Craig Froehle tracks the odd convolutions of his famous illustration of how conservatives and liberals view the notion of equality. It's been simplified, expanded, twisted, tucked in and turned inside-out—and even redrawn by professional artists.
Are the worst versions the ones that bury the simple point in condescending explanation?
Or the ones that seek to subvert it entirely, in as much as stamping "THIS IS FUCKING STUPID" over it counts as subversion?
The cannier mutations contextualize it for local audiences:
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I am giddy that my little graphic has helped so many people think about the issue of equity and has spawned so many conversations in just the past few years. I’m not upset by the many way it’s been reimagined. In fact, I’m delighted, because the modifications just make it that much more useful to people.
Enormous Smallness: The Story of E.E. Cummings by Matthew Burgess Enchanted Lion Books 2015, 64 pages, 8.4 x 11.5 x 0.7 inches $12 Buy a copy on Amazon
Enormous Smallness, written by Matthew Burgess and illustrated by Kris Di Giacomo, details the life of poet E.E. Cummings for fans of all ages. From Cummings’s fairly ordinary childhood in Cambridge, Massachusetts, to his adventures in Europe and New York City, the book spans the decades of writing, working, and experiencing the world that made Cummings an extraordinary artist.
The story that emerges is one of a boy who loved observing the world as much as he did participating in it — a boy who said “yes” to everything. As Burgess writes, “Yes to the heart and the roundness of the moon, to birds, elephants, trees, and everything he loved.” But the story doesn’t shy away from the good or the bad, including both the praise and support young Cummings got from his parents and teachers, as well as the negative criticism his first book of poems received.
The message to kids is twofold and clear: one, making art is hard work that requires the same dedication and persistence that any other job does for success. And two, so long as you put in the work, you can be a poet or an artist, too. It’s not a message kids hear often but it’s important. As Cummings said in his Harvard graduation speech, we need artists to challenge the way we see and think. Read the rest
Dion McGregor talked in his sleep. But he did more than just that: he narrated tales so dark his roommates began recording them for the world to hear.
Normally, we can only catch a few shards of the shattered dreamscape; as much as we may try to cling onto the fragments of thoughts, feelings and sensations, they soon evaporate in the glare of our waking consciousness.
In contrast, McGregor’s tapes offer hundreds of hours of one man’s slumbers narrated in astonishing detail. The stories are full of eccentric characters like Edwina; they occupy a sinister place where a simple Lazy Susan can suddenly inspire a dangerous game of Russian roulette.
Creepypasta, for those somehow unawares, are short, shonky, mutated ghost and horror tales, nth-generation copies of something dimly-remembered. Gizmodo's Kiona Smith-Strickland collects some of the best.
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Children are creepy, and the poster who shared “Bad Dream” knows it. Of course, the thing sleeping on the other side of the bed is even creepier.
“Psychosis” is one of the classics of the creepypasta canon, and it’s a piece of psychological horror that would have been right at home on The Twilight Zone. One poster’s creepy encounter with a stranger in another classic,
“Smiling Man” will make you think twice about walking alone at night.
Science journalist John Rennie is an amazing story teller. In this recording from Story Collider, he explains how he became the lab safety officer in his post-undergrad biology laboratory in the early 1980s (it involves being the only person who was concerned when other people started scooping up mercury with their bare hands). The peak of his experience: The day he stuck his arm, up past the elbow, into a barrel of liquid nitrogen. Good times.
Here's a great story from the science storytelling project Story Collider and physicist David Morgan. Morgan starts telling a story about how Sagan influenced him to become a scientist and how the beginning of that career was tied up with an attempt to get in touch with Sagan — pre-ubiquitous e-mail — in the year 1995. Read the rest
Moran Cerf is a neuroscientist. In the video above, which Cory posted on Friday, he tells the story of how a paper he published in the journal Nature ended up getting him phone calls from Apple and invitations to appear with Christopher Nolan on the publicity tour for Inception. The problem: Nolan, Apple, and a lot of other people thought Cerf had figured out a way to record dreams. He hadn't. Not even close.
Cory's piece, and a link that Xeni sent me to the video, got me reading up on this case and I wanted to provide more of the scientific background—so you can see clearly what Cerf's research was really about and how the media got wrong. Back in 2010, Cerf and his colleagues were trying to figure out how humans look at a world cluttered with different faces, objects, smells, and sounds and manage to filter out the specific things we're interested in. What happens when I look at a messy desk and immediately focus in on one piece of paper? If there are two objects on the desk that are familiar to me, but only one of them really matters, how does my brain resolve the conflict and direct my attention in a single direction?
Turns out, at least under laboratory conditions, humans can filter out the important stuff by consciously controlling the firing of neurons in their own brains. Here's how Alison Abbott at Nature News described the research at the time:
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In the last six years or so they have shown that single neurons can fire when subjects recognise — or even imagine — just one particular person or object.