Maybe it's just the intractable back-pain talking, but I would buy anything advertised in that font. Read the rest
A reader writes, "Someone was nice enough to scan the pages of a Cyrillic alphabet book from the 1930's. The book encouraged adult literacy through erotic drawings of figures in various acts of copulation. Note: flying penises, lesbian acts and cloven hoofed demons appear. Male homosexual acts, do not."
These images are obviously NSFK (not safe for Kremlin). The artist was Sergei Merkurov, who went on to become a People’s Artist of the USSR. As the accompanying text notes, it's a fascinating look at the libertine sexuality of the pre-Stalinist period.
Update: Ross Wolfe comments, "There actually are a couple male homosexual acts in the Soviet erotic alphabet. Specifically, these occur in the letters Й and З, though you have to pay close attention. And the latter is potentially even more scandalous, with a small satyr fucking what looks to be either a young boy or dwarf from behind. No penis is actually shown, but the short hair and lack of tits suggest its masculinity."
Andre Torrez has a cute and simple recipe for making your shell prompt into a hamburger (or other whimsical emoji character). Just type
export PS1="\w 🍔 "
into the terminal to try it out. Apparently some Macs ship with an Emoji font installed; if you need one, you can get a free, excellent one from the Unicode Fonts for Ancient Scripts page, by downloading the Symbola font (.ZIP file) and installing it with your font manager.
To make the change permanent, you need to add a line to .profile, .bash_profile or .bashrc (depending on your *nix flavor). There are lots of other ways to customize your prompt enumerated in the article, too.
Darren sez, "Rising up in time for Halloween and el Dia de los Muertos, Póstumo is a deck of zombie playing cards by Colombian artist Obsidian Abnormal and American scallywag Darren J. Gendron. The deck features gruesome zombie art, one-eyed jacks, suicidal kings, and fun twists on the normal suits - human hearts, zombie-killing clubs and brains. So many brains."
Love the detail on these -- replacing the suits was a moment of genius. The face cards are AMAZING.
We remixed the suits into spades, clubs, hearts and brains, taking literal representations of each. Spades are now actual shovels, while clubs are shown as bats and other blunt objects. Hearts take on a fleshy connotation. Diamonds are replaced by the most valuable thing to a zombie - BRAINS.
The font is specially designed for Póstumo by Obsidian, creating a distressed and fleshed interpretation of Garamond. The final versions of each card have up to 10 different illustrations of brains, clubs, spades or hearts.
On the LJ Vintage Ads group, the always-reliable Man Writing Slash has assembled a collection of some of the finest illustrated peanut butter ads this writer has had the pleasure of seeing. It's a slice of idealized simulacrum straight from the collective unconscious of the American appetite.
Adobe's Paul D. Hunt announces the company's latest open-source typeface. This one's for coders and anyone else who loves legible monospaced figures—and who hates getting confused between l, 1 and I.
To my eye, many existing monospaced font suffer from one of three problems. The first problem that I often notice is that, many monospaced fonts force lowercase letters with a very large x-height into a single width, resulting in overly condensed letter forms which result in words and text with a monotonous rhythm, which quickly becomes tedious for human eyes to process. The second problem is somewhat the opposite of the first: many monospaced fonts have lowercase letters that leave too much space in between letters, causing words and strings to not hold together. Lastly, there is a category of monospaced fonts whose details I find to be too fussy to really work well in coding applications where a programmer doesn’t want to be distracted by such things.
Designer/woodworker/hand-drawn typographer Scotty Albrecht has several lovely new pieces hanging in a group show at Parlor Gallery in Asbury, New Jersey. We have two of Scotty's pieces in our home, including the wood heart/hands seen here, and they're truly beautiful and inspiring in person. The show, titled "We Find Our Way," runs until October 15 and you can view it online as well. "We Find Our Way" Read the rest
Typography enthusiasts "moved by Dr Fabiola Gianotti's incredibly strange choice of font in announcing the recent results of Cern's ATLAS collaboration" are petitioning Microsoft to rename Comic Sans to "Comic Cerns." Cosmic Sans might work, too! Read the rest
Do you love nameless, creeping horrors in the deep? Unnaturally! Do you love fonts? Of course, you do. Thomas Phinney, a veteran type designer, is attempting an unholy union of the two by resurrecting the moldering corpse of three typefaces: Columbus, Columbus Initials, and American Italic. Columbus was used for all the Call of Cthulhu role-playing game, in which Phinney played a hand (severed?), designing clues for "Masks of Nyarlathotep."Back the project on Kickstarter for Phinney to create Cristoforo, modern renditions of these three fonts. Pledges at all but the lowest level come with licenses to use the fonts. Phinney's original work is terrific, and I have no doubt that he'll bring a sensitive hand to re-creating these classic faces. Read the rest
Anniina ("Scholar, Writer, Mother, Dreamer. Editor of Luminarium, an online library for English Literature of the Middle Ages and Renaissance") produced these delicious-looking and awfully lovely illuminated initial cookies:
I wanted to share with you some Medieval manuscript cookies I made for my friend and colleague, Risa Bear, creator of Renascence Editions. I chose historiated initials from several manuscripts, printed them on edible paper with edible ink, attached them to square cookies and gave them gold edges. Who says love of literature and art can't fill a belly?!
Bibliodyssey has curated a beautiful collection of letterheads from 19th century and early 20th century architectural and industrial firms, doing a lot of cleanup and posting the hi-rez images to Flickr. The originals are from Columbia University's Biggert Collection.
The images in this post all come from Columbia University's very large assortment of commercial stationery (featuring architectural illustrations): the Biggert Collection.
The vast majority of the images below have been cropped, cleaned and variously doctored for display purposes, with an intent towards highlighting the range of letterform/font and design layouts. The underlying documents are invoices (most), letters, postcards, shipping records and related business and advertising letterhead ephemera from the mid-1800s to the 1930s.