"Fireworks," a classic from 2009 by PES. Happy Independence Day!
A wonderful and trippy "A is for…" animation by Laura Sicouri and Kadavre Exquis with music by Kadavre Exquis. The music is available on a vinyl pack that includes the digital download and postcards from the film.
Last night, I saw the Bling Ring. My favorite part was the logo motion graphic for A24 Films, the distributor and production company that released the movie. Seriously, it's fantastic! Designed by Grand Army with sound by Felt Not Heard. Below is another terrific version that didn't make the cut.
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Hunter S. Thompson's "Fear and Loathing in Las Vegas" (the movie) on speed. Er, even more speed. From 1A4 Studio who have done this with a number of movies, including Star Wars, Back to the Future, and The Matrix.
Photographer Wes Naman who famously wrapped his subjects' faces in scotch tape has now twisted people's mugs into grotesquery with rubber bands. You can revel in their beauty here and watch a behind-the-scenes video below!
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Michael Rigley created this beautiful animation, titled "Network," for his BFA design thesis project at the California College of Art. It's about personal data captured by cell phone providers and is quite relevant this week.
Chris Kirk/Mindbomb Films' mind-bending minimalist music video for Brian Grainger's "Swamp Bike." Watch it full screen. Try not to look away. (Thanks, Syd Garon!)
Fine art photographer Antonio Martinez combined more than 800 dryplate tintype photographs of a circus into this mesmerizing stop motion animation "Near the Egress." Absolutely stunning work. (Thanks, Randall de Rijk!)
Here's a cool installation: "The project is presented as a monitoring room, which shows Peer-to-Peer transfers happening in real time on networks using the BitTorrent protocol. The installation produces an arbitrary cut-up of the files currently being exchanged. This immediate and fragmentary rendering of digital activity, with information concerning its source and destination, thus depicts the topology of digital media consumption and uncontrolled content dissemination in a connected world."
It's called "The Pirate Cinema." No relation..
During a visit to the (incredible) new Exploratorium in San Francisco, I was captivated by Carson "Kit" Davidson's "One Hundred Watts 120 Volts," a 1972 short film where the manufacturing of Duro-Test light bulb is presented as a ballet for Bach's Brandenburg concertos. "One Hundred Watts 120 Volts" (Archive.org)
A TV news station in Portland, Maine was preparing to report on a man with dementia who had been missing when the fellow walked up behind the reporter. "Elderly Man With Dementia Goes Missing in Maine, Found by Local News Crew"
The always-excellent Midnight Archive visits artist and Oddities host Ryan Matthew Cohn and his massive collection of skulls, shrunken heads, and other curiosities.
And if you don't know, now you know.
Here's the video of "It's not a fax machine connected to a waffle iron," the talk I gave at the Re:publica conference in Berlin this week: "Lawmakers treat the Internet like it's Telephone 2.0, the Second Coming of Video on Demand, or the World's Number One Porn Distribution Service, but it's really the nervous system of the 21st Century. Unless we stop the trend toward depraved indifference in Internet law, making – and freedom – will die."
re:publica 2013 - Cory Doctorow: It's not a fax machine connected to a waffle iron