Warialasky's trailer for a big-budg apocalyptic science fiction movie based on Tetris is all too plausible in the era of Battleship: the Movie: "Official Tetris Teaser Trailer. The invasion is beginning. It is inevitable. You created them, you can destroy them! I did not create Tetris, I was but the messenger. Tell me how to stop them. This is an extinction level event. No, don't go! Let her go!"
The Cussing Channel has produced a Dark Knight Joker supercut, featuring all the on-camera Heath Ledger scenes. It rather stopped me in my tracks -- Ledger really put in an astounding performance, something that is underlined three times in red by ten straight minutes of Ledger doing his thing.
Rules: Just The Joker, just the on-camera dialogue. Now, there are many shots in this film over the Joker's shoulder, with the focus on the character he's talking to... those lines didn't make it... only the clips where the Joker is the focus of the shot (otherwise this becomes a 30-minute affair).
Celeste Kidd from the University of Rochester writes in with news of a new study on PLoS One, which attempts to quantify the amount of stimulus that is optimal for amusing and engaging babies:
This video discusses the results of eye-tracking study we recently did at the University of Rochester that explains how babies organize their search for information in the complex world (and thus make their learning process much more efficient). The findings suggest infants look away from experiences that are either overly simple (and thus contain no new information from which to learn), or overly complex (and thus too overwhelming to learn from efficiently).
Infants in the study reliably preferred scenes that contained just the right amount of information--that is, those that were a little bit, but not too, surprising. We dubbed this attention pattern the "Goldilocks effect". These findings could have broad implications for human learning at all ages, and we hope the research will facilitate the development of more effective educational policies and diagnostic tools for attention-related
disabilities (such as ADHD and autism).
Also important, especially for parents and teachers, is the fact that this study demonstrates that the same response--namely, disinterest or boredom---may result from two different, entirely opposite mechanisms. Children are likely to become disinterested if the learning material is either too simple, because the material is either already known or may be picked up and understood quickly; however, they'll also show that same response of disinterest if the material is overly complex, likely because such material is just too overwhelming.
In case you need an antidote to commencement speeches that tell you to follow your dream to attain success, here's Bobcat Goldthwait's 2009 Commencement address to Hampshire College, in which he exhorts his listeners to abandon success and never stop quitting (and then he says that doing this made him happy and successful). The good stuff starts around the 10-minute mark. Around 14:30, he reminds them all to bathe. It's actually a very nice talk.
Spoiler is an independently produced 17-minute horror/science fiction movie that illuminates the kinds of cold equations that have to be solved in pandemic outbreaks. In this case, it's the story of the coroners who keep the zombie plague under control after it's been beaten back. It's a good twist on the traditional zombie movie, and hits a sweet spot of sorrow and horror that you get with the best zombie stories.
The zombie apocalypse happened -- and we won.
But though society has recovered, the threat of infection is always there -- and Los Angeles coroner Tommy Rossman is the man they call when things go wrong.
Last summer, Hifijohn successfully turned a giant jawbreaker on his lathe, making a beautiful, striped and striated shot glass (or egg cup) out of it: "My third attempt at turn a giant jawbreaker. I put some of my guitar playing songs to make the video a little bit more enjoyable."
These delightful boxing felines were equipped with miniature boxing gloves and set to brawling by none other than legendary douchebag Thomas Edison, as a means of promoting his newfangled moving picture device in 1894.
When Canada's Lemon Bucket Orkestra -- a swinging klezmer act -- got stuck on Air Canada flight 876 at the start of their Balkan Station Romanian Tour 2012, they treated the fliers to a fabulous impromptu performance. Here's Lemon Bucket's origin tale:
The band grew out of a conversation between a Breton accordionist and a Ukrainian fiddler in a Vietnamese restaurant on Yonge Street. Mark Marczyk had just spent two years in Ukraine playing with the urban folk band Ludy Dobri while Tangi Ropars had returned to his place of birth after a lifetime of Celtic folk. They soon discovered that others, too, were craving the energy of Eastern European fol...See More
The Lemon Bucket Orkestra is Toronto’s only Balkan-Klezmer-Gypsy-Party-Punk Super-Band.
Tom Quinn sez, "A gecko struggles with the low van der Waals forces encountered when climbing a non-stick pan." Here's a Google Translate of the French description on the video:
We conducted an experiment with a gecko on a Tefal frying pan, that is to say, a pan made of Teflon. The gecko, despite numerous attempts fails to climb onto the stove, it proves that it not adhere not in this matter.
Upcoming Appearances • April 2 at Skeptics in the Pub, Boston, Mass.— 7:00 pm at Tommy Doyle's in Harvard Square. Please RSVP. •April 4 at MIT: "Shedding Light, Online", a discussion about how blogging and a dynamic audience helped shape my book, Before the Lights Go Out—4:00 pm in Maseeh Hall. Please RSVP. • April 6 at Carnegie Mellon University: More details to come
• April 9-13 at University of Colorado, Boulder: 64th Annual Conference on World Affairs • April 10 at Colorado State University, Fort Collins: "Putting the Fun Back in Infrastructure"—3:30 pm in the Rocky Mountain Innosphere. • April 19 at The Bakken Museum in Minneapolis: Book Launch Party! Come enjoy snacks, a presentation by me, and some fun with the Bakken's Leyden jar.
• April 21 at Science Museum of Minnesota, St. Paul: Earth Day Tweetup event with Will Steger and Sean Otto—events run 10:00 am to 2:00 pm.
• May 2 at University of California, Berkeley: "Putting the Fun Back in Infrastructure"—6:00 pm, location TBA.
• May 3 at the American Institute of Architects, San Francisco Chapter—Lunchtime lecture, time and location TBA.
• May 3 at Barnes and Noble, El Cerrito, Cali.—7:00 pm.
• May 30 in New York City—Panel on local and DIY energy with the New America Foundation
• June 22-25 in Aspen, Colorado: Aspen Environment Forum • July 5-8 at CONvergence in Minneapolis, Minn.—exact times and dates TBA
When we talk about energy, we often talk about it in very disconnected ways. By that, I mean we talk about new renewable generation projects, we talk about cleaning up dirty old power plants, and we talk about personal decisions you and I can make to use less energy, or get more benefits from the same amount.
What we fail to talk about is how all those ideas fit together into a coherent whole. And that matters, because our energy problems (and our energy solutions) are about more than just swapping sources of power or making individual choices. We have to fix the systems, not just the symptoms.
Back in April, I got to go on Minnesota Public Radio's "Bright Ideas" to talk about my book, Before the Lights Go Out. Now MPR has the entire hour-long interview up on video. You can watch the whole thing if you want. But, if you're short on time, I'd recommend the stretch from about minute 8:30 to 10:50. That's where I explain in more detail why systems—infrastructures—are so important and why we can't solve our energy problems without focusing on how choices and sources fit into those larger issues.
Watch that clip, then read this Minneapolis Star-Tribune article about how investments in transportation-oriented bicycle infrastructure have changed the way Minneapolites think about biking and dramatically increased the number of people who choose to bike. I think you'll see some thematic connections.
Your moment of Commie Zen for the day: a big-band lounge-style cover of "L'Internationale," the hymn of the Communist Second International. Assuming that's not to your taste, how about a trance remix industrial dance version.
Our own Ed Piskor's Wizzywig -- a graphic novel that is a fictionalized account of a Kevin Mitnick-type hacker and his run-ins with the law -- will shortly be available as a beautiful hardcover from the good folks at Top Shelf Comix, who put together the excellent book trailer you see above. Here are my reviews of the original single-chapter volumes:
I thoroughly enjoyed reading the first two volumes of Ed Piskor's comic-book historical hacker drama, Wizzywig. Wizzywig is the story of Kevin "Boingthump" Phenicle, a fictional hacker who's part Mitnick, part Poulsen, and part mythological. Boingthump is a preternaturally bright, badly socialized kid who discovers a facility for technology that's egged on by his only pal, "Winston Smith," a would-be Abbie Hoffman who is obsessed with the potential to use Boingthump's discoveries to monkeywrench the machine.
But soon enough, their roles are reversed, as Kevin's relentless pursuit of knowledge and power scares Winston so much that he tries (without success) to put the brakes on Boingthump's crazy ride through the phone system and the nascent Internet. The story blends fiction and fact, dropping in a Blue Box-selling Jobs and Wozniak (Boingthump picks the trunk-lock on their car and steals a Blue Box) and Cap'n Crunch, along with plenty of fictional BBS scenesters and grumpy computer-store owners. The backgrounds are filled with nostalgia PCs -- Atari 400s, Apple ///s -- and old Bellcore manuals.
The illustration and storytelling style reminds me a lot of Harvey Pekar (with whom he's collaborated on American Splendor), jumping backwards and forwards in time, switching points of view, going inside and outside of the characters' heads. The first two volumes are PHREAK and HACKER, with two more (FUGITIVE and INMATE) planned. Piskor prints and sells the comics himself (the books are quite handsome) and he's got extensive free previews online. At $15 each, with all the money going straight into the creator's pocket, what's not to like?