Diesel Sweeties creator R. Stevens has some advice for Millennials who are having a hard time finding work in the modern economy. It's so simple!
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Hyperbole and a Half, a webcomic that is so funny, manic, and (at times) emotionally wrenching that it deserves its own entire category, has finally spawned a book! The book, subtitled "Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened" reprints many of Allie Brosh's best-loved pieces, and, excitingly, includes some all-new work which I can't wait to read. Brosh is unlike anyone else in the field today, an Internet-era treasure, an unexpected wonder of the 21st century. I don't know how she does it, but I'm delighted to have ordered my own copy, and was fascinated by this interview with Wired's Laura Hudson:
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In 1989, I was an Ascended Anime Fangirl: I was picked to be the vice-president of General Products USA, the American merchandising arm of the notorious Japanese animation studio Gainax, best known for the sci-fi anime Evangelion.
I was working with the people who'd made an astounding amateur video set to ELO's "Twilight" and less than five years later were pro and making a chain of cult hits. Ascended fanboys. My people.
My people who took me on a year-long trip down a rabbit hole of reality.
The latest of The Oatmeal makes a pretty compelling case for hating Christopher Columbus, whose achievements ("discovering" America, sailing from Europe to America, proving the curvature of the Earth) are all BS. More importantly, though, is what Columbus did do: launched a campaign of genocide in order to terrorize indigenous people gold-mining slavery, a program buoyed up by mass slaughter, mutilations, and systematic sexual slavery of girls as young as nine or ten.
Matthew Inman, the Oatmeal's author, proposes celebrating the life of Barolome de las Casas, who also set out to slave and murder his way through the New World, but changed his mind, took the cloth, and spent 50 years defending indigenous people. That's a nice idea, but if we're going to celebrate the struggle of indigenous people against genocide and slavery, maybe the right people to celebrate are the indigenous heroes and victims of Europeans, not Europeans who thought better of the unconscionable, no matter how thoroughly they repented.
Inman cites Howard Zinn's excellent People's History of the United States as a primary reference for the piece, and I concur: Zinn's work and those derived from it (like the graphic novel and the audio of dramatic readings) are important and fantastic works.
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Today on a very special Diesel Sweeties webcomic installment, an important dialog for coffee-drinkers to practice with their faithless peers.
Egypt Urnash sez, "'Decrypting Rita' is a SF comic I've been working on for the past couple years. It's about a robot lady who's dragged outside of reality by her ex-boyfriend; she's got to pull herself together across four parallel worlds before a hive-mind can take over the entire planet. It's a slickly-drawn story that plays around with narrative in ways only comics can do; those four parallel worlds run beside each other on the page, twining around each other in various ways."
It's a damned good read, but I had trouble with the type-size on my laptop display -- maybe one to save for your bigger screens.
Rich Stevens from the wonderful Diesel Sweeties webcomic has released a new collection of music-themed strips called I'm a Rocker, I Rock Out. The Venn diagram above (available as a t-shirt, of course) pretty much nails Stevens's theme and humor here: a dry and extremely funny look at the strange relationship between taste, art, music, culture and identity. I laughed my ass off (when I wasn't wincing at foibles I recognized in myself). The thematically linked strips are a great idea -- reminds me of the old MAD Magazine anthologies. Below, some of my favorites from the book.
Today's XKCD strip, Reassuring, wittily illustrates Kevin Kelly's Seven Stages of Robot Replacement, which start with "1. A robot/computer cannot possibly do the tasks I do" and heads toward "5. OK, it can have my old boring job, because it’s obvious that was not a job that humans were meant to do."
Be sure you go to the original for the tooltip punchline.
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Delilah Dirk and the Turkish Lieutenant is a new graphic novel extending the adventures of Tony Cliff's beloved, swashbuckling webcomics heroine Delilah Dirk. Set in 1908, this volume opens with the hapless Lieutenant Erdemoglu Selim reporting to the sultan about the new prisoner he's just gotten through questioning: a woman adventurer who claims to be the daughter of a British diplomat, skilled in many of the world's swordfighting techniques, fearsome fighter and adventurer, and expert escapologist.
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If you or someone you love is contemplating an "Internet Detox," Diesel Sweeties has some important perspective for you.
XKCD's Randall Munroe brings the funny in an especially intense and eeeevil way with the latest strip: Anti-Glass.
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A week ago, Randall Munroe finished "Time", XKCD's long, running, slow-updating, 3,000+ frame comic telling the story of two people who discover an impending superflood that would destroy their society. Randall's explained in detail what was going on there, from the geology of the thing (it's set millennia in the future, amid a civilization denied the ability to jumpstart itself by the paucity of remaining fossil fuels, and the flood is modelled on a real event that sealed off the Mediterranean Sea five million years ago) to the fictional language the upland culture speaks (designed by a linguist, and still mysterious).
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Randall Munroe has finally finished Time, his 3,000+ frame slow-motion animation that began life as wordless, enigmatic single-panel XKCD installment. Since then, the panel has been slowly, slowly updating itself, running out its course over several months. Geekwagon has collected the whole series in an easy-to-control window, and the story, taken as a whole, is a beautiful and odd existentialist parable touching on the discovery of geographic knowledge; cultural first contacts; environmental disaster, friendship and ingenuity. (Thanks, @dexitroboper!)
Humble Ebook Bundle reveals second week bonus books: XKCD, Gaiman/McKean, Holly Black & Machine of Death!
The Humble Ebook Bundle -- a two-week, pay-what-you-like, DRM-free ebook sale -- has just revealed the four bonus books in week two: XKCD Volume 0 by Randall Munrow; Signal to Noise by Neil Gaiman and Dave McKean; Poison Eaters and Other Stories by Holly Black and the bestselling Machine of Death anthology. To get these bonus titles, you have to pay more than the present average for the books (if you bought already and paid more than the average at the time, these books are already yours to download, otherwise, you can top up your payment to get them). Remember, you can also buy the bundle as a gift-code to give to a friend!
(Reminder: the Bundle also includes Peter Beagle's The Last Unicorn; Wil Wheaton's Just a Geek; Lois McMaster Bujold's Shards of Honor; Robert Charles Wilson's Spin, Cherie Priest's Boneshaker and my Little Brother)
Today's XKCD, "The Pace of Modern Life," is a lovely collection of 19th century and early 20th century quotations about the hurried pace of modern life, the atomisation and trivialisation of knowledge thanks to modern media, the disobedience of children (again, thanks to modern media) (this topic was a favorite of Socrates's!) and other hand-wringing editorial subjects frequently chosen by modern critics of the Internet age. A great companion piece to Tom Standage's wonderful catalog of moral panics through the ages.
Carl sez, "Remember Digger, Ursula Vernon's Eisner award nominated/Hugo Award winning webcomic about a wombat searching for a way home? Publisher Sofa Wolf has launched a Kickstarter for an all-in-one omnibus edition. It's currently available in six individual volumes or free online, but this will put it all in one convenient book. Plus it's the first kickstarter to offer a wombat-sized pickaxe as a reward (in foam or metal)."
Digger Omnibus (Thanks, Carl!)
Oh Joy Sex Toy is a weekly webcomic that features reviews of sex toys, porn, pinups, sex clubs -- basically, the whole pervy gamut. It is written and drawn with such gosh-darn sweet enthusiasm by Erika Moen (with the occasional guest-shot from husband Matthew, who provides a dude's perspective) that even if your tastes are tamer than Moen's, I think you'll find it a perfectly wonderful read.
Oh Joy Sex Toy - Introduction [NSFW] [Duh]
(Thanks, Fipi Lele!)
Kaja and Phil Foglio have launched a Kickstarter to fund the printing of volume 12 of the wonderful Girl Genius webcomic, and to reprint the older books. These are multi-award-winning, independent steampunk delights, and $30 gets you "an actual, dead-tree, SOFTCOVER copy of Girl Genius Volume 12: Agatha Heterodyne and the Siege of Mechanicsburg. 192 pages in full color. Shipped to you by means of one of the largest government agencies on Earth!"
Printing the actual books is our biggest single expense. The first print run of a typical volume costs in excess of US$25,000. If that seems high, you must remember that we print eight thousand of them, and they usually run to around 120 pages. Our latest volume, number 12, will be even more expensive, as it comes in at 192 pages, and we’ll be printing nine thousand of them, because eight thousand wasn’t enough last time. Exciting? Yes, but one can’t pay the printer with excitement.
We also have to ship the books. Actually, we have to ship them twice. Once from the printer to the fulfillment center, and once again from the fulfillment center to the customer. And whether a book is shrink–wrapped with thousands of its friends onto a pallet and loaded into a truck, or carefully packaged for individual shipping, several thousand pounds of books cost serious money to transport.
It's got a short fuse on it because they want to get the books in hand in time for San Diego Comic-Con. Act now!
Girl Genius Volume 12 Printing and Reprint Frenzy!
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Stefan Jones sez, "Web comic master Patrick "Electric Sheep" Farley switches styles with frightening ease. The First Word, an enigmatic story about australopithecine, was done in lovely photorealistic CGI. His new work, Steve and Steve, is sharp line art with sepia-tones. It's about . . . Steve and Steve. Jobs and Wozniak, BSing about evolution, witchcraft, and the cold war under the skeleton of a ruined geodesic dome. I hope he can keep this one going."
The amazing and wonderful Hyperbole and a Half is back, with the long-overdue continuation of the 2011 post on depression. This isn't an entirely upbeat post (as you might expect), but it is every bit as indispensable and smart and great as the previous entries. And it's an ultimately hopeful one, too.
And that's the most frustrating thing about depression. It isn't always something you can fight back against with hope. It isn't even something — it's nothing. And you can't combat nothing. You can't fill it up. You can't cover it. It's just there, pulling the meaning out of everything. That being the case, all the hopeful, proactive solutions start to sound completely insane in contrast to the scope of the problem.
It would be like having a bunch of dead fish, but no one around you will acknowledge that the fish are dead. Instead, they offer to help you look for the fish or try to help you figure out why they disappeared.
Today's XKCD really tickles me. "Is It Worth the Time?" is a handy chart showing how much time you can invest in automating any recurring task in order to save time, on balance, over five years. I am an inveterate automator of recurring task, always looking for ways to shave seconds.
On the other hand, I think I'd halve the figures Randy gives in this chart, because many of the routine tasks you automate will change in some significant way in less than five years and require further work. Also, the chart fails to account for the losses in innovation and serendipity you suffer when you over-optimize a routine task so that you effectively can only do it in one highly constrained way.
Finally, there's the opportunity cost of clearing a relatively scarce large block of time to spend on automation, which may be a better bargain than giving the task more time overall, where that time comes out of a pool of more abundant small snips of time.
In other words, a five day block of time given to automating a task might cost more (that is, might crowd out more productive work) than ten half-day blocks of time or 40 one-hour blocks.
Still: this is crack for me.