The graphic novel adaptation of A Wrinkle in Time got a rave review here when it first came out in 2012. Two years later, Cory Doctorow re-reads it to his now-six-year-old and discovers fresh delights in a beautiful and fitting tribute to one of literature’s best-loved young adult novels.Read the rest
A stupid, shaming, linkbaity screed against young adult literature in Slate has got lots of peoples' backs up. But reactionary nonsense about children's literature is nothing new, as CS Lewis's classic 1952 essay On Three Ways of Writing for Children (currently available in the excellent collection Of Other Worlds) demonstrates. Lewis demolishes the knee-jerk fear of being caught reading "kids' stuff," and reveals it for what it is: insecurity about your own maturity and seriousness (he also tackles the stupid idea that fantasy literature makes it hard for kids to know what's real):
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I'm honoured and delighted to learn that my novel Homeland has been shortlisted for Canada's Sunburst Award, a juried prize for excellence in speculative fiction. I've won the Sunburst twice before, and this is one of my proudest accomplishments; I'm indebted to the jury for their kindness this year. The other nominees are a very good slate indeed -- including Nalo Hopkinson's Sister Mine and Charles de Lint's The Cats of Tanglewood Forest.
Fresh from the always-great Nobrow Press and comics creator Andrew Rae is Moonhead and the Music Machine, a surreal all-ages graphic novel that tells the coming-of-age story of Joey Moonhead, whose head is a moon, and whose freak-flag is just starting to fly. Cory Doctorow reviews a fine, funny and delightful tribute to album rock, outcast liberation, and high school social dominance.Read the rest
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Neil Gaiman's 2013 young adult novel Fortunately, the Milk was a fabulous tribute to dads and their ability to troll their kids with bald-faced, outlandish lies. It's narrated by a boy whose mother is away on a business trip, and whose father had to go out to the corner store for a pint of milk for the cereal and his tea.
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An unsigned editorial in the Pensacola News Journal decries the decision of a local high-school teacher to cancel the school's One School/One Book summer reading program to stop students from reading my novel Little Brother. They point out that the principal violated school procedures when he took it upon himself to unilaterally cancel the assignment, and that this is both inappropriate as an educational matter and from the perspective of free speech and free inquiry. It's a great editorial, and it rightly emphasizes the bravery of English department head Mary Kate Griffith, who has fought valiantly over this issue.
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Last week's news that the principal of Pensacola, FL's Booker T Washington High School had cancelled its One School/One Book summer reading program rather than have his students read my novel Little Brother has alarmed several national anti-censorship organizations, led by the National Coalition Against Censorship. Their open letter to the principal of BTWHS, signed by the Comic Book Legal Defense Fund, the National Council of Teachers of English, the Society of Children's Book Writers and Illustrators, the American Booksellers Federation for Free Expression, the Association of American Publishers, and PEN American Center, discusses the legal and moral duty of educators to put challenging material in front of their students.
I'm immensely grateful to these organizations and especially the NCAC for their support, and I really hope that the principal reconsiders his decision and that I can have a chance to discuss the admittedly challenging themes and scenes in Little Brother with his students in the fall.
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The US paperback of my novel Homeland comes out today, and I've written an open letter to teenagers for Tor.com to celebrate it: You Are Not a Digital Native. I used the opportunity to draw a connection between kids being told that as "digital natives," everything they do embodies some mystical truth about what the Internet is for, and the way that surveillance companies like Facebook suck up their personal data by the truckload and excuse themselves by saying "digital natives" have demonstrated that privacy is dead.
As researchers like danah boyd have pointed out, a much more plausible explanation for teens' privacy disclosures is that they're making mistakes, because they're teenagers, and teenagers learn to be adults by making (and learning from) mistakes. I finish the piece with a list of tools that teens can use to have a more private, more fulfilling online social life.
They say that the Holy Roman Emperor Frederick II ordered a group of children to be raised without any human interaction so that he could observe their “natural” behavior, untainted by human culture, and find out the true, deep nature of the human animal.
If you were born around the turn of the 21st century, you’ve probably had to endure someone calling you a “digital native” at least once. At first, this kind of sounds like a good thing to be—raised without the taint of the offline world, and so imbued with a kind of mystic sixth sense about how the Internet should be.
But children aren’t mystic innocents. They’re young people, learning how to be adult people, and they learn how to be adults the way all humans learn: by making mistakes. All humans screw up, but kids have an excuse: they haven’t yet learned the lessons the screw-ups can impart. If you want to double your success rate, you have to triple your failure rate.
The problem with being a “digital native” is that it transforms all of your screw-ups into revealed deep truths about how humans are supposed to use the Internet. So if you make mistakes with your Internet privacy, not only do the companies who set the stage for those mistakes (and profited from them) get off Scot-free, but everyone else who raises privacy concerns is dismissed out of hand. After all, if the “digital natives” supposedly don’t care about their privacy, then anyone who does is a laughable, dinosauric idiot, who isn’t Down With the Kids.
An excerpt from Jillian and Mariko Tamaki’s brilliant graphic novel.Read the rest
Cory Doctorow reviews Jillian and Mariko Tamaki’s brilliant coming-of-age graphic novel for young adults.Read the rest
Children's author, essayist and hero of literature Daniel Pinkwater has revived his classic backlist as a line of DRM-free ebooks! Each one is only $3, and there are some astoundingly good titles in there.
Alan Mendelsohn, The Boy From Mars was my first Pinkwater, and it literally changed my life. It's your basic nerd-discovers-he-has-special-powers book, except it's not: it's got saucer cults, green death chili, mystic bikers, and a sweet and inclusive message about following your weird without looking down on others. It literally changed my life.
The Education of Robert Nifkin is another take on an Alan Mendelsohn-like story, but this time, it's all about taking charge of your own education and an alternative school where the inmates run the asylum. It's probably no coincidence that I ended up at a school much like Nifkin's after reading Mendelsohn (here's my full review).
Young Adults is a hilarious, bawdy romp through the conventions of young adult literature. When got my first paperback copy, I walked around for days, annoying my roommates by reading long passages from this at them until they forgave me because they were convulsed with laughter. Dadaism was never so funny.
Wingman is such a beautiful, compassionate book about race, comics, and a love affair with literature. I read my copy until it fell apart.
What can you say about the Snarkout Boys? They sneak out at night and go to an all-night B-movie palace where they have comic, X-Files-style adventures with the paranormal and diner food. The Snarkout Boys & The Avocado of Death and The Snarkout Boys & The Baconburg Horror comprise the canon.
Then there's Chicago Days and Hoboken Nights, a memoir as a series of comic essays that tell the story of Pinkwater's boyhood, his training as an artist, his late-night hot-dogs, and the forces that made him into the towering force of literature that he is today.
There's so much more!
My independently produced audio edition of Homeland, read by Wil Wheaton, is now available direct from me as a $15 MP3 download. The audiobook not only features Wil's reading, but also Noah Swartz reading his brother Aaron Swartz's afterword and Jacob Appelbaum reading his own afterword, recorded at the Berlin studio of Atari Teenage Riot's Alec Empire.
Sue Townsend has died. Ms Townsend wrote (among other things) the marvellous Adrian Mole books that have been a touchstone for me since I was 14 years old (I'm the same age as Adrian Mole, and grew up with him through Townsend's fictionalised diaries). Townsend has been legally blind due to complications from diabetes for some time, and had been writing her books by dictation. The BBC says that she died at home "after a short illness." I am so sad about this. She was one of the great comic writers, with all that implies: wisdom, wit, compassion and ruthless honesty. She was 68.