In a brand new series for the Webby Awards where I'm editor-at-large, I commissioned the talented comic artist Andy Warner to illustrate the wild history of the Web, from inspiring eureka moments to crackpot ideas that changed the world to fantastic failures.
The first comic in the series is: "Twitter's First Chirps"!
And for more of Andy's work, I highly recommend his absolutely wonderful book just out this week, Brief Histories of Everyday Objects, the illustrated stories behind life’s most common and underappreciated items. Read the rest
This image depicts the most commonly-found stylesheet colors on the web's top sites—Paul Hebert did an amazing amount of analysis and this is just one of the intriguing visualizations he came up with.
Most of these are obvious staples, especially HTML red and blue, though it's interesting how far the blue "cluster" is from the default blue hue, whereas the red cluster merely modifies the saturation and lightness. This might be influenced by various "studies" of the most effective link color.
The odd thing is the popularity of #d2b48c (triggered by the "Tan" HTML color name), which appears to be the single most popular nonblack color after #0000FF (HTML Blue) and #FF0000 (HTML Red). Google uses it somewhere (though I don't see it) Is everyone just following the leader? (UPDATE: see below)
UPDATE: Hebert explains the Tan thing in the comments.
Castles is a fascinating web toy by Nico Disseldorp. Left-click to add a castle to the outside of your castle—and watch as every part of the castle, including the added part, changes to reflect the form of the new whole. Right click to spin it around so you don't go mad. He's made other mind-melting recursion toys too. Read the rest
Pascal Deville loves "beautiful atrocities"—websites that could be described as intentionally brutalist were they not mostly just ugh. Fast Company interviewed him on his love of rough design, strangely compelling as it is in the age of bloated, broken, but very pretty websites.
"I wouldn't call it a protest but a shout-out for more humanity in today's web design," Deville says. He views his site as a bastion for a segment of Internet culture of people who built scrappy websites themselves as opposed to using services with pre-canned templates like Squarespace. "Terms like UX and user friendly don't have a lot of soul or guts and treat everything like a product. They also killed a lot of the web culture, which seems to find a voice on Brutalistwebsites.com."
More from The Washington Post.
Intriguingly, Deville has found in his Q&As with coders and designers that few set out to mimic this newly popular aesthetic; instead, they all arrived at the same point out of a drive to create something original.
“[Brutalism] is interesting to me … because it doesn’t necessarily have a defined set of aesthetic signifiers,” said Jake Tobin, the designer behind trulybald.com. “What defines those signifiers is decided by the platform it’s built on.”
There is, finally, a Read the rest
In 1994, among the reasons Microsoft started a website was to put its growing Knowledge Base online. At the time, the company managed support forums for customers on CompuServe, one of the earliest major Internet dial-up service providers.Read the rest
“We had started to build up a community there; people would answer questions for each other,” recalls Mark Ingalls, a Microsoft engineer in 1994 who would become Microsoft.com’s first administrator. He was also the only website employee at that time, other than his boss. But the staff doubled early on, when Steve Heaney was hired to offer vacation relief, Ingalls says.
In terms of “Web design,” the notion, much less the phrase, didn’t really exist.
“There wasn’t much for authoring tools,” Ingalls says. “There was this thing called HTML that almost nobody knew.” Information that was submitted for the new Microsoft.com website often came to Ingalls via 3-1/2-inch floppy disks.
“Steve Heaney and I put together PERL scripts that handled a lot of these daily publishing duties for us,” he says. “For a while, we ran the site like a newspaper, where we published content twice a day. And if you missed the cutoff for the publishing deadline, you didn’t get it published until the next running of the presses, or however you want to term it.”
AUSTIN—The knight who invented the World Wide Web came to SXSW to point out a few ways in which we're still doing it wrong.
Tim Berners-Lee's "Open Web Platform: Hopes & Fears" keynote hopscotched from the past of the Web to its present and future, with some of the same hectic confusion that his invention shows in practice. (The thought that probably went through attendees' heads: "Sir Tim is nervous at public speaking. Just like us!")
But his conclusion was clear enough: The Web is our work, and we shouldn't put our tools down. Read the rest