My latest Guardian column, "Warhol is turning in his grave," describes the photography ban in place at the Pop Art Portraits show at the National Portrait Gallery in London. It's an amazing show, and practically every work hung in it violates someone's copyrights, trademarks, or both (this is pop art, after all). In a stunning display of either Dadaism or irony-impairment, the gallery has hung the show with a "no photography" policy (not a "no flash photography" policy, either), and the even extend the ban to the "no photography" signs themselves, which, they claim, are copyrighted works.
Any gallery that bans reproducing Warhol on the grounds that you'll violate his copyright should be forced into an off-site, all-day irony training session.
So what's the message of the show? Is it a celebration of remix culture, revelling in the endless possibilities opened up by appropriating and reusing images without permission?
Or is it the epitaph on the tombstone of the sweet days before the UN set up the World Intellectual Property Organization and the ensuing mania for turning everything that can be sensed and recorded into someone's property?
Does this show - paid for with public money, with some works that are themselves owned by public institutions - seek to inspire us to become 21st century pop artists, armed with cameraphones, websites and mixers, or is it supposed to inform us that our chance has passed and we'd best settle for a life as information serfs who can't even make free use of what our eyes see and our ears hear?
Police were forced to restrain the Easter Bunny this weekend after he landed a series of blows on a man during a street brawl in Orlando, Fla. [The Easter Bunny] said he was out bar hopping with friends when he saw a man and woman fighting. He said he jumped in and tried to pull […]
I have this tire pressure gage and use it once every few months to check the car air pressure. The illuminated readout and valve come in handy in low light. It’s made by Tacklife — I have a lot of Tacklife tools and they all work really well.
Tim of Grand Illusions shows his collection of objects that refer to themselves in one way or another. My favorite is the can opener that comes in a sealed can. My second favorite is this label:
With the intuitive software out there today, anyone can become a music producer. You’ve probably heard that from any number of laptop impresarios, but you still have to know how to use the tools – and Logic Pro X is one of the best platforms out there right now. In order to get the most […]
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It’s 4/20! Smoke ’em if you got ’em – and if you haven’t got ’em, check out this roundup of deep discounts on pipes and other accessories. They’re all on sale, but you can take an extra discount off the final price courtesy of the Boing Boing store by using the online code 420SAVE. Freeze […]