Owl Turd's most recent webcomic, We Go Forward, has a surprising barb hidden in its lighthearted parable about life considered as a side-scroller. It brought me up sharply this morning when I read it, and I can't get it out of my mind. Read the rest
With Law Comics, Cambridge law PhD candidate Julia Powles and illustrator Ilias Kyriazis are creating a masterclass in thorny issues of law...in webcomic form! Read the rest
David writes, "Inspired by classic pulp novels, old-time radio broadcasts and Saturday morning cartoons, Harvey Award Winning Creators David Gallaher and Steve Ellis have created the young adult webcomic The Only Living Boy. The series presents the adventures of Erik Farrell, a 12-year old who just might be the last human alive. Gallaher and Ellis first collaborated seven years ago on the award-winning series HIGH MOON." Read the rest
XKCD creator Randall Munroe has announced that Houghton Mifflin will collect his amazing What If? science columns into a book called What If?: Serious Scientific Answers to Absurd Hypothetical Questions, to be published in September 2014. It will include in-depth answers to questions that he hasn't yet answered online, as well as expanded and updated versions of his previous columns.
What If? is one of my Internet must-reads, and I look forward to each new installment, and always read it with delight. Read the rest
Carol writes, "After a much-needed break, this week Phil & Kaja Foglio started up a new story arc on their multiple-Hugo-award-winning 'Girl Genius' comic series. This new story arc is a good place for new readers to jump in, as Agatha Heterodyne sets out on a new adventure. 'Girl Genius' is a long-form series, with three new full-color comic pages posted on the site each week. Updates appear on Monday, Wednesday and Friday. 'Girl Genius' has been running since 2001, following the gaslamp fantasy adventures of Agatha, the titular girl genius mad scientist."
I love this stuff. Here's my review of the novel version of the story.
In Now, the latest XKCD cartoon, Randall Munroe provides a handy, continuously updated way to visualize the current time all over the world. I happen to know that Munroe is an inveterate long-distance driver who likes to pass the hours on the road by calling friends; I imagine that a wheel like this would be handy for helping him figure out which continent he should be searching for in his address-book in order to find conversational partners at any hour of day.
The latest installment in Randall Munroe's XKCD "What If?" series is called Paint the Earth and it is amazing. One of Munroe's readers wanted to know "Has humanity produced enough paint to cover the entire land area of the Earth?" and Munroe uses this as a springboard for explaining Fermi estimation, a powerful, counter-intuitive tool that has applications in many fields. Read the rest
In Frequency, the latest XKCD cartoon, Randall Munroe has assembled a grid of animated GIFs representing various events in the universe, each keyed to blink in the frequency in which they occur in reality. As with the best of Munroe's work, it's a mix of the trenchant and the silly, and the juxtapositions are smart and provocative. There's real genius in putting "50,000 plastic bottles are produced" and "50,000 plastic bottles are recycled" next to each other, the former blinking much more often than the latter -- but the best part is "A Sagittarius named Amelia drinks a soda," just above them, mixing up the alarming and the humorous.
The other juxtapositions are just as delicious -- one birth/one death; China builds a car/Japan builds a car/Germany builds a car/US builds a car/someone else builds a car; someone buys "To Kill a Mockingbird"/someone's cat kills a mockingbird -- and so on. This being XKCD, you can be sure that Munroe has an absurdly well-thought-through process for establishing and documenting his numbers, too.
Back in October, I predicted that I would love the long-awaited Hyperbole and a Half book, adapted from Allie Brosh's absolute treasure of a webcomic. One of the highlights of my winter holiday so far has been gobbling up this book as quick as I could cram it into my eyeballs, a task complicated by being frequently convulsed with laughter -- at least when my heart wasn't being torn out.
Britons, take note: Spelling Mistakes Cost Lives has a timely reminder about the London Police's new powers. The new biting powers will be useful alongside the ASBO, detention without charge, the right to seize domain names, illegal harvesting of innocent peoples' DNA, the right to arrest you for reading things that might help terrorists, the right to kettle legal demonstrations, the right to shoot people in the street, the right to beat people standing near demonstrations to death, the right to arrest you for taking pictures that might help terrorists, and all the other legal doctrines that are so consistent with all the invisible words in our "unwritten constitution."
Zack sez, "Jeff Smith of BONE and RASL fame takes to the web with this new webseries about a prehistoric man who becomes the first human to leave Africa. It's colorful and inventive, and very different from his past work -- but with plenty of its charm and suspense."
The Laugh-Out-Loud Cats are the lineal descendants of strips like Peanuts, which mixed extremely contemporary references (in this case, references to Internet slang) with a timeless, childlike humor, and great character design. Pip and Kitteh are eternal hobos on the backroads of the Internet age, shamelessly mixing puns and sight gags in a way that is purely sweet.
As a bonus, this volume is interspersed with the hobo illustrations Ape Lad did for Hodgman's Areas of My Expertise. If you love cute animals, hobos, and Internet humor, you will love The Laugh-Out-Loud Cats.
He “was a true pioneer of webcomics,” retailer and convention organizer Chris Butcher wrote last night on Twitter. Cartoonist T Campbell went more in-depth about Manley’s contributions on his blog, writing, “There was a brief moment, hard to remember now, when webcomics and the Web in general seemed to be unsustainable through advertising. Ad rates were in freefall, panicking artists who, a few years prior, had thought they were more or less set for life. Joey knew how to talk to people, how to bring talent together, and he was the one willing to address the elephant in the room: maybe we needed to change the business model.”Read the rest