When Brian Wood's brilliant America-at-war comic DMZ completed its six-year run in 2012, I wished for Vertigo to bring out a single edition collecting the whole series. They haven't quite gotten there, but with tomorrow's release of DMZ: The Deluxe Edition Book One, they're getting close. The large, beautifully produced, gorgeous hardcover collects the first 12 issues of the comic -- the equivalent of the first two trade paperback collections. A followup collection, due in June, picks up issues 13-28. At this rate, the whole thing will end up in four-to-six books, suitable to being drunk down in one long, engrossing, chilling, thrilling draft.
Here's my synopsis of the setup from my review of the final volume (which was nothing less than brilliant -- Wood really nailed the ending):
If you're just tuning in, DMZ is the story of an America caught in the midst of so many "elective" overseas military adventures that the nation itself crumbles and is gripped in a civil war between a guerrilla force of the "Free United States" and the military-industrial complex, mostly in the form of vicious, private military contractors. NYC is the place where the two forces clash, the "DMZ" where there are many civilians, but no innocents. Matty Roth, the story's hero, is a helper with a news crew for Liberty News, the hyper-patriotic, semi-state-owned propaganda news service. As he arrives in New York, his helicopter is shot down, and he finds himself catapulted into a new role as a boy reporter. From those beginnings, the story unrolls, as Roth discovers the truth of war, becomes the story he is reporting on, and finally falls too deep.
If you're looking for a perfect way to tune into one of the best comics of the 21st century, this volume is it.
DMZ: The Deluxe Edition Book One
Ex-CIA agent Philip Giraldi takes a stab at explaining how his fellow retired spooks -- Democrat and Republican -- can be so comfortable with a president who has given himself the power to order assassinations and a regime where the constitution has been effectively suspended. It's all down to American Exceptionalism: "It's OK when we do it, because we're the good guys
Geoff from BLDGBLOG sez, "A few years ago, I interviewed novelist Sol Yurick, author of The Warriors, for BLDGBLOG -- but a variety of circumstances meant it just sat in my hard drive for the past four years. But after rediscovering the interview in my old files, and after Yurick himself passed away back in January, it seemed like there was no time like the present to publish this, finally."
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James Bridle has released a CC-licensed DIY Drone Shadows handbook (PDF), which explains, in detail, how to make accurate drone-shadow street art in your town/neighborhood. It's part of a larger project around Dirty Wars, a documentary on drone warfare currently touring the UK.
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Tor.com has an excerpt from Work Done For Hire, a new thriller from Joe Haldeman, forthcoming in January. Haldeman is the author of numerous science fiction classics, including The Forever War, and is a titan in the field. Any year with a new Haldeman in it is a good year.
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Natanz, Iran's primary uranium enrichment facility.
"The real program to sabotage Iran's nuclear facilities was far more sophisticated than anyone realized," writes Ralph Langner in Foreign Policy Magazine
Three years after it was discovered, Stuxnet, the first publicly disclosed cyberweapon, continues to baffle military strategists, computer security experts, political decision-makers, and the general public. A comfortable narrative has formed around the weapon: how it attacked the Iranian nuclear facility at Natanz, how it was designed to be undiscoverable, how it escaped from Natanz against its creators' wishes. Major elements of that story are either incorrect or incomplete. That's because Stuxnet is not really one weapon, but two. The vast majority of the attention has been paid to Stuxnet's smaller and simpler attack routine -- the one that changes the speeds of the rotors in a centrifuge, which is used to enrich uranium. But the second and "forgotten" routine is about an order of magnitude more complex and stealthy.
Joe Sacco is a spectacular political comics creator, and has earned a well-deserved reputation for his work on war and conflict with books on Sarajevo and Bosnia, Gaza and Palestine and other modern militarized zones.
But now he's created The Great War, a wordless, gate-folded work on World War One. It's gorgeous and haunting, and beautifully presented in a slipcased hardcover. His publisher, WW Norton, prepared a short documentary on the book and we've got it exclusively (for now). I hope you enjoy it as much as I have.
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The website banner for shahamat-english.com, an English-language website of the Taliban in Afghanistan.
A Daily Beast story about Taliban’s ruling council meeting for peace talks in Pakistan “violates the basic principles of journalism” and is "nonsense," according to the Afghan Taliban. That's not as bad as having your news organization banned on Reddit, but it's still gotta hurt.
The Taliban's critique, below, in full:
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In the video above, Rafiq ur Rahman, a drone strike survivor from Pakistan, speaks at a congressional briefing in Washington, DC convened by Rep. Alan Grayson (FL-09). The primary school teacher spoke with his daughter Nabila (9) and son Zubair (13). One year ago, they were injured in the same drone strike that killed their 67-year-old grandmother, Rafiq's mother, as she was tending crops in her garden.
Kevin Gosztola of Firedog lake attended the briefing, and writes: "It is heart-wrenching to hear a 13-year-old boy say, 'Congressman Grayson, I no longer love blue skies. In fact, I now prefer gray skies. The drones do not fly when the skies are gray,' because this is one of the few times he is not afraid he will be targeted by a drone."
From Kevin's report:
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Behold, the Craven A tin that saved the life of Royal Flying Corpsman Arthur Mann, who was shot down by the Red Baron himself. In a later battle, this tin stopped a bullet and saved his life.
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The front lines shift, not evenly or chaotically, but in punctuated surges: first one way, then the other. [via Kottke]
Drakegoodman scanned this 1917-ish photo of Soviet planespotters in exotic headgear; according to a commenter, the binox are focused at infinity "so that when you found the source of the sound by turning your head, you could see the aircraft creating that sound."
(via Bruce Sterling)
Rick Kleffel interviewed Ian Tregillis, author of the amazing alternate history Milkweed books, about Nazi X-Men fighting a secret war against British warlocks. Tregillis describes the process by which he came up with the premise, and especially -- and most interestingly -- how he came up with his brilliant treatment for Gretl, a precognitive villain who is pretty much evil personified (MP3).
UN investigators confirmed this week that sarin was used in attacks on civilians in Syria, and, at The Guardian, Ian Sample has an interesting story about the history of this poison
, starting with its origins in Nazi Germany. Interestingly, it wasn't originally developed specifically to be used on people. Sarin was an accidental discovery that came out of IG Farben research into new insecticides. Nevertheless, the formula was quickly handed off to the German military. One of the inventors of sarin eventually ended up convicted of war crimes at Nuremberg. He served four years — before being recruited into the US chemical weapons program.
If you enjoy the irony in the fact that the great East Coast blackout of 2003 was largely caused by a few untrimmed trees, then you're going to love Jon Mooallem's account of how America's squirrels are wreaking havoc on America's electricity system.
Using a Google news alert, he's cataloged 50 squirrel-caused power outages in 24 states — and that's just since Memorial Day. These aren't small outages either. Several of them have cut power to thousands of people at a time. Back in 1994, a squirrel took out the Nasdaq. These are kamikaze raids and they've led to an interesting phenomenon — technology developed specifically to protect our infrastructure from furry, tree-hopping rodents.
Pictured: The face of pure evil, a Creative Commons Attribution (2.0) image from binaryape's photostream