Here's a cool installation: "The project is presented as a monitoring room, which shows Peer-to-Peer transfers happening in real time on networks using the BitTorrent protocol. The installation produces an arbitrary cut-up of the files currently being exchanged. This immediate and fragmentary rendering of digital activity, with information concerning its source and destination, thus depicts the topology of digital media consumption and uncontrolled content dissemination in a connected world."
During a visit to the (incredible) new Exploratorium in San Francisco, I was captivated by Carson "Kit" Davidson's "One Hundred Watts 120 Volts," a 1972 short film where the manufacturing of Duro-Test light bulb is presented as a ballet for Bach's Brandenburg concertos. "One Hundred Watts 120 Volts" (Archive.org)
A TV news station in Portland, Maine was preparing to report on a man with dementia who had been missing when the fellow walked up behind the reporter. "Elderly Man With Dementia Goes Missing in Maine, Found by Local News Crew"
Here's the video of "It's not a fax machine connected to a waffle iron," the talk I gave at the Re:publica conference in Berlin this week: "Lawmakers treat the Internet like it's Telephone 2.0, the Second Coming of Video on Demand, or the World's Number One Porn Distribution Service, but it's really the nervous system of the 21st Century. Unless we stop the trend toward depraved indifference in Internet law, making – and freedom – will die."
Hog Pog Vox Wah Ocatave Multiplexer Big Muff Memory Man Boss Chromatic Tuner Polyphase MicroSynth Frequency Analyzer Voice Box Electric Mistress Freeze Tube ZipperCheck out the behind-the-scenes video below!
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LA video artist Michael Haussman recorded human bodies bouncing up and down at 2000 fps, synching the camera to the movement so that the people appear to be standing still while gravity mercilessly attempts to separate their meat from their bones. Add in some spooky music and it's like watching someone in the first stages of being torn to shreds by angry, invisible poltergeists.
This slow motion study reveals the shocking effects of gravity upon our body. What is normally missed in the blink of an eye, is poetically recorded in extreme slow motion, as gravity takes hold and pulls the body down to earth, causing the skin, cellulite, muscles and facial expression to sag down, with a weariness, as if the subject has suddenly aged thirty years. It appears like a special effect, the force ripples from the legs up, turning the body wrinkled and saggy, with a worn, older face that is defeated and depressed. Then the exact opposite effect and emotion overcomes the subject as they are made weightless and set free. We observe the body becoming youthful, rejoicing in it’s expression and flawless skin texture, as it sores away from the earth. All physical and emotional expressions seem to float effortlessly upward in a positive, beautiful direction.
A shape-shifting extraterrestrial was on President Obama's security detail during his APIAC speech on Sunday. Above is video evidence. And once you have been convinced, you may want to visit the video's YouTube page for valuable information about Jesus, Satan, cures for Cancer, and that "smoking is of the devil." "OBAMA ALIEN demon UFO ghost 666 devil SECRET SERVICE"
Ten years ago this week, the US invaded Iraq and experimental filmmaker Bob Jaroc started a month-long recording of CNN that he later time-lapsed. The resulting stream of past current events, seen above, appeared on the 2006 collaborative album/DVD Jaroc released with electronic music duo Plain, titled "Greedy Baby," and in Plaid's live shows.
We featured Django Django's first single over a year ago. The record came out in the U.S. in October and is still going strong. "WOR" is their 7th video from their self-titled debut, and is a mesmerizing peek into the lives of daredevils drivers at a fair in Allahabad.
Go see the band live - they're fun, charming,extremely talented and have the biggest tambourine you've ever seen. I highly recommend it - tour dates here.
The sets will be much more than just two guys with two turntables and a microphone, and will involve live generative visual art, live drum machine programming— they sound like they'll really be something special.
Hugh sez, "Apparently DHS checkpoints nowhere near the border are a new thing. This video cuts together recordings of such encounters and citizens' polite refusal to answer questions."
Top quote: "Am I being detained?"
Checkpoints (some would say illegal checkpoints) have been popping up quite frequently in the USA. As you see in this video, you DO NOT have to comply with their question's or demands. Don't forget, you have rights.
I somehow missed the fact that Charlie "Black Mirror" Brooker's brilliant, sweary, hilarious show Weekly Wipe had returned for a third season. It's the latest iteration of several different Brooker projects in which he sits on his sofa and shouts at his TV in the most amazingly entertaining way. Huge whacks of it are on YouTube, and every episode is pure glod (and oh, God, the bits where he reads awful online comments about bad TV moments aloud!).
Here's 53 minutes' worth of Soviet commercials from the 1970s and 1980s, produced by what's billed as the USSR's sole advertising agency:
In 1967, Estonia was founded the creative association "Reklamfilm Estonian / Eesti reklaamfilm" - the only one at that time in the Soviet Union studio, specialized in production kinoteleradioreklamy and "representational" commercials on the orders of the enterprises of trade, industry, services and amenities, colleges, vocational schools , traffic police and other organizations in the Soviet Union, this company for the production of television commercials was the work of a new and at that time quite bold. But among Estonian documentary was a very energetic person - Eedu Ojamaa. It was he who was able to implement such a complex idea in the USSR State Committee for Cinematography. "Estonian Reklamfilm" soon became the largest advertising company of the Soviet Union. He released a year nearly 350 commercials, and also created a lot of documentaries. The company has been amended in Leningrad and Moscow and Riga branch of executed orders for the Union. Among the customers were and Finnish companies. Until 1992, the "Estonian Reklamfilm" took more than 6,000 commercials and movies.
It is clear that under socialism, the absence of private ownership and competition television advertising had a slightly different look and pursued a very different purpose. The director, advertisers still did not have the strict limits and constraints, which are now exhibited customers promotional TV program. So they used all their creativity to create a bright memorable quality product.
For objective reasons, most subjectively and commercials, produced by the company, did not survive. This anthology - a collection of the private collection of Harry Egipta - a former director and screenwriter "Estonian Reklamfilma", called his colleagues "Norshtein advertising" for unusual associative moments in his work similar to the work of the author of "Hedgehog in the Fog". Credo Egipta in television commercials - catchy individual style fast in those days "video clip" assembly, original music and songs, and of course, beautiful women!
SOVIET ESTONIAN COMMERCIAL (Thanks, Fipi Lele!)
Constellation Tatsu is a music "micro-label" based in San Luis Obispo, California. San Luis Obispo is nicknamed SLO (for its acronym and lifestyle) which fits rather nicely with Constellation Tatsu's lovely ambient, drone, psychedelic offerings. I also appreciate that they keep prices down and the lo-fi aesthetic up by keeping physical releases relegated to tape, in the form of cassettes and, yes, VHS. Stream everything for free to see what you dig. Then you can order a variety of individual products or combo-packs like the "January Batch" that includes 4 cassettes, 1 VHS tape, and digital downloads of the music for $20. The blown-out, color-drenched clip above is from the duo Looks Realistic's "Where Does It Come From?" audio and video project that's included in the January Batch. Constellation Tatsu's "January Batch" (via OMG Vinyl)
12-year-old Lauren Rojas and her dad, Rod, built a balloon-lofted Hello Kitty space-capsule for her science fair project in Antioch, CA, and launched it 17 miles above the Earth's surface, recording its journey with video cameras and various sensors. The video is spectacular, especially the moments right before and right after the balloon burst and the parachutes deployed.
“We spent about one month planning and executing it,” he said. “We used a company called High Altitude Science in Colorado to get the equipment, the weather balloon and flight computer.”
Lauren and her father mounted small video cameras on their rocket-shaped gondola to record Hello Kitty’s journey. The balloon reached an altitude of 93,625 feet (17.73 miles), Rojas said. There, the air was so thin that the balloon burst, sending Hello Kitty from the sky. It landed in a tree 47 miles from the launch site, according to Rojas.
Girl Launches Hello Kitty Doll Into Space [Katie Kindelan/ABC]
Mennyi made a video in which he performs "Ode to Joy" by kicking broken plates around under an overpass of some kind. I suspect trickery, but in the service of a very good cause.
Shard football: Ode to Joy (Thanks, mennyi!)
Tristan sez, "Open Source Ecology founder Marcin Jakubowski and the OSE team explain the philosophy behind their work and the open source movement as a whole. We're always looking for remote collaborators to pick up and run with our designs. If you're interested in building or improving on our work, please visit the OSE wiki."
Last week, deejay Jimmy O'Neill died at his home in West Hollywood at age 73. O'Neill was a central figure in hippie culture, and he got a pretty raw deal from The Man for his efforts. O'Neill was host of the enormously popular teen music show Shindig!, then used his clout to open a nightclub called Pandora's Box on the Sunset Strip and book his favorite acts. This led to massive throngs of teens and traffic on the strip, and soon the killjoys descended. The city hastily enacted a series of loitering and curfew laws targeting teenagers. The footage in this clip from November 12, 1966 shows what happened next.
In what would become a template for youth resistance, young people gathered at Pandora's Box to defy the 10pm curfew. The riots kept growing, and the panicked L.A. City Council quickly moved to condemn and demolish Pandora's Box, which they ultimately did in 1967. The incident inspired many songs, including Buffalo Springfield's anthem “For What It's Worth," often interpreted as an anti-war song. The young people who witnessed this injustice, including Peter Fonda, Phil Proctor, and Jack Nicholson, came away with renewed resolve to fight even bigger political battes.
A fellow was purportedly recording a police chase on TV when the chase went right by his house. In the comments thread on a much longer video of the chase, a commenter says that at 13:05, you can see the fellow looking out his window (screengrab at right).