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Rudy Rucker

Rudy Rucker is a writer, a mathematician and a computer scientist. Born in Kentucky in 1946, Rucker moved to Silicon Valley when he turned 40. Rucker has published twenty-five books, primarily science-fiction and popular science. He was an early cyberpunk and an editor at Mondo 2000. He often writes SF in a style is characterized as transreal. His most recent novels were Frek and the Elixir, a far-future epic about a boy's galactic quest to restore Earth's ecology and As Above So Below, a historical novel based on the life of the sixteenth century painter Peter Bruegel.  Rucker is a professor emeritus of computer science at San Jose State University, where he created a number of freeware programs relating to chaos, artificial life, cellular automata, higher dimensions, and computer games. He is presently working on The Lifebox, the Seashell and the Soul, a nonfiction book about computers and the nature of reality. Rucker's website can be found at www.cs.sjsu.edu/faculty/rucker or at www.rudyrucker.com.


VacuumPacked Computer

The winner of Bruce Sterling's latest Viridian design contest has been announced: a vacuum-packed "Global Civil Society Laptop" that fits in a zip-loc bag and will run on energy produced by a potato, a battery, or someone rubbing their hands together really, really, fast. Designer Allen Wong describes his methodology:

"It should be free to adapt to whatever situation you find yourself in. You shouldn't have to lug an armload of power adapters, nor should the word "dongle" ever cross your lips again... [Developing nations] should be spared our strange obsession with tiny screws, funky plastic parts and stamped metal pci slot covers."

Contest judge Dr. Mary Kaldor, from the Centre for the Study of Global Governance at the London School of Economics and Political Science, offers this design critique:

"My main criteria were the wow factor and the relevance to global civil society. What I like about it is that it's simple, cheap, uses material that is to hand, and, most important, it is individualistic. It's a design-your-own computer, so no two computers will look alike. Its about self-organisation and autonomy, combined with communication and shared principles."
The Viridian Design home page is here.

posted by Xeni Jardin at 7:48:50 AM | permalink


Shake Your GUI, Baby.

Snapshots from last Friday's digital art extravaganza that Coco Conn, Drazen Pantic and I hosted in New York City are here. Above: Neensters Mai Ueda (far left), Angelo Plessas (far right) and friends.

Featured: artists from Miltos Manetas' Electronic Orphanage; an artist named "ecume_des_jours" who demonstrated the Keystroke collaborative videojamming system (think: group deejaying with moving images instead of vinyl spinning on the ones and twos); Mai Ueda's Turntable Porn (hilarious, minimalist, layered Flash animations of masturbating stick-figures), and an open mic analog jam session.

Mai's performance was accompanied by a bizarre form of cultural mash-up: techno-Thai-stripper music that she collected from porno bars in Bangkok. Think 133-bpm-EuroHouse meets indigenous folk music from Thailand. Drove the assembled gaggle of geek hotties wild, as you can see for yourself. photos: XJ

UPDATE: more cool photos have been added to the image gallery, including many shot by artist Miltos Manetas.


posted by Xeni Jardin at 6:44:51 AM | permalink


Fire Bible, "Only $44.95."

"When was the last time your class saw how HOT God's Word is? Open this authentic looking 'bible' and begin to share the scripture for the day as real flames are seen coming from your 'bible'. This full size book comes with a battery operated ignition system. All you supply are the batteries, lighter fluid and composure as your class gets excited. (special note: Fed-Ex shipping is available if you absolutely have to have the Fire Bible for this Sunday!)"

This online vendor of religious educational aids also offers gory brain and heart-shaped gelatin molds:

"Gross! Icky! And they will remember the lesson forever: Made of sturdy dishwasher safe plastic each mold will last for generations. Illustrate the new heart Jesus gives with a heart transplant. Replace that old yucky colored heart of sin, (mold a rock inside the gelatin for a stony heart), with a perfect colored heart. (You could make one milky white or crystal clear with a light shining through it.) Illustrate "Be careful little eyes what you see" with the brain. Everything you ever see will be stored in your brain...; it can never be removed. (Mold gummy worms or cards with items on them into the gelatin), ask your students to tell you what little Johnny or Susie has been watching on TV when no one's around." "

Thanks, Frank. Link

posted by Xeni Jardin at 6:44:41 AM | permalink


Fashion Photography's Marquis De Sade: Terry Richardson.

HINT Magazine published a cool feature on the work of photographer Terry Richardson (note: includes nudity & graphic sexual content). Richardson's official web site will launch in September, 2002.

"...I like putting sexual images in mainstream magazines, not porn magazines. With porn mags...it all looks the same after a while. Fashion can look the same, too. I like to be subversive, to push images as far as I can and still get them run. It's a challenge to see what I can slip in."

(photo: Terry Richardson) Link


posted by Xeni Jardin at 11:08:33 PM | permalink


Geek-Girl Travelogue, Continued: NYU New Media Research Lab.

Statue of Liberty? The Empire State? The new Prada store? Screw that. I want to go look at some overheated Manhattan routers and a pile of fresh robot guts. Hey, when it comes to sightseeing, Geek Girls have different priorities. When Coco Conn and hit NYC this month, a visit with Ken Perlin (above) at NYU's New Media Research Lab was on the top of our list.

Above: Coco gets a demo of some hot new java apps. Perlin and his motley crew of elite tinkerers and engineering geniuses (including Dan Rosenfeld, who's assembling a robot in the photo below) are hard at work building amazing stuff--here are some photos.

Also check out Perlin's awesome online collection of interactive experiments here for hours of nerdy fun. He's developed some great java apps, and you can also browse through lots of cool demos from various NYU Computer and Technology program research projects. photos: XJ

posted by Xeni Jardin at 9:45:03 PM | permalink


Blog-Grokking

Dylan Tweney published an interesting piece today on blogging's potential as a new framework for knowledge management and collaborative intelligence exchange. Link

posted by Xeni Jardin at 1:15:24 PM | permalink


Photoshop with Real Brushes: The Paintings of Miltos Manetas

"Societies do not disappear easily; people defend their style and way of life. But art, like a female guest, gets tired after a while and changes tables. When she leaves a group of people, she takes back her gifts: radical taste, the spirit of invention, pretty girls and young boys, and in the end...the spectre of power and authority."
--Miltos Manetas

Miltos Manetas purchased his first laptop computer not because he wanted to send e-mails, edit images, or build spreadsheets, but because he thought it was cool that this object produced light from inside; like an expensive, luminous clam.

Manetas is the digital artist responsible for whitneybiennial.com, neen.org, iamgonnacopy.com, and other website-as-art-object one-offs. He's also an accomplished analog artist--his array of work includes paintings and works on paper. I visited his painting studios in NYC this week with Coco Conn and a few other friends. Photos from our visit are here.

Manetas is one to watch: his works on canvas are uniformly powerful, and embody a stark, innovative aesthetic on technology and human identity. They range from sensuous still-lifes of PC cables strewn on the floor, to massive Powerbook portraits that occupy entire 6' x 8' canvasses, to brooding studies of Super Mario reclining alone, un-played-with, beneath a digital tree. Two sets of Playstation joysticks become the Madonna and Child.

The self-taught painter and former video/performance artist decided to learn the medium in the mid-90s. "I called my friends and said, how do you paint? 'You get one big brush, and one small brush for details.' So I started painting," he told me. "I use oil paints because of all paint mediums, they're most like computers: they allow for transparency and rewrites."

In his work, human figures appear as incidental, incomplete, unfulfilled elements in an environment owned by technology. The parallel cables are all talking to one another, the powerbooks are humming, the modem and the server are negotiating, chattering, flirting. "Are you sure you want to quit," the laptop asks? When you enter this powerfully immersive, visionary realm, the answer will be "no." Visit his web site, then view some of his recent paintings here, but realize that thumbnails don't do the work justice.

Photos: Xeni Jardin

posted by Xeni Jardin at 12:43:58 AM | permalink


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