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Hannibal has serious daddy issues [s2e11]

Theresa DeLucci reviews Ka No Mo, wherein our two favorite psychos’ mutual obsession becomes too much for both of them.

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Netflix will soon get its own television ‘cable channel’

Reports the Washington Post, "Netflix has reached an agreement with three smaller cable companies that, for the first time, will let U.S. subscribers watch the streaming video service’s content as though it were an ordinary cable channel."

A notable 'couch gag' on The Simpsons, in which we travel inside Homer's brain

Here's a clip from a forthcoming episode of The Simpsons, "What To Expect When Bart's Expecting." The couch gag is directed by Michal Socha, and is inspired by "Chick," a short film by Socha which you can view here (or below), and purchase on DVD here. Did you know The Simpsons is the longest-running scripted show in television history? Yep.

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The Muppet Show: The Bug Band play The Beatles

The Bug Band performs "She Loves You" on The Muppet Show in 1979. According to the Muppet Wiki, they were a nameless group until Kermit told them they needed a moniker. They suggested "The Grateful Dead" and "The Who." (via Experimental Music on Children's TV)

HBO reruns to be offered through Amazon Prime Instant Video


HBO will sell reruns of hit shows like "The Sopranos" to Amazon Prime. (HBO)

HBO and Amazon have announced a deal through which the cable TV network will offer reruns of many hit shows on Amazon's Prime Instant Video platform. The shows to be sold include "The Sopranos," "Six Feet Under," "The Wire," "Girls" and "Veep," as well as HBO miniseries like "Band of Brothers" and original features such as "Game Change."

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Hannibal: Guilt is a divine beast of burden in "Su-zakana" [Season 2, episode 8 recap]

In an episode named after a Japanese palate-cleanser, there certainly wasn’t a lot of refreshment to be found among (or within) all the dead horses, Nietzschean fish and damaged souls that this hour contained.

Instead, “Su-zakana” opens a new and final book of the season, introducing a new paradigm for Will and Hannibal’s very distorted friendship. Hannibal doesn’t realize how apt a metaphor the trout he served to Jack and Will really were. They were eating their own tails, much like Will hopes Hannibal will; by using himself as live bait to draw the doctor in with seductive promises of what Will might reveal in therapy, Hannibal’s own curiosity will be what brings him down.

To be an effective lure, Will’s also trying to hide in plain sight, using honesty as a cover for his deeper lie. So we get awkward dinner conversations about who accused whom and who tried to have who killed first. It’s enough to make you wish Margaery Tyrell would show up and exclaim “Oh, look! The pie!” Only this is Hannibal, so the pie would be made out of dead people instead of dead pigeons.

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Game of Thrones recap: 'Breaker Of Chains' explores the many feuds of House Lannister [season 4, episode 3]

The episode picks up just before the end of what fans of the series have dubbed the Purple Wedding, as Cersei screams at the top of her lungs for Tyrion to be arrested for Joffrey’s murder, and frantically demands Sansa be taken into custody as well. But let’s skip ahead to those two incredible scenes in the Great Sept of Baelor, both of which take place with Joffrey’s cold, lifeless body lying in the center of the room, ever-present in nearly all shots in this location.

Tywin Lannister, as played excellently by Charles Dance, is one of the most fascinating characters in the giant patchwork of Westeros. He’s the only character I care about enough to have watch one of those extensive YouTube supercuts stringing together all of his scenes in one video. (It’s a marvel how memorable he is with only around 85 minutes of screen time. What a supercut like that reveals is how maniacally obsessed Tywin is with preserving the permanent honor and prominence of House Lannister. In a previous season he made passing mention to his father, who nearly let the house fall into some ruin. As such, he’s made it his life’s mission to further the reputation of House Lannister at the cost of any happiness for his children, who he commands to do their duty to the family at all costs.

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TV recap: Game Of Thrones 'The Lion And The Rose' [season 4, episode 2]

Spoilers. Spoilers spoilers spoilers. Are we good now? All right, let’s dig into “The Lion And The Rose,” which isn’t a particularly thrilling episode of Game Of Thrones, but does feature one giant event that most fans of the show have been waiting for since the very beginning.

I’m convinced that most of the people who profess publicly that they haven’t read the Song Of Ice And Fire books actually know most of what’s going to happen on the show. (I haven’t read the books. I know what’s going to happen. I’m not scared of spoilers. It is what it is.) There’s not much else to explain this piece, which stakes an early claim on “predicting” Joffrey’s death this season. And in true Game Of Thrones fashion, there’s no delay getting to that event. It’s shockingly cathartic for the object of most fans’ ire to sputter and expire in the second installment of a 10-episode season. King Joffrey is dead. Long live the equally illegitimate King Tommen.

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Justified circles back to old friends and enemies to close out its fifth season [TV Recap: season 5, episode 13]

It was never really about the Crowes, or Ava going to prison, or the trip south of the border, or the gangsters in Detroit. This season of Justified, and by extension the entire series, has all been one long road to a final showdown between Raylan Givens and Boyd Crowder.

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Hannibal's design takes shape in 'Yakimono' [TV Recap, Season 2, Episode 7]


Hugh Dancy as Will Graham in “Hannibal” Season 2 Episode 7, “Yakimono”

Characters are dropping like… well, like characters on a televised serial killer drama, I suppose.

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The unthinkable blooms on Hannibal "Futomono" [s2,e6]

For those keeping track, futomono is the course in a Japanese kaiseki meal that consists of a lidded dish. Keeping the lid on Miriam Lass until the last minute of an episode that was already a feast of sadistic twists, morbid whimsy, and incredible food porn was a real treat.

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Silicon Valley is Mike Judge’s incisive, hilarious return-to-form [TV Recap: season 1, episode 1]

Nearly everyone who sees the Game Of Thrones title sequence praises it for its sheer stylistic audacity, introducing the epic scope of the show with a booming theme song and sweeping summary of the world’s geography. Silicon Valley, Mike Judge’s return to television, accomplishes the same feat with a 10-second title sequence. The camera pans across a SimCity-esque landscape of Silicon Valley, dotted by corporate headquarters for Twitter, HP, and Oracle. Napster pops up as a hot air balloon, and then quickly descends out of sight. AOL topples off a building that becomes Facebook. It’s the proliferation of the tech companies throughout the south peninsula and Santa Clara Valley in microcosm, representing the present moment in the corporate climate where companies pop up and disappear, with major projects existing in a digital realm.

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Game Of Thrones picks up as the Lannisters cope with apparent victory [TV Recap: season 4, episode 1]

The end of Game Of Thrones’ third season offered the bloodiest dramatic high point of the series so far. The Red Wedding capped off the darkest year of the show, and effectively offed the family that in any other classical version of this fantasy arc, would end up victorious. (And that’s essentially why George R.R. Martin got rid of them—to completely buck that trend.) So the big question at the outset of season four, which will depict roughly the other half of events from A Storm Of Swords, is what the Lannisters at King’s Landing will do now that they’ve wiped out the last fully formed threat to their dynasty.

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“I F*cking Hate @RuPaul”

Filmmaker, writer, and trans activist Andrea James on the current state of post-disruption journalism and its unhealthy addiction to Twitter, and LGBT brain drain.

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'Community' knows Jeff Winger’s real age, and knowing is half the battle [TV recap: season 5, episode 11]

Many of the episodes in Community’s fifth season have been modified sequels to previous fan-favorite from previous seasons. “Cooperative Polygraphy” echoes bottle episode “Cooperative Calligraphy.” “Bondage And Beta Male Sexuality” has strains of “Mixology Certification.” “Repilot” and “Advanced Dungeons And Dragons” have easily identifiable equivalents. “G.I. Jeff” is this season’s attempt at a storyline similar to “Abed’s Uncontrollable Christmas,” the second-season standout that takes place entirely inside Abed’s rattled mind as he grapples with his mother’s absence.

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Community revisited one of its best episodes and avoided the sequel curse [Recap: season 5, episode 10]

“Advanced Dungeons & Dragons” stands as one of Community’s all-time greatest episodes, both stylistically impressive and narratively heartfelt. It’s an immensely satisfying episode of television that forms the peak of the show’s run in the heart of its second season. For the show to tackle that style again flies in the face of how the show has normally operated. The paintball sequel was a chance to make a stylistic adventure cap the emotional narrative struggle within the study group. But this is much riskier. And Abed blatantly states the meta-joke that everyone will ascribe to Dan Harmon, as the group makes the plan for a second role-playing game intervention: “A satisfying sequel is difficult to pull off. Many geniuses have defeated themselves through hubris, making this a chance to prove I’m better than all of them. I’M IN.”

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Nightswimming with Hannibal: "Mukozuke" review [s2e5]

This is the second time since the premiere that we've opened Hannibal with a visual juxtaposition of how similar yet different Will Graham and Hannibal Lecter are. This go round it was meal preparation. Some slices of Beverly Katz as the cornerstone of a healthy sadist's breakfast. Will can brood in his prison cell and retreat to his memory palace and toy with Dr. Chilton and even get all strapped into an iconic mask for a prison transport, but Will is no Dr. Lecter.

We know this. Will insists he knows this, but I think this episode was the first time Will, in all his new found clarity, knows he could be Dr. Lecter if he wanted.

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Hannibal is the best buzzkill "Takiawase" [s2e4]

After the relative quiet of last week's episode, "Takiawase" threw one punch after another, with a few eyeball kicks to round the hour out. There was cause for screams, squirms, giggles, and tears in a perfect, poignant counter to any lingering accusations that Hannibal is empty gore for gore's sake.

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Dee goes to The People's Court

Well done, sir. (Thanks, Dave Gill!)

Photos of actors playing historical figures

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VanVictor made a terrific image series showing historical figures played by various actors, from Aristotle to Edgar Allen Poe, Jesus to John Lennon. "Famous people in fiction" (via Laughing Squid and Reddit)

Hannibal's justice is more than blind in "Hassun" [s2e3]

The trial of Will Graham gets off to a bloody start in this week's episode of Hannibal.

We open with a disorienting dream of Will BBQ'ing himself in an electric chair, then get a mirroring scene, set in reality. The morning of the trial's opening sees Hannibal and Will suiting up for the day in their contrasting homes. A well-appointed room, a dungeon cell. Cufflinks and handcuffs. It was a pointed visual reminder of how connected these two intelligent psychopaths are. For the whole hour, we see witnesses on the stand talking about Will—but the subject could just as easily be Hannibal. Because, after all, we know it was Hannibal, "the smartest person in this room." I loved and hated Hannibal's secret little smirk: his weaknesses are really showing. If Mads Mikkelsen is playing Lecter as the Devil, then he's doing a great job of giving us glimpses of the Devil's sin: pride.

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Fox News loses spelling bee

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Hannibal's terrifying gaze inward, in "Sakizuki" [s2e2]

Hannibal’s premiere hit the ground running, but it felt like half of an episode. We barely even met the “artist” behind the giant corpse-eye mural, because there was so much fallout from Will’s incarceration. And this new artist still isn’t much of a big deal in “Sakizuki,” despite racking up the show’s largest tableau to date. It's more of an elaborate metaphor.

And that’s perfectly fine. Because this show isn’t about a killer of the week. It’s about Hannibal. And Will. And how both intelligent psychopaths manipulate the people around them to paint their own reflections. Of course, one is doing it to protect his terrible secrets (and the contents of his fridge.) The other is trying to prove his innocence. But make no mistake – Will must know that by directing attention onto Hannibal in his own way, he will be putting his friends at risk. As viewers, we saw at least Crawford’s confrontation with Hannibal, but I’m most concerned about the immediate safety of Beverly and Alana.

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Trippy electronic music pioneer Bruce Haack on Mister Rogers (1968)

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Here's electronic music pioneer Bruce Haack appearing on Mister Rogers' Neighborhood in 1968 with experimental children's dance educator Esther Nelson. Two years later, Haack went on to compose the quintessentially strange electronic music/acid rock record The Electric Lucifer. If you're not hip to The Electric Lucifer, it's a concept album that employs an array of instrumentation including, Moogs, guitar, voice, and a DIY vocoder to tell an epic story of the battle between heaven and hell. It's was reissued on CD several years ago and is just now available on vinyl again too! Below, listen to the track "National Anthem to the Moon." The Electric Lucifer

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'After You’ve Gone' sets everything up for True Detective finale [TV recap: season 1, episode 7]

“Life’s barely long enough to get good at one thing, if that long.”

Sharing a defining event links people together for life. Rust Cohle and Marty Hart have the covert assault on Reggie Ledoux’s cookhouse, the seemingly culminating event in the worst case they ever drew as detectives. For better or worse, landing that Dora Lange case has defined nearly 20 years in the lives of these men, and there’s still lingering guilt and emotional damage because of it. The pilot opened with a few shots in the darkness: someone carrying what turned out to be a body, a bit of burning brush, and then a field of crops engulfed in flame. That left the first sign of a sinister undercurrent running throughout the bayou. But the total confusion of those first moments—meeting Rustin Cohle and Martin Hart, discovering their work in Louisiana, peeling back the first few layers of a complex and perplexing series of disappearances and murders—is now almost by the wayside. All that’s left is the present-day conclusion.

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Someone's eBaying a BIG HUG MUG, as seen on HBO's True Detective

A dude on eBay is auctioning off Matthew McConaughey's--well, Rust Cohle's- cup. “Excellent, Near-Flawless Condition. No Chips, Scratches or Stains. Vivid Color.”

More in our True Detective Archives.

(via Boing Boing Facebook, thanks Kaff Enated)

HBO's 'True Detective' is getting weirder, and we are on it: intro to the series and weekly recaps at Boing Boing


HBO.

"What separates HBO's crime drama True Detective from other series that obsessively catalogue dead female bodies or attempt to find the human side of serial killers is the show's ambition in style and scope," writes our reviewer Kevin McFarland.

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True Detective barrels into the darkness of new cross-genre territory. TV recap: 'The Secret Fate of All Life,' S1 Ep. 5

Kevin McFarland reviews episode 5 in season 1 of HBO’s crime drama “True Detective,” starring Matthew McConaughey and Woody Harrelson. If you’re new to the show, start with our introduction here. This post contains spoilers.

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A masterful long take brings True Detective to its midpoint [Recap: “Who Goes There,” S1 Ep4]

Kevin McFarland reviews the fourth episode of HBO’s crime drama “True Detective,” starring Matthew McConaughey and Woody Harrelson. Contains spoilers. If you’re new to the show, start with our introduction here.

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Here’s what you’ve been missing on HBO’s True Detective

What separates HBO’s crime drama True Detective from other series that obsessively catalogue dead female bodies or attempt to find the human side of serial killers is the show’s ambition in style and scope.

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