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Behold, the Craven A tin that saved the life of Royal Flying Corpsman Arthur Mann, who was shot down by the Red Baron himself. In a later battle, this tin stopped a bullet and saved his life.
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Rick Kleffel interviewed Ian Tregillis, author of the amazing alternate history Milkweed books, about Nazi X-Men fighting a secret war against British warlocks. Tregillis describes the process by which he came up with the premise, and especially -- and most interestingly -- how he came up with his brilliant treatment for Gretl, a precognitive villain who is pretty much evil personified (MP3).
If you enjoy the irony in the fact that the great East Coast blackout of 2003 was largely caused by a few untrimmed trees, then you're going to love Jon Mooallem's account of how America's squirrels are wreaking havoc on America's electricity system.
Using a Google news alert, he's cataloged 50 squirrel-caused power outages in 24 states — and that's just since Memorial Day. These aren't small outages either. Several of them have cut power to thousands of people at a time. Back in 1994, a squirrel took out the Nasdaq. These are kamikaze raids and they've led to an interesting phenomenon — technology developed specifically to protect our infrastructure from furry, tree-hopping rodents.
Jaimie Mantzel, creator of the Attacknid hexapod robot toys, is kickstarting a kit version that you build and decorate yourself. It looks like a really fun project, and there's an optional toolkit with soldering iron, screwdrivers, etc. The final robot is an RC attack-bot with all kinds of shooting stuff (darts, balls, etc) as well as a custom crane that isn't available for Attacknids. He needs a minimum order of 5,000 robot kits at $77 (and up, depending on options) to get into production.
Journalists and bloggers covering closing arguments in the military trial of Wikileaks source Bradley Manning are reporting a far more intense security climate at Ft. Meade today, as compared to the past 18 months of pre-trial hearings and court proceedings.
@carwinb, @kgosztola, @nathanLfuller, and @wikileakstruck have tweeted about armed guards standing directly behind them as they type into laptops in the designated press area, being "screamed at" for having "windows" open on their computers that show Twitter in a browser tab, and having to undergo extensive, repeated, invasive physical searches.
I visited the trial two weeks ago. While there were many restrictions for attending press that I found surprising (reporters couldn't work from the courtroom, mobile devices weren't allowed in the press room), it wasn't this bad. I was treated respectfully and courteously by Army Public Affairs Officers and military police, and was only grumped at a few times for stretching those (silly) restrictions. I was physically searched only once, when entering the courtroom, and that's standard for civilian or military trials.
But the vibe is very different today in the Smallwood building where reporters are required to work, about a quarter mile away from the actual courtroom. Tweets from some of the attending journalists are below; there are about 40-50 of them present and not all are tweeting. Internet access is spotty today. Oh, wait; as I type this blog post, I'm now seeing updates that they're being told they are not allowed to access Twitter at all. Why has the climate changed so much in the final few days of the trial? What is the Army afraid of?
Inside a small courthouse on the Army base in Fort Meade, Maryland, Army prosecutors are presenting closing arguments in their case against Pfc. Bradley Manning, who leaked hundreds of thousands of government documents to Wikileaks.
According to Maj. Ashden Fein today, the 25-year-old former intel analyst betrayed his country’s trust and handed government secrets to Julian Assange in search of fame and glory, knowing that in doing so, the material would be made visible to Al Qaeda and its then-leader Osama bin Laden.
Brian K Vaughan is best known for creating the wonderful apocalyptic adventure-comic Y: The Last Man. His new project, Saga, is a significant departure from Y in setting and tone, but it is every bit as great -- and a little bit better, if you ask me.
The setup is that two posthuman species -- a moon-dwelling tribe of horned magic-users and a planet-based race of high-tech winged people -- are locked in an endless war that spills out across the galaxy, embroiling all the races of all the planets in a series of vicious, permanent proxy-wars. In the midst of this, Marko and Alana, soldiers from opposite sides of the war, fall in love, desert and have a baby, and kick off a sprawling space-opera as they flee from their respective armies and the bounty hunters they hire.
Vaughan and artist Fiona Staples let their imaginations run wild with this story, giving us a galaxy populated by creature-shop aliens that are somewhere between Duchamp and Disney, a Mos Eisley Cantina times a million. Vaughan weaves a splendid romantic adventure around this, with sweet Nick-and-Nora dialog that never feels forced. But the story transcends mere pace-pounding, and manages moments of sweetness, sorrow, and sentiment that will have you daubing your eyes between laughing and gasping over audacious battles. It's like The Incal, but with a more straightforward (and more self-disciplined) storyline, and it's a reminder that as a visual medium, science fiction has tricks that are just stupendous.
I've just read the first two collections in a single sitting, and they are spectacular. Best of all, they're from Image Comics, who just announced a DRM-free comics store, so you can keep up with the book in print or online without surrendering your right to actually own the comics you buy.
I can't say enough about the visual style deployed in Saga -- check out some of my favorite panels and pages after the jump.
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They show US troops opening fire on a Viet Cong sniper who was firing on the US soldiers with an AK47 automatic rifle. Hensinger kept these photographs private for four decades; he chose to publish them online to commemorate Memorial Day in the US.