ferdowsi, who works on the Mars Curiosity team at JPL.

Now all they need is a reversal of those devastating budget cuts so JPL can hire more space-dreamers, instead of laying them off, and the vintage ad will really be true again 45 years later. Larger size here.

* Thanks again to reader fdecomite for scanning and sharing the original.

Carolyn Porco, Cassini Imaging Team Leader and director of CICLOPS in Boulder, CO, writes:

For no other reason than that they are gorgeous, the Cassini imaging team is releasing today a set of fabulous images of Saturn and Titan...in living color...for your day-dreaming enjoyment. Note that our presence at Saturn for the last 8 years has made possible the sighting of subtle changes with time, and one such change is obvious here. As the seasons have advanced, and spring has come to the north and autumn to the south throughout the Saturn system, the azure blue in the northern winter Saturnian hemisphere that greeted Cassini upon its arrival in 2004 is now fading; and it is now the southern hemisphere, in its approach to winter, that is taking on a bluish hue.

[B]ack here on Earth, the Cassini mission was recently given rave reviews by a panel of planetary scientists and NASA program managers for its contributions to our understanding of the solar system, a circumstance that bodes well for a well-funded continuing mission over the next 5 years. Despite the fact that we can't know exactly what the next five years will bring us, we can be certain that whatever it is will be wondrous.

Photo above: "A giant of a moon appears before a giant of a planet undergoing seasonal changes in this natural color view of Titan and Saturn from NASA's Cassini spacecraft."

More beautiful images from Cassini here.

Hellooooo, new desktop.

Venture capitalist, photographer, and master-level space fanatic Steve Jurvetson has been digging in to his archives for snapshots and relics related to the life and legacy of the late astronaut Neil Armstrong. For instance: above, a vintage 11”x 14” X-ray of Armstrong's lunar EVA spacesuit boots dated 7-7-69, only 9 days before the launch.

You can scroll through more photos here, on Steve's Facebook page.

Steve shared some amazing conversations with the "First Man," from what I can tell. Here's one:

Tang is a farce. That was the first thing Neil Armstrong told me last night. “We did not use it on the Apollo missions.”

I asked him, of all of the systems and stages of the mission, which did he worry about the most? (the frequently failing autopilot? the reliance on a global network of astronomers to spot solar flares in time to get the warning out? the onboard computers being less powerful than a Furby?....)

He gave a detailed answer about the hypergolic fuel mixing system for the lunar module. Rather than an ignition system, they had two substances that would ignite upon contact. Instead of an electric pump, he wished he had a big simple lever to mechanically initiate mixing.

That seemed a bit odd to me at first. So, I asked if he gave that answer because it really was the most likely point of failure, or because it symbolizes a vivid nightmare – having completed the moon mission, pushing the button... and the engines just wont start.

He responded that he had dreams about that for two years prior to the launch.

Read the rest

“At the dead hour of the night, when the world is hushed in sleep and all is still; when there is not a sound to be heard save the dead beat escapement of the clock, counting with hollow voice the footsteps of time in ceaseless round, I turn to the Ephemeris and find there, by calculations made years ago, that when that clock tells a certain hour, a star which I never saw will be in the field of the telescope for a moment, flit through and then disappear. The instrument is set; the moment approaches and is intently awaited—I look—the star mute with eloquence that gathers sublimity from the silence of the night, comes smiling and dancing into the field, and at the instant predicted even to the fraction of a second, it makes its transit and is gone. With emotions too deep for the organs of speech, the heart swells out with unutterable anthems; we then see that there is harmony in the heavens above; and though we cannot hear, we feel the ‘music of the spheres.’” — Matthew Fontaine Maury, in an 1849 presentation to the Virginia Historical Society. Maury was superintendent of the U.S. Naval Observatory.

Read more about Maury and other retro scientists in Caren Cooper's guest posts at the Scientific American blogs.

Video: Yosemite Nature Notes on night skies and light pollution.