The latest piece from Roger Wood's Klockwerks studio is this brave, fire-engine-red number that's just put me over the edge into a full-on bout of Christmas cheer.
We're big fans of Dan Hillier's work around here -- the iconic, instantly recognizable grotesque Victorian collages. Now he's branched out into 3D printing. He writes: "I recently collaborated with a 3D printing design consultancy called Modla, for The Other Art Fair. Having met with their Creative Director, Jon Fidler, we worked on the creation of a 3D version of my work, 'Nothing Matters'. The piece is now available in a limited edition of 20." (Thanks, Dan!)
The latest confection from mad steampunk sculptor and clockmaker Roger Wood is this spiffing assemblage raygun. Want.
Thomas sez, "I don't just want to give condolences to my friend's family. I want to do as much actual good as I can. I am auctioning off this signed and dated Datamancer keyboard. Sadly, there will not be more like this ever again. If you have ever thought that you just have to have one, this is your chance. Help keep his legacy alive. Every penny is going to his family. I have contacted them directly to ensure this is done with good grace and honor toward his name."
See also: RIP, Richard "Datamancer" Nagy
Very sad news today: Steampunk pioneer and virtuoso maker Richard "Datamancer" Nagy has died, apparently in a car accident in California. Richard's work was nothing short of spectacular (we'd featured it repeatedly over many years) and he was especially known for his keyboards (I'm privileged to own one). Richard was kind, a good friend to many, and gave generously of his time to mentor and support his fellow artists, many of whom came to steampunk through their exposure to Richard's work.
The world is a much, much poorer place without Richard in it. Details about Richard's final arrangements are still sketchy, but I will post as they become available, as well as any information about supporting his family and any nominated charities for memorial donations.
Today's Klockwerks newsletter brought Roger Wood's latest lunatic bell-jar timepiece. It's exceptional, even by his high standards.
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Art Donovan sez, "After four months of deep 'design and build', I finally completed this commission for my client. But, alas, it won't be installed in time, as it is now going to be featured in the National Watch and Clock Museum's exhibit, 'A Matter of Time' for three months. I'm confident the client won't mind, as they will be now getting a museum piece>"
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Here's a delicious potted history of the Euphonia, a mid-19th century gadget that could simulate human speech by pumping bellows-fed air over an artificial tongue set in a chamber of weird plates and valves. It had a severe woman's face and coils of hair in ringlets, and spoke in a "weird, ghostly monotone."
By pumping air with the bellows and manipulating a series of plates, chambers, and other apparatus, including an artificial tongue, the operator could make it speak any European language. It was even able to sing the anthem God Save the Queen. The Euphonia was invented in 1845 by Joseph Faber, a German immigrant. A little known fact is that this machine greatly influenced the invention of the telephone.
Make Magazine profiled the incomparable steampunk maker Jake von Slatt; he's got all kinds of great stuff to relate:
Two past mistakes you’ve learned the most from:
1. Propane is very flammable and eyebrows are important to the appearance of your face.
2. A school bus is very heavy and asphalt cannot be relied on to support it when jacking.
Bonus: Stay out of the plane of rotation. I lost the tip of my right pinky finger to the lift-fan of a hovercraft when I was 16.