Every Sith Lord has his price.
Every Sith Lord has his price.
This surreal advertisement for corn from 1964 is reportedly the USSR's first TV commercial.
Over at r/ObscureMedia, amer_amer kindly offers this translation:
If you would like to be healthy, fed for a hundred years, ask with a kind word at restaurants and cafeterias (and) recieve dinner wait, sit down, don't rush wait... (and) recieve dinner. Chef: where are you from? Corn: (unintelligible)... We were grown in azerbaijan, in a southern warm country, in the virgin lands of kasakhstan. Chef: understood. so what do you want? Corn: we want to get on the menu. Chef: i'm sorry, and i'm not kicking you out, but i'm not changing the menu. (The dishes start sliding) And the salads, and the soups, and (dishes) made from maize groats, and with sugar: porridge, pudding and cakes, and appetizers and garnish. Peace for all (i think). What a dish, absolutely spectacular! Every day will be prepared! Chef: and let me tell you something, all these dished can be made easily by any hostess (as in housewife).
Angelo Badalamenti gorgeous original score for David Lynch's Twin Peaks television show is available once again on vinyl! Along with the lovely instrumentals, the score includes Julee Cruise's three vocal tracks with lyrics by Lynch himself. (Above, "The Nightingale.") Reissued by the damn fine people at the Mondo/Death Waltz label, this remastered edition is pressed on 180 gram "coffee color" vinyl, packaged in a gatefold sleeve with obi strip, and includes liner notes by Badalamenti.
Twin Peaks - Original Score LP (Mondo)
"People gasped when she was unveiled and everyone looked so happy," Palmer said.
In a 2015 letter to the Hollywood Reporter, Poulin stated that he meant no harm with his more creative depiction.
"I take full responsibility for 'Scary Lucy,' though by no means was that my intent or did I wish to disparage in any way the memories of the iconic Lucy image," Poulin wrote.
According to Celoron Mayor Scott Schrecengost, Scary Lucy will stay put "because it has been such an attraction.
"We've had thousands of people here over the past year from all over," he said. "...Even though the other statue is called 'Scary Lucy' or 'Ugly Lucy,' whatever the people want to call it, it's still artwork and not all artwork is beautiful."
This week on HOME: Stories From L.A.:
When TV producer Phil Savenick started collecting vintage TVs and TV memorabilia, he didn’t anticipate that he’d end up with what he now calls a “dreamland of televisions” in the living room of his West Los Angeles home — or that he’d end up helping the family of the man who invented TV heal some old wounds.
NEW: Subscribe to the HOME newsletter for bonus content and instant-ish notifications of new episodes.
Research firm E-Score asked Democrats and Republicans about their favorite shows. Game of Thrones was #1 in the Democrat list, but it didn't appear in the top 10 on the Republican list.
On the Democrats' list, 3 of the top 10 shows: The Haves and the Have Nots on OWN, How to Get Away with Murder on ABC, and Empire on FOX all have a racially diverse cast and have powerful lead roles for women. This reflects the Democratic viewer who is also typically more diverse, with higher concentration of black and female supporters.
Good vs. Evil
Republicans enjoy clearer "good vs. evil" characters and storylines compared to the Democrats' favorites. Republicans prefer shows featuring superheroes like The Flash, Arrow and the super intelligent team on Scorpion. Two procedural programs such as NCIS and Blue Bloods also have the "good vs. evil" component, as well as skewing slightly older than some other programs in the list.
If you want to watch a show with a member of the opposing party, watch The Walking Dead. Everyone likes The Walking Dead.
Nancy Grace's TV show popularized a modern media trend: inane rage built on bullshit that's too satisfying to fact-check. But now she's leaving HLN, and The Daily Beast bids "good fucking riddance" and tallies the worst moments from her career.
Grace’s show was permanently unhinged and consistently wrong. She once staged pro wrestling-style kayfabe arguments with her producers about sexy Paris Hilton clips that were running in the background of her interviews, allowing her to feign disappointment in the producers she put up to it. This ran on a news network, like a gutless H.G. Wells teleplay for the chronically stupid.
Worse, she conducted extralegal investigations that ruined lives and maybe left a woman dead in a cheap attempt to push up the blood pressure of America’s intestinal proclivity for easy TV anger, then rebranded her witch hunts as expert legal analysis. She is, after all, a lawyer. But she’s first and foremost a con artist, who was wrong about grievous shit—specific kidnappers, rapists, and child killers.
The internet has a high noise floor for both outrage and irony, which makes it hard to express just how awful Grace is in terms that don't seem hyperbolic. Her show was among the most profoundly depraved spectacles on cable television. Her hearsay made crimes impossible to solve and her interrogations preceded vulnerable suspects killing themselves. Her narcissism is so unreflective that people are still convinced her real twitter account is someone else's parody.
#BabyForSale? Call me now: 877-626-2901— Nancy Grace (@NancyGrace) June 26, 2012
I want answers #BoxOfInfants— Nancy Grace (@NancyGrace) December 18, 2013
She reportedly cost CNN vast sums of money in settlements. Read the rest
The Young Ones was a fantastically funny, surreal, and anarchic British sitcom in the 1980s about four students who shared a house. There was punk Vyvyan, anarchist Rick, hippie Neil, and ladies' man Mike. But if you looked very closely, you might have spotted... another. If you looked very closely you might have spotted a curious hirsute individual hidden in every episode of the first season. Over at the Daily Grail, John Reppion explores this wonderful Easter egg of 1980s cult television. And if you don't know The Young Ones, hit YouTube now and thank me later. From the Daily Grail:
Read the rest
If, right now, you search for images of The Young Ones, you will find some promo shots from 1982 with the four main characters standing in the kitchen of their house around an empty white wooden chair. Mike is wearing gingham pyjamas with teddy bears printed on them, and in some shots has one foot on the chair. In some variants of these shot though, the chair is not empty. The ghost - or fifth housemate, as she appears here - is once again front and centre and no-one seems to have noticed.
In fact, no-one seems to have noticed to such a degree that this image seems to have been used for years in articles referring to The Young Ones, without anyone questioning it. How can that be? How can you and I never have seen her there? Or behind the sofa? Or sitting in the armchair? Or floating past the window?
Meet Danica McKellar who as an undergraduate in college co-published a paper titled "Percolation and Gibbs states multiplicity for ferromagnetic Ashkin-Teller models on Z2," research that resulted in the Chayes–McKellar–Winn theorem. Oh yeah, before that, McKellar was Winnie on The Wonder Years.
(And just to confirm, Josh Saviano who played Paul Pfeiffer did not grow up to become Marilyn Manson.)
Vintage interview with Jonathan Wolff, composer of the iconic Seinfeld theme (and music for Caroline in the City, Full House, Saved by the Bell, and many other shows).
"I started with (Seinfeld's) voice... and took a meter from his delivery, and made that the tempo of the Seinfeld Theme," Wolff says.
Lions Gate Entertainment is auctioning off a slew of screen-used props from Mad Men, including Don Draper's 1964 Imperial Crown Convertible. Less than 1,000 of this car were made and fewer than 200 are still around. Also in the Mad Men lot are the likes of Pete Campbell's Globe Bar Cart, Don's Ray Bans and copy of Dante's Inferno, clothing and, um, a bunch of fake grocery items from Betty's kitchen. The online auction commences June 1.
Supaidāman (スパイダーマン) aired in Japan for one season from 1978-1979. Spider's suit is familiar, but in this series his main power is that he, um, pilots a transforming robot named Leopardon. From Wikipedia:
Although the show's story was criticized for bearing almost no resemblance to the Marvel version, the staff at Marvel Comics, including Spider-Man's co-creator Stan Lee, praised the show for its special effects and stunt work, especially the spider-like movement of the character himself. While it is said that Marvel initially opposed the addition of Leopardon, the robot was viewed as a necessary gimmick to attract younger viewers and was ultimately kept. The show's mechanical designer, Katsushi Murakami (a toy designer at the time), expressed concern about Toei's capability to market Spider-Man to Japanese audiences and was given permission by producer Yoshinori Watanabe to take whatever liberties he deemed necessary. Murakami came up with the idea of giving Spider-Man an extraterrestrial origin, as well as a spider-like spacecraft that could transform into a giant robot (due to the popularity of the giant robot shows in Japan at the time).