"Quaestus" is the latest assemblage from sculptor Jud Turner. He sez,
“Quaestus” is a latin word meaning “gain or profit extracted from work”, a concept darkly represented in my latest sculpture: 5 tiny employees are trapped in an endless task inside a gigantic machine, toiling to keep up with the conveyor belts they are walking on. Each work station has a 2 digit counter which seems to be keeping some kind of score. If the employees don't keep up with the machine, they will fall off the ends of their conveyor belts and be fed to the machine.. The employees actually power this machine, but are unaware and unable to stop moving forward for fear of falling behind.
It's an amazing piece. Click through for hi-rez and details.
I Have been working in the FX industry since 1992. I have contributed to the creation of various creatures, costumes, miniatures, set pieces and props. I have met and worked with some awesome talent and learned something from each of them. I will be showing my own work on this page. These are the pieces I have been making and showing in Gallery's and special venues. The Masks and Helmets are all wearable and incorporate some function. All pieces were created in my home studio. One thing I would like to say to any producers. Please do not look at this as a menu but rather what I have conceptually achieved so far. . . Thanks for viewing.
Phillip Stearns is an artist who commissions blankets and tapestries woven in the USA with glitch-art patterns he generates with broken digital cameras. They're for sale! $200+
Wellington, NZ's Daizy Design is a face-painting studio that does astounding work, as the images here can attest. They also paint pregnant bellies, do custom work for photo shoots, and so on. The 
Drawing a map means understanding our world a bit better. For centuries, we have used the tools of cartography to represent both our immediate surroundings and the world at large—and to convey them to others. On the one hand, maps are used to illustrate areal relationships, including distances, dimensions, and topographies. On the other, maps can also serve as projection screens for a variety of display formats, such as illustration, data visualization, and visual storytelling. In our age of satellite navigation systems and Google Maps, personal interpretations of the world around us are becoming more relevant. Publications, the tourism industry, and other commercial parties are using these contemporary, personal maps to showcase specific regions, to characterize local scenes, to generate moods, and to tell stories beyond sheer navigation.
A new generation of designers, illustrators, and mapmakers are currently discovering their passion for various forms of illustrative cartography. A Map of the World is a compelling collection of their work—from accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations. The featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.
“I’m telling a story about a country and I’m using bunkers as metaphors,” says Galjaard. “Albania is an Eastern country but it wants to be part of the West. It has one foot in each, and the split is sort of unnatural. Albanians still have not found their identity so they struggle with the past, but also struggle with the future. And future for them is being part of Western Europe.”