Are you jonesing for a dose of optimism and possibility? In the mood to contemplate the cosmos? Want to experience a musical message for extraterrestrials the way it was meant to be played? The Voyager Golden Record: 40th Anniversary Edition, a project I launched with Timothy Daly and Lawrence Azerrad, is a lavish vinyl box set containing the contents of the phonograph record launched into space in 1977 and now 13 billion miles from Earth.
Our Kickstarter ends at 8pm PDT tonight (Thursday). Once we fulfill the rewards from this campaign, we'll never produce this deluxe 40th Anniversary Edition again.
We are so thankful enthusiasm and excitement about our project and the incredible Voyager interstellar mission. The curiosity and support is infectious. We're deeply grateful that a project that has been on our minds for so long has resonated with so many people around the world. Ad astra!
For more on the Voyager Golden Record: 40th Anniversary Edition, please visit our Kickstarter page here.
And here's an excerpt from an interview with me about the project, from The Vinyl Factory:
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Ultimately it was a utopian vision for Earth as much as an actual attempt to communicate with extra terrestrials… Wasn’t it?
Yeah I think the idea is that if there is a civilisation that is intelligent enough to actually intercept it, they’ll be able to follow the instructions on how to play it. And I think that’s true. In some ways though, it doesn’t even really matter if it’s ever played or not by an extra-terrestrial civilisation.
My friend Daniel Martin Diaz's exquisite paintings lie at the intersection of science, art, and magic to provoke questions about technology, physics, theories of mind, and the nature of reality. He has an exhibition of spectacular new works opening in San Francisco today at the wonderful science/nature/curiosity shop Paxton Gate. The show is titled titled "Atomic Enlightenment." Indeed. Get illuminated.
Over the past few years, I have become immersed in scientific and philosophical concepts, such as Anatomy, Computer Science, Math, Cosmology, Biology, Quantum Physics, and Consciousness. I have been particularly fascinated with scientific diagrams, which explain theories and properties through imagery. Although these rudimentary images are without any leanings towards aesthetics, I find them to be beautiful, though that is not the intention. All of the projects I have created begin as drawings, which I feel has a beauty and intimacy that painting cannot capture. The subtle lines that graphite creates, and the quickness in which one can capture an idea makes this medium alluring.
BB pal Ariel "Spacehack" Waldman has curated a stellar program for the big DENT: SPACE conference next week (9/21-9/22) in San Francisco! I'm honored to be on the schedule with such amazing people as SETI Institute's Seth Shostak, science writer Mary Roach, The Planetary Society's Emily Lakdawalla, Ars Technica's Annalee Newitz, UC Berkeley planet hunter Alex Filippenko, and so many more fascinating folks! I'll be joining Ariel on stage Thursday at 2:50pm to talk about space history and the intersection of science and art to instill a sense of wonder about the universe, and a far out new project that I'll announce soon. See below on how to get a free ticket! Ariel writes:
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On September 21-22, 2016, Dent:Space takes place at the Innovation Hangar at the Palace of Fine Arts (formerly the Exploratorium museum) with two stages of fascinating speakers spanning the technological, artistic, commercial, scientific, educational, and DIY aspects of space exploration. We’re also putting together an exhibit hall for the conference — kind of a World’s Fair-like set of interactive demos that illustrate the future of space exploration and its many possibilities. We were able to give away 3,000 free tickets to the talks and exhibits, but we’ve run out of room for that. In the interest of keeping it all accessible for as many as possible, tickets are still only $49. But, as a (Boing Boing reader), you can still grab a free ticket here
Dent:Space is a celebration of humans breaking the status quo of who can be involved and what can be achieved in space exploration.
Today marks the Italian publication of "L'arte Di Stupire" ("The Art of Amazement") the new book by Boing Boing friends and collaborators Ferdinando Buscema and Mariano Tomatis whose work is best described as "magic experience design." I've read a draft English translation and it's absolutely fantastic. I can't wait for the eventual publication of the English edition. Here's what I said about the book:
Buscema and Tomatis are modern day mystics who move seamlessly between the realms of science, art, and magic, seeking wonder at every turn. They delight in inspiring us all to cultivate curiosity and embrace astonishment in our daily lives. This brilliant book is an empowering grimoire for hacking reality and giving the gift of magical experiences to others. Read the rest
See those weird, black, spidery things dotting the dunes in this colorized photo taken by the Mars Reconnaissance Orbiter in 2010? Yeah. Nobody knows what the hell those things are.
What we do know about them just underlines how incredibly unfamiliar Mars really is to us. First spotted by humans in 1998, these splotches pop up every Martian spring, and disappear in winter. Usually, they appear in the same places as the previous year, and they tend to congregate on the sunny sides of sand dunes — all but shunning flat ground. There's nothing on Earth that looks like this that we can compare them to. It's a for real-real mystery, writes Robert Krulwich at NPR. But there are theories:
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Scientists from the U.S. Geological Survey, from Hungary, from the European Space Agency have all proposed explanations; the leading one is so weird, it's transformed my idea of what it's like to be on Mars. For 20 years, I've thought the planet to be magnificently desolate, a dead zone, painted rouge. But imagine this: Every spring, the sun beats down on a southern region of Mars, morning light melts the surface, warms up the ground below, and a thin, underground layer of frozen CO2 turns suddenly into a roaring gas, expands, and carrying rock and ice, rushes up through breaks in the rock, exploding into the Martian air. Geysers shoot up in odd places. It feels random, like being surprise attacked by an monstrous, underground fountain.
"If you were there," says Phil Christensen of Arizona State University, "you'd be standing on a slab of carbon dioxide ice.
“At the dead hour of the night, when the world is hushed in sleep and all is still; when there is not a sound to be heard save the dead beat escapement of the clock, counting with hollow voice the footsteps of time in ceaseless round, I turn to the Ephemeris and find there, by calculations made years ago, that when that clock tells a certain hour, a star which I never saw will be in the field of the telescope for a moment, flit through and then disappear. The instrument is set; the moment approaches and is intently awaited—I look—the star mute with eloquence that gathers sublimity from the silence of the night, comes smiling and dancing into the field, and at the instant predicted even to the fraction of a second, it makes its transit and is gone. With emotions too deep for the organs of speech, the heart swells out with unutterable anthems; we then see that there is harmony in the heavens above; and though we cannot hear, we feel the ‘music of the spheres.’” — Matthew Fontaine Maury, in an 1849 presentation to the Virginia Historical Society. Maury was superintendent of the U.S. Naval Observatory.
Read more about Maury and other retro scientists in Caren Cooper's guest posts at the Scientific American blogs.