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Fantasy novel by an eight-year-old

Jaime sez, "In honor of Children's Book Week, I'm sharing a link about a book written by 8-year old Griffin Hehmeyer. His mom tells the story of how Griffin wrote a book, enlisted his friends and classmates for help editing and illustrating it, and eventually published it. The book serves as a model for children interested in creating literature of their own, practicing skills like story-telling, writing, empathy, collaboration, and persistence in the process."

The story was inspired by a make-believe game Griffin had been playing for several years with a good friend of his named Maya. In the game he was the king of the wolves, just like Makamom is in the book. Griffin says of the writing process, “When I first started this book, I had a hard time thinking of ideas. As I got closer to the ending it was easier to think of what to say.”

At the end of each chapter Griffin would read what he had written to his classmates and incorporate their feedback into the draft. When the draft was complete, Griffin and his teacher then spent another month reading through the book and correcting any errors before sending it to me. I think the editing process was the most frustrating part for Griffin, since he was impatient to be done. I had told him we’d print it out and get it bound, so he was excited to have a real book-like copy to enjoy.

By April I knew of the book's existence, but I hadn’t yet read any of it. When I received the completed draft, I was somewhat hesitant to undertake the reading such a large chunk of text written by an 8 year old – even if that 8 year old was my own son. To my surprise, however, the book turned out to be really good. As a colleague said when I shared a draft with him, “The book kept me reading it until the end, in one pass. It is a very interesting, clever, and engrossing story.” I also enjoyed watching my husband read the book to our other three children each night before bed. They laughed and gasped at all the right places, and begged their dada to continue reading well after lights out.

Making the Marakon Ways (Thanks, Jaime!)

Live sf writing workshop with Resnick and Di Filippo

Tony from StarShipSofa sez, "StarShipSofa is hosting a live writers workshop all in video with SF writers Mike Resnick and Paul Di Filippo. StarShipSofa built its reputation by featuring science fiction from the best authors of our time, from living legends whose works have inspired generations to the rising stars of the genre. StarShipSofa's focus on quality science fiction has brought it an enthusiastic worldwide audience as well as the honor of being the first podcast in history to receive the Hugo Award. Who better to host a workshop for aspiring science fiction writers? If you wish to raise your fiction to the next level, join StarShipSofa and its special guests at this exciting workshop." Cory

FAQ: When will your book be made into a movie?

Warren Ellis answers one of the questions most frequently asked of authors: "When will your book/comic/whatever be turned into a TV show or movie?"

FAQ: I don’t get to decide what gets made into a tv series or film. I cannot, I’m afraid, cause people to give me money for things by magic or force of will. Because, let’s face it, if I could, you’d be part of the slave army building my hundred-mile-high golden revolving statue right now.

I’m glad we got that straightened out.

Thank you, Uncle Warren. As always, you've phrased it perfectly.

FAQ: I Don’t Get To Decide What Gets Made Into A Movie Or TV Show

Random House reconsiders and improves the standard contracts in its new ebook imprints

Last week, I wrote about Random House's new all-digital imprints, which offered terrible contractual terms. After a week of bad publicity, Random House has significantly improved its contract, as you can see from this announcement. On Writer Beware, Victoria Strauss has a good summary:

- Authors will now be offered their choice of two options: a re-worked profit-sharing arrangement and a traditional advance-and-royalties deal.

For the profit-sharing arrangement, there's still no advance. But Random House has eliminated all chargebacks for digital editions, so the split between author and publisher is 50/50 of net revenue (actual sales income) from the first copy sold. In other words: no setup costs, no 10% deduction for sales and marketing. For print editions, if they are produced (and this won't be frequent; these are primarily ebook imprints), there will still be a chargeback for actual production and shipping costs (these costs will be fully broken out for the author ahead of time if a print edition is planned). Random House will cover general publicity costs for the imprint, and up to $10,000 of book-specific publicity. Any book-specific PR above that amount will be borne by the author and deducted from net revenue before the profit split--but such expenditures will be optional.

For the advance-and-royalty deal, authors will receive a traditional publishing contract, with the publisher covering 100% of costs. There will be an advance, and royalties will be paid at Random House's standard ebook royalty rate of 25% of net.

- The contract will still be life-of-copyright, but the reversion clause has been improved. As I've explained on this blog and elsewhere, I don't have a problem with life-of-copyright, as long as it's balanced by precise reversion language. That is now the case. Three years after publication, the author can demand reversion if sales fall below 300 copies over the 12 months preceding the demand. p> - Random House will still take both primary publishing rights and subsidiary rights, but performance rights and transformative digital edition rights are no longer included. If Random House wants to acquire these, it will negotiate separately. Random House is also open to negotiation on other subrights.

(via Scalzi)

What's the most utopian fiction of all?

My latest column for Locus, "Ten Years On," looks back on my first decade as a novelist, and speculates about what a difficult utopia might be, and announces my next novel project:

And then I realized I had no idea what novel I’d write next. I have notes for about five books, but none of them feel quite… ripe. The closest is probably a prequel to Down and Out in the Magic Kingdom – it would be awfully nice to check in on those old friends and see what they’re up to after a decade. Down and Out is a utopian novel, modeled in part on Kim Stanley Robinson’s Pacific Edge, a brilliant, absolutely engrossing novel about a zoning fight over a baseball diamond in a small town in a future Orange County where all of humanity’s existential problems have been decisively solved.

Utopian fiction is often characterized as optimistic fiction, because it’s fiction about a future where the existential crisis is behind us – where we know that whatever else transpires, we are likely to survive as a species. Our children and their children will live. Our deeds will not be forgotten. Life will go on.

It’s tempting to say that people who are happy in the midst of peace and plenty are doing nothing much of much. This, of course, isn’t true. Being miserable or happy has as much to do with your internal state as it does with the stuff going on in the rest of the world. Safety and a lack of material want is not guarantee of happiness – indeed, for the traumatized, it’s the quiet moments when the yammering ghosts of past horrors can be heard best.

Ten Years On

Peter Watts talks writing with Trekkers

Jordan sez, "Tuesday, February 26 @ 1pm PST/4pm EST/9pm GMT: Peter Watts, who has been mentioned repeatedly on BoingBoing (beaten and arrested at US border, survived flesh-eating bacteria, etc.!) will be answering questions about writing sf for an online Star Trek role-playing group." Cory

What it feels like to submit a manuscript

Steven Brust nails what it feels like after you send a book in to your editor:

It has now been over an hour since I sent my [email/query/story submission/250 thousand word novel] and I have heard nothing. Nothing. I now understand Lee’s frustration at Gettysburg when Stuart didn’t show up. Has there been a fire? Has someone died? If so, I’d think you could at least drop me a note explaining the delay. It is almost as if there are things you do that don’t involve me. In fact, I could almost believe that I am not the most important person in the world to you. No, I don’t accuse you of that; but can you see how you might be giving that impression?

Have you considered what would happen if everyone behaved the way you are? I would have to learn deferred gratification. And, as you know, deferred gratification is a slippery slope that can lead to me not getting everything I want.

An Open Letter To My Editor

Clarion application time is running out

I'm teaching the Clarion Science Fiction Writing Workshop this summer at UCSD La Jolla -- it's an amazing writing program (I'm also a graduate), and the early application deadline is coming up:

Applications for the 2013 Clarion Workshop are now open and will remain open until March 1, 2013. If you've been thinking about applying, now's the time. On February 15th, the application fee will increase from $50 to $65. Just our way of encouraging applicants to finish sooner rather than later. We've got a wonderful faculty anxious to share the secrets of great writing with a new class of wonderful students, one of whom might be you! Let Andy Duncan, Nalo Hopkinson, Cory Doctorow, Robert Crais, Karen Joy Fowler, and Kelly Link give you the rocket fuel to power your career. If you're accepted, we'll do our best to make it possible for you to attend. Thanks to Clarion's friends and supporters, there is scholarship money for those who need it. In addition to general scholarships, there are special grants for students of color, students age 40 and older, students who are affiliated with Michigan State University, and students who are affiliated with UCSD. Apply now!

Clarion Writers' Workshop at UC San Diego

Best nonfiction stories of 2012

Conor Friedersdorf, the man behind The Best of Journalism e-newsletter, shares his list of "102 Spectacular Nonfiction Stories from 2012," many of which we've linked to from Boing Boing and plenty that we missed! I was delighted that Cory's Boing Boing feature "Lockdown: The coming war on general-purpose computing," made the list. Below are a few others to give you a ease of Conor's taste. Time to load up ye olde e-reader.
NewImageNo. 31
The Heretic
by Tim Doody

For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting.

The Morning News Jul 2012

No. 43
Trigger
by Michael Hall

The life of a guitar.
Texas Monthly Dec 2012

No. 66
How Your Cat Is Making You Crazy
by Kathleen McAuliffe

Jaroslav Flegr is no kook. And yet, for years, he suspected his mind had been taken over by parasites that had invaded his brain. So the prolific biologist took his science-fiction hunch into the lab. What he's discovering now will startle you. Could tiny organisms carried by house cats be creeping into our brains, causing everything from car wrecks to schizophrenia? Inside the emerging science of mind-controlling parasites.
The Atlantic Mar 2012

"102 Spectacular Nonfiction Stories from 2012"

Spider Robinson sings the Beatles

Tony from the StarShipSofa science fiction podcast writes, "On the 26th January Spider Robinson with deliver his live online lecture How To Write Science Fiction... with Spider Robinson over at StarShipSofa. We hooked up just now to sort out logistics. Spider sang the Beatles for me (MP3)... this is why I do what I do!"

Spider Robinson sings the Beatles

Literacy privilege, or, why grammar nazis are dicks

Chandra, a "recovering grammar snob" who works as an English teacher, has a smashing trio of essays on Literacy Privilege -- the invisible privilege that accrues to people who have the facility to write well and clearly, and who have absorbed the "correct" conventions of English. I know I've been guilty of dismissing people because of their grammar/spelling errors (I'm sure I'll make several in this post, BTW, thanks to Muphry's Law), and I've also posted regrettable grammar-mockery in place of rebuttal at times. Even when I was doing it, I knew that it wasn't quite fair or rigorous but Chandra's critique is a good frame for understanding precisely what's wrong with the practice.

One important issue that Chandra doesn't touch on in her essays is the way that this works in languages where an official academy defines formal correctness -- French and German, for example. English is very much up for grabs, thanks to the absence of any final authority over its rules. In other cases, there is a technically correct way of doing things, and an incorrect way -- presumably, this exacerbates the problem.

Literacy Privilege Checklist:

I can easily and safely navigate my way around the city I live in because I understand all of the posted signs, warnings and notifications.
* I can make healthy and informed choices about the products I purchase because I can accurately read their labels and price tags.
* I can safely use pharmaceuticals prescribed to me without having to remember the doctor’s or pharmacist’s instructions because I can accurately read their labels.
* When required to visit doctors, hospitals, government agencies, banks, or legal offices, I do not have to invent excuses to bring paperwork home so that someone else can read it to me. If I live alone, I do not have to expose myself to judgement and ridicule by asking the doctor, nurse, agent, clerk, lawyer or other employee to read it to me.
* I can independently make informed medical, legal, political and financial decisions about myself and my family because I can read and understand important documents.
* I can be sure that my paycheques and bills are accurate because I can read them to check for errors.
* I can acquire a driver’s license and its associated freedoms because I am able to complete the written test for a learner’s permit.
* I can accept invitations to a restaurant without anxiety because I know I will be able to read the menu.

Literacy Privilege: How I Learned to Check Mine Instead of Making Fun of People’s Grammar on the Internet

Literacy Privilege, Part 2: But Wait… You’re an English Teacher

Literacy Privilege, Part 3: A Few Final Points Before I Let This Topic Die

(via MeFi)

Read the rest

SF writers Jim C Hines and John Scalzi dress up as sexy female assassins to raise money for The Aicardi Syndrome Foundation


Science fiction writers Jim C Hines and John Scalzi donned sexy garters, high heels, little black dresses and, um, crossbows, and replicated the odd cover of Vicki Pettersson's "The Taste of the Night," competing to see who could was most credible as a sexy female assassin book-cover illustration lady. They were raising money for The Aicardi Syndrome Foundation, a very good cause indeed. Also, Scalzi wore a wig.

Be sure and click the link below for the backstory that makes this all somehow plausible, to see the mind-searing full-size images, and to learn more about the most excellent fundraiser.

Pose-off with John Scalzi (via Whatever)

How to: Tell time like the ancient Maya

I promised to not speak of Schmapocalypse Miffy Melve on BoingBoing anymore, and I am standing by that. However, I do think that I would be remiss not to point you toward this nifty, interactive version of the Maya's long count calendar system. It does a great job of helping explain the Mayan number system and how those numbers come together to mark important dates. If you're interested in Mayan hieroglyphics, I'd also recommend reading the book A Forest of Kings, which explains how the ancient Maya wrote and what their writing really tells us about their history. Maggie

Live, online Spider Robinson lecture on writing science fiction


Tony Smith from the StarShipSofa science fiction podcast sez, "Spider Robinson will share the sofa for a confidential live online talk full of anecdotes and insights about science fiction, the publishing industry, and his lifelong journey as a reader, writer, and voice of the genre. Don't think of this as a lecture; think of it as a cosy chat with an old friend, one who just happens to be a shining star of contemporary science fiction and who knows all the juicy, meaningful stories you can't find in 'how to' books. See the genre as you've never seen it before, through the eyes of a gifted and generous storyteller and professional. There's room on the sofa for you. Join StarShipSofa as it welcomes Spider Robinson for this one-time-only live event!"

How To Write Science Fiction with... Spider Robinson (Thanks, Tony!)

Clarkesworld is an excellent science fiction pub, its publisher has hit hard times and needs your support


Martin sez, "Neil Clarke over at Clarkesworld SF blog/magazine is ill and just lost his job. John Scalzi has called for uniform support by subscribing to Clarkesworld magazine. It's a highly regarded mag for up and coming sf authors and might need some attention."

I agree with John's assessment. Clarkesworld is a fabulous publication, a labor of love, and something that makes the world a better place. It has been a launching-spot for numerous wonderful writing careers, and deserves your support (and Neil Clarke is a first-class mensch). I just subscribed. You can also donate.

Clarkesworld is an excellent magazine, and it’s also a story market that pays more than the SFWA minimum for professional-level sales, meaning that it’s a good market for writers, too. You can read its content for free on the Web site, but there’s also an option for you to subscribe to the magazine as well, and have it delivered to your e-reader, or to donate to the site to support it.

Today is a Good Day to Subscribe to Clarkesworld Magazine

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